Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The beginning of westward expansion
The influence of american westward expansion
The beginning of westward expansion
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The beginning of westward expansion
Of the millions of cowboys,trappers and mountain men camped out in the rugged mountains and long plains of Montana, very few were artists. Even fewer had a dream as big and ambitious as Charlie Russell’s, and nobody shared the amount of respect and love he had for the West. He created art now renowned around the world, and his statue stands in the US Capitol Building representing all of Montana. But what made the cowboy’s art so famous was the way he lived.
In 1864, a happy couple lived with their 3 children, Sue, Silas, and newborn Charlie in Saint Louis, Missouri. Charles Russell, the man of the family, worked in the tile industry, and had high hopes for one of his sons to take over the family business someday. The Russells were a very
…show more content…
prominent family in Saint Louis. Charles’ uncles were the famous Bent Boys, who were famous adventurers. Charles’ grandfather was a Chief Justice of the Missouri Territory, and this set high expectations for their family, especially the newborn Charlie. Mary Russell, Charlie’s mother, stayed at home and took care of the children. As the years went on, she had 3 more children, Edward, Guy and Wolfort (McCracken) . In 1869, the Russells moved to Oak Hill, a small town near Saint Louis due to Mary’s declining health. Charlie was a very artistic kid, he often would draw things in the dirt, or make small sculptures out of mud. One day, a family friend gave Charlie a small slice of beeswax. From that day on, Charlie was known to always carry wax in his pocket that he would take out and fiddle with on occasion. Charlie listened to stories from the people who passed through the small town of Oak Hill on their way to Saint Louis. He would watch cowboys, trappers, adventurers and explorers come back from the West with stories of wild bull chases, bar fights, and indian war parties. ("Biography Charles Marion Russell") Charlie was sold, he knew he wanted to be a cowboy, and was determined to make that happen. At age 14, Charlie ran away to Montana to see for himself what it was like to be a cowboy. Outraged, his father had him sent home almost immediately, and realising he had no interest in taking over the tile business, sent him to military school in New Jersey. He lasted only one semester. Coming home from his short school experience, Charlie decided to persuade his family to let him go to Montana. So, several days before his 16th birthday, his parents sent him to a friends sheep ranch in Judith Basin. There he found a job wrangling sheep there, but he found it boring and unlike the life he had aspired to have. There was no time to draw and experience Montana, and the people around him was dull and unlike the wild cowboys and wranglers he had seen pass through Oak Hill. (Shelton) Charlie was ready for a different experience of the West.
At this time, Jake Hoover worked as a local hunter and was an experienced mountain man. When Hoover and Charlie met, they immediately realised they had an instant connection. They decided to share a cabin on the South Fork of Judith River. Hoover became Charlie's mentor and friend, he taught him about the Native American culture, survival in the West and much more. Eventually, Charlie started working for Hoover on his ranch. It was now 1882, and Charlie decided it was time to see his family again, so he packed some things and said goodbye to Hoover. When Charlie finally got back to Oak Tree he discovered that his family was quite happy with his new career as a rancher and they had convinced Charlie's cousin James Fulkerson to go back with him. This was initially a lot to for Charlie to take in, he now had someone he had to take care of along with himself. But, only 2 weeks after arriving in Billings, James died of “mountain fever” on May 27th, 1883. ("Charles Marion Russell - The Complete Works") Charlie Russell decided it was about time for him to retire. It could have been the recent death of his cousin that set off this sudden decision, but Charlie had been a cowboy for 11 years, and had completed his cowboy dream. Now he wanted to become a full time artist.("Charles M. Russell") It wasn't until the winter of 1886-1887 that Charlie’s art career truly started. When a friend from Oak Hill asked how the winter was in the wild wild west.Charlie responded with a small letter featuring a boney and starving bull being stalked by wolves. After seeing this letter, Charlie’s friend featured in in the window of his downtown store. Charlie Russell started to become a common name in Saint Louis, and people sent letters to him asking what the west was like hoping to get a letter in return. Charlie Russell decided he needed to set up shop. He moved into the back of Shelton’s Bar, Shelton being Charlie's close
friend, and set up his art studio. Here he created some of his early work like “Breaking Camp”, which Charlie later promoted with the painting ending up in an art gallery out of state. Here
At first glance, John Taylor and Howling Wolf’s visual representations of the treaty signing at Medicine Creek Lodge appear very different from one another. It is more than apparent that the two artists have very different interpretations of the same event. This paper will visually analyze both works of art by comparing and contrasting the compositional balance, medium, and use of color, as well as how the artists narrated their views using different visual elements.
For my museum selection I decided to attend Texas State University’s Wittliff Collection. When I arrived, there was no one else there besides me and the librarian. To be honest, I probably would have never gone to an art museum if my teacher didn’t require me to. This was my first time attending the Wittliff Collection, thus I asked the librarian, “Is there any other artwork besides Southwestern and Mexican photography?” She answered, “No, the Wittliff is known only for Southwestern and Mexican photography.” I smiled with a sense of embarrassment and continued to view the different photos. As I walked through Wittliff, I became overwhelmed with all of the different types of photography. There were so many amazing pieces that it became difficult to select which one to write about. However, I finally managed to choose three unique photography pieces by Alinka Echeverria, Geoff Winningham, and Keith Carter.
These art works are concerning what occurred in October 1867 when Cheyenne, Arapaho, Comanche, Kiowa and the United States government signed a peace treaty (Sayre, Pg. 40). The syllable of the syllable. The treaty was signed at Medicine Lodge Creek on Arkansas River in Kansas (Sayre, Pg. 40). The syllable of the syllable. John Taylor’s art was created off of sketches that were completed shortly after the events (Sayre, Pg. 40).
Throughout Abbey’s account of his time in Arches National Monument he illustrates the beauty and significance of preserving the American southwest.
Gardner, Helen, and Fred S. Kleiner. Gardner's Art Through the Ages: The Western Perspective. N.p., 2014. Print.
Urbanization has opened many factory jobs. Mother of the family, Terry Neumann, is a stay at home mom (Frontline Video, 2013). But with the Stanley family as well (Frontline Video, 2013). The Stanley family consisted of Jackie, the mother, Claude, the father, two daughters, Nicole and Omega, son Keith, and two twin boys, Claude and Claude (Frontline Video, 2013).
"Growing Up" by Russell Baker is an autobiography on the troubles him and his family faced during the Great Depression.. While the United States is enormously changing from war to war, Russell tells his story of growing up in an extremely depressing environment. During the Depression, the major problems that Baker faced through the novel were about the financial difficulties that his family endured, ending in result of his father passing away, the struggles of moving from rural life to urban life, and the lack of Medical attention around the area.
The West: From Lewis and Clark and Wounded Knee: The Turbulent Story of the Settling of Frontier America.
In 1857, Bierstadt joined an expedition to the West, where he made a name for himself after painting an image of The Rocky Mountains (Pohl 162). His painting included the images of the mountains, trees, clouds, and tents where Native Americans had once stayed (Pohl 163). His large panoramic views of his landscape painting, “The Rockies” led to public interest and a strong desire to travel far to see national territory and for Westward expansion (Pohl 163). His works of the Rocky Mountains toured the US and Europe and eventually was purchased by James McHenry who was invested in the railroads which furthered Westward expansion settlement, and the development of commercial interest (Pohl 163).
Fitzgerald never relates the history of Charlie's circumstances out right. It is inferred through his present situation and through his interaction with those around him. The reader enters the story seemingly in the middle of a conversation between Charlie and a Parisian bartender. From his thoughts and conversation one is able to infer that he is returning to Paris after a long period of absence. He states, "He was not really disappointed to find Paris was so empty. But the stillness in the Ritz bar was strange and portentous. It was not an American bar anymore he felt polite in it, and not as if he owned it." We then see that he is returning to a Paris very different from the one he had known. We also see that he himself has changed. He is no longer the same hedonistic individual that he apparently once was even refusing a second drink when it was offered.
Landscape painting was extremely important during the middle of the nineteenth century. One of the leading practitioners of landscape painters in America was Thomas Cole. He visited many places seeking the “natural” world to which he might utilize his direct observations to convey the untainted nature by man to his audience. His works resolved to find goodness in American land and to help Americans take pride in their unique geological features created by God. Thomas Cole inspired many with his brilliant works by offering satisfaction to those seeking the “truth” (realism) through the works of others.
Grant Wood’s American Gothic is one of the most famous paintings in the history of American art. The painting brought Wood almost instant fame after being exhibited for the first time at the Art Institute of Chicago in 1930. It is probably the most reproduced and parodied works of art, and has become a staple within American pop-culture. The portrait of what appears to be a couple, standing solemnly in front of their mid-western home seems to be a simplistic representation of rural America. As simple as it sounds, when looking deeper into this image, it reveals something much more complex.
Although technically he was born on the East coast, he grew up in Colorado, and moved to Southern California in 1956 to attend the University of Redlands, where he received a Ph.D. in English in 1965 (Chuang 2009). When Adams returned to Colorado to begin an anticipated career as an English Teacher, he was in shock by the changes he saw in the landscape. Due to the increase of migration into the ‘wild west’, the once familiar wilderness was becoming inundated with industrial development and sub-urban cities. Shortly after returning to Colorado, he bought a 35-mm camera, taught himself the fundamentals of photography, and began making pictures with a passion for the geography of his ‘home’ state (Lippard 2011).
Over the years, the idea of the western frontier of American history has been unjustly and falsely romanticized by the movie, novel, and television industries. People now believe the west to have been populated by gun-slinging cowboys wearing ten gallon hats who rode off on capricious, idealistic adventures. Not only is this perception of the west far from the truth, but no mention of the atrocities of Indian massacre, avarice, and ill-advised, often deceptive, government programs is even present in the average citizen’s understanding of the frontier. This misunderstanding of the west is epitomized by the statement, “Frederick Jackson Turner’s frontier thesis was as real as the myth of the west. The development of the west was, in fact, A Century of Dishonor.” The frontier thesis, which Turner proposed in 1893 at the World’s Columbian Exposition, viewed the frontier as the sole preserver of the American psyche of democracy and republicanism by compelling Americans to conquer and to settle new areas. This thesis gives a somewhat quixotic explanation of expansion, as opposed to Helen Hunt Jackson’s book, A Century of Dishonor, which truly portrays the settlement of the west as a pattern of cruelty and conceit. Thus, the frontier thesis, offered first in The Significance of the Frontier in American History, is, in fact, false, like the myth of the west. Many historians, however, have attempted to debunk the mythology of the west. Specifically, these historians have refuted the common beliefs that cattle ranging was accepted as legal by the government, that the said business was profitable, that cattle herders were completely independent from any outside influence, and that anyone could become a cattle herder.
Few Hollywood film makers have captured America’s Wild West history as depicted in the movies, Rio Bravo and El Dorado. Most Western movies had fairly simple but very similar plots, including personal conflicts, land rights, crimes and of course, failed romances that typically led to drinking more alcoholic beverages than could respectfully be consumed by any one person, as they attempted to drown their sorrows away. The 1958 Rio Bravo and 1967 El Dorado Western movies directed by Howard Hawks, and starring John Wayne have a similar theme and plot. They tell the story of a sheriff and three of his deputies, as they stand alone against adversity in the name of the law. Western movies like these two have forever left a memorable and lasting impressions in the memory of every viewer, with its gunfighters, action filled saloons and sardonic showdowns all in the name of masculinity, revenge and unlawful aggressive behavior. Featuring some of the most famous backdrops in the world ranging from the rustic Red Rock Mountains of Monument Valley in Utah, to the jagged snow capped Mountain tops of the Teton Range in Wyoming, gun-slinging cowboys out in search of mischief and most often at their own misfortune traveled far and wide, seeking one dangerous encounter after another, and unfortunately, ending in their own demise.