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A brief biography of Charlie Chaplin
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Introduction
On April 16th 1889, the first international movie star was born. His name, Charlie Chaplin, and while he may be recognized as one of the world’s most pivotal actors, his rise to stardom began at the bottom.
Early years
The story of Charles Spencer Chaplin begins in Wadworth, England, a South London slum. He was born to Hannah Harriet Pedlingham (Hill), a young actress and singer who had pulled herself up from nothing and her husband Charles Chaplin Sr. (also a singer and actor), who had come from a moderately prosperous family of pub keepers. Charles Sr. was a well-known entertainer and as noted in Milton (1996) Chaplin’s father was often away on tour and was “popular enough to receive top billing in the provincial music
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It was during this time that Charlie began showing signs of stardom. As early as the age of 2, Charlie had caught the entertainment bug from the parents. As noted in Milton (1996), Chaplin would often perform for his parents and their friends after they had come back from the London music halls, as well as performing with his mother when her voice became hoarse. Although young Charlie Chaplin had found his calling, there were still troubles at home. In March of 1894, his father, Charles Sr., dies from alcoholism at the age of 37. A few years later his mother Hannah, unable to support her children, fell into depression and was hospitalized. She would remain there for the majority his early …show more content…
As he began to slow down his process, his films began to gain more notoriety. During this time Chaplin began to alter his onscreen persona of the “Tramp” making him more loveable and romantic, as seen in his (1915) short film, “The Tramp”. Chaplin also began to add depth to his movies, adding emotion and evoking pity or sadness from the audience, shown in his short film “The Bank” where Chaplin plays an inefficient janitor that mistakes a women’s love for a bank cashier with his same name. Thinking that a letter titled “To Charlie with love” is for him. He later dreams of a bank robbery where he plays the hero that saves the day and wins the girl, just to wake up and find that it is all a dream. At this time Chaplin had become a phenomenon, all of which manifesting from his “Charlie persona” that was beginning to spread throughout America like wild fire, even advertisers began to use Chaplin’s character to sell toys, and create cartoon
At age eighteen, Bob had started a dance act with his girl friend Millie Rosequest, but it did not last long. Bob soon teamed up with another dancer named George Burd. They took their act to New York and worked at a lot of vaudeville show houses. It was at one of these places where Bob was asked to do the announcing in between acts. Bob's comedic talent and acts took hold and lead to the beginning of his solo career. In less than five years Bob had become the most sought after talent and the # 1 hit in the vaudeville circuit.
In 1939, Charlie Chaplin was a world famous movie star who released a movie that would be very controversial, The Great Dictator. The movie was meant to ridicule Hitler, as at that time he was at the height of his power. At the end of the movie, Chaplin delivers a speech as a Jewish barber mistaken for Chaplin’s Hitler- like dictator. Chaplin uses speech rhetoric to convey Chaplin's message of hope and light. The film did very well in the theaters and was Chaplin's most successful movie. The speech in the film, The Great Dictator, used it's influential place in society with cinema to convey a message of peace, hope, and independence.
Imagine it – all the rules you were raised to follow, all the beliefs and norms, everything conventional, shattered. Now imagine It – Clara Bow, the It Girl. The epitome of the avant-garde woman, the archetype of the flapper, was America’s new, young movie actress of the 1920’s. Modern women of the day took heed to Bow’s fresh style and, in turn, yielded danger to the conventional America. Yet Bow’s contagious and popular attitude came with its weaknesses - dealing with fame and the motion picture industry in the 1920’s. Despite this ultimate downfall, Clara’s flair reformed the youth and motion pictures of her time.
Slapstick enables the beleaguered audience to stay here on earth and have the best good time; with a perfect sense of completeness, the clown’s martyrdom becomes the good time the audience is having. The significance of the silent era in film history cannot be overstated. During the first decades of the twentieth century, a truly commercial popular art emerged bound closely to the image of a modern America. Movie making luminaries such as Charlie Chaplin and Buster Keaton lead the way of comic cinema with their unforgettable films. Regardless of the development of synchronized sound, the era drew to a close, but the modes of production, distribution, exhibition, and consumption inaugurated during the silent film era persisted, creating the film industry, as we know it
Through comedy and drama, Robin Williams, has overcome many obstacles to achieve his American Dream. Robin McLaurin Williams was born on July 21,1951 in Chicago. Both of his parents were middle aged with grown children so Williams was raised as an only child. His father was a Ford Motor Company executive
Watching a movie in the 1920s was a cheap and easy way to be transported into a world of glitz and glamour, a world of crime, or a world of magic and mystery. Some of these worlds included aspects of current events, like war, crime, and advances in technology; while others were completely fictional mysteries, romances, and comedies. Heartbreakers, heartthrobs, comedians and beautiful women dominated movie screens across the country in theaters, called Nickelodeons. Nickelodeons were very basic and small theaters which later transformed into opulent and monumental palaces. When sound was introduced into film by Warner Bros. Pictures, “talkies” took top rank over silent films. “Movies were an art form that had universal appeal. Their essence was entertainment; their success, financial and otherwise, was huge” (1920-30, 3/19/11). Films offered an escape from the troubles of everyday life in the 20s, and moviegoers across the country all shared a universal language: watching movies.
We have all seen it done before, either in real life or in the movies. A situation is funny because of the misinterpretation of someone's actions or the complete conflict of what a situation seems to be and what it really is. People come into contact with sight gags all the time. One might be trying to be sneaky and hide something and then when someone looks, one pretends to be doing something else not to get caught. One could also pantomime using an umbrella as a baseball bat. These are both basic forms of sight gags.
The Classical Hollywood style, according to David Bordwell remains “bound by rules that set stringent limits on individual innovation; that telling a story is the basic formal concern.” Every element of the film works in the service of the narrative, which should be ideally comprehensible and unambiguous to the audience. The typical Hollywood film revolves around a protagonist, whose struggle to achieve a specific goal or resolve a conflict becomes the foundation for the story. André Bazin, in his “On the politique des auteurs,” argues that this particular system of filmmaking, despite all its limitations and constrictions, represented a productive force creating commercial art. From the Hollywood film derived transnational and transcultural works of art that evoked spectatorial identification with its characters and emotional investment into its narrative. The Philadelphia Story, directed by George Cukor in 1940, is one of the many works of mass-produced art evolving out of the studio system. The film revolves around Tracy Lord who, on the eve of her second wedding, must confront the return of her ex-husband, two newspaper reporters entering into her home, and her own hubris. The opening sequence of The Philadelphia Story represents a microcosm of the dynamic between the two protagonists Tracy Lord and C.K. Dexter Haven, played by Katherine Hepburn and Cary Grant. Through the use of costume and music, the opening sequence operates as a means to aesthetically reveal narrative themes and character traits, while simultaneously setting up the disturbance that must be resolved.
D. W. Griffith is widely recognized as a pioneer and father of early filmmaking, though in reality he was just a creature of circumstance. In 1907, Griffith departed his theatrical career as failed playwright and somewhat accomplished stage actor to work for the Biograph Company with his first role as the Father in Rescued from an Eagle’s Nest. Griffith entered the American film industry at crucial moment that would shape and define his career. During this time Edison Company was waging a war to monopolize the American film industry through lawsuits against other American companies using versions of Edison’s patented Kinescope without paying royalties. These lawsuits ravaged and prevented the industries growth as film’s popularity was increasing in the United States. In 1907, to meet the growing popularity of nickelodeons (early movie theaters that would charge a nickel for admission and show case 3-4 short films), 1,200 films were released in the United States, of those only ...
Entertainment has traveled from burlesque and vaudeville to high tech filmmaking, and this is the physical existence of our century. The Era of Silent Film in the early 1900s had such geniuses as Charlie Chaplin who paved the road to the time of the "talkies" and to development of sound. If not for him and some other "greats" along the way, where would our film culture be today? Much of the history of our nation seems to be held as digital recordings through visuals. In this respect it is interwoven with the current era of computer information because we want to preserve and record the history of the present as well as at the turn of the millennium.
Charlie Chaplin is an American modern and contemporary history’s symbolic person. He is an actor and a director who was severely criticized about the society in those days through his films. One of his most famous works is the Modern Times. Modern Times is an immortal work, because many people still love the film. There is a person who says, “History is repeating, so we should learn from it.”
Coco Chanel was a fashion inspiration who ruled the fashion empire for decades. Her classic timeless pieces changed the look of fashion. Her hard work and dedication is greatly appreciated throughout the fashion world today. With the help of her many wealthy partners, Chanel put her creative mind to work and created the world’s most popular haute couture house.
The film “Modern Times,” directed by Charlie Chaplin, is set in the mid nineteen thirties. This time frame places the characters in the middle of the Great Depression and the industrial revolution. The film depicts the lifestyle and quality of living for people in this era by showing a factory worker who cannot take the monotony of working on an assembly line. The film follows the factory worker through many of his adventures throughout the film. The film’s main stars are Charlie Chaplin and Paulette Goddard.
Chaplin utilizes his performance as the Tramp character to illustrate the hardships that the upper class brought to the working class. In his dancing scene, Chaplin presents a series of gestures that relay to the audience the various perspectives of those living under the Great Depression. Through his gestures, he creates caricatures of those affected by the Great Depression: specifically those who are benefitting and those who are suffering. Chaplin’s Tramp character depicts the stereotypical boss of a company by making a motion that suggests a large belly, a mustache and amusement. In his selection of characteristics unique to this stereotype, Chaplin’s character imparts the idea that the bosses are fat, as they have generated enough income
As a practical sociologist, Charlie Chaplin film Modern times embodies the ideas of hyper-rationalization of Max Weber and the false consciousness of Karl Marx. His film critiques the structural evolution caused by modern society. Through satire, the film reflects the lived reality of modernity by showing how individual agency succumbs to ruthless pragmatism, and how false consciousness is taught to marginalized individuals.