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Gallipoli campaign significance
Gallipoli essay thesis
Gallipoli essay thesis
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Conception or idea for War Memorial
The idea for the war memorial came about during the Gallipoli campaign but it was not until after the campaign that action was taken. Charles Bean was impacted by the sufferings faced by the soldiers and he didn’t want the unpleasant experiences and sufferings to be forgotten and lost in history. A month after his idea, a memorial museum was constructed for the Australian soldiers. The main idea of this museum was so that the sufferings of people at war and what they did for the country would not be forgotten.
Roles of Charles Bean and John Treloar
Charles Bean as seen in image 1, was Australia’s first official historian of World War One. In his younger years, he was educated and worked as a journalist
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and he was chosen as an official war correspondent. He was placed on shore for the landing of soldiers at Gallipoli and for the remainder of the war he followed the troops movements. Bean saw the experiences of soldiers at war and generated ideas to ensure their experiences and work for the country was not lost. Bean wrote six of the twelve volumes of ‘Official History of Australia in the War 1914-1918’. John Treloar as seen in image 2, was the director of the memorial between 1920 nd 1952. Like Bean, Treloar was also at the landing at Gallipoli. At the beginning of the memorial, he was appointed as the head of the new section ‘Australian War Records’ in London. For this section he had to collect records and relics so the museum could be continued. At the conclusion of the war he gave most of his life to this museum and had a major influence on most aspects of its development. In 1920 he was appointed as the director of the memorial. Attempts to build a national collection Relics and records were collected in attempt to build a large unique collection. The ‘Australian War Records’ section of the memorial was set up in 1917 to ensure Australia held its own collection of relics and records from the war. John Treloar devoted himself to improving this unit and collecting new relics. Other people such as Sid Gullet and Ernie Bailey went into the field to collect new material for the museum. A total of around 25,000 original relics were gathered. There were also appointments with official war artists and photographers to add new images to the museum. There were eighteen official war artists including Will Dyson, George Lambert and Arthur Streeton. The Melbourne and Sydney Collections The memorial buildings were constructed in Canberra at the conclusion of the First World War.
Although, there was immediate struggle in gaining public and government enthusiasm towards the project and there was no initial support for it. The Great Depression and financial crash also made it difficult to get going. However, during this period of time exhibitions were held in Sydney and Melbourne for long periods of time which helped to raise awareness and funds. The Australian War Museum officially opened on Anzac Day in 1922 in the Exhibition building in Melbourne. Large crowds were attracted to this museum and they were all positive about it and it received enthusiasm and compliments by both the public and the press. The exhibition was open until 1925 when it moved to Sydney until 1935.
Finding a Permanent home
Charles Bean had a very intricate and definite decision of what he intended and wanted for the memorial. His building idea had to compromise for what he wanted as well as the budget of £250,000.
The Design
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Competition A design competition was held in 1927 in attempt to produce a design for the memorial that would be used. However, none of the entered designs satisfied anyone. Two of the entrants in the competition were encouraged to join their designs and enter it into the competition. This design was accepted and it forms the basic idea of what is able to be seen today in Canberra. The memorial was completed and opened on Remembrance Day on November 11 1941. Guiding Ideas for the exhibitions Charles Bean did not want any of the museum to be seen as glorifying the war or to show defeat over the enemy. He wanted the focus to be on what the Australian soldiers contributed to the country and what they had to experience. The sources in the museum could not be mentioned as “trophies” but only relics as it is seen as more respectful towards others involved. Captions for the relics could also not use derogatory terms. Former enemies were to be referred to as generously as Australians are. Exhibition principles and things to avoid in the memorial were written up to ensure everything held respect. Exhibitions are required to be relevant to what has happened and what the public want to see as well as what they should see due to the impact on Australia. They should be engaging and keep the public interested by presenting relics along with stories and information rather than just text to provide different opinions. Original aim and purpose for the War Memorial The original aim and purpose of the war memorial was to ensure that everything that the soldiers had done was not forgotten. The current aim and purpose is now to commemorate the sacrifices of soldiers who died during the war. The memorial aims to help Australians remember and understand more clearly the experiences of Australians at war and the continued impact on Australia. It now focuses more strongly on the impact on Australia and for people to understand it. Incorporation of conflicts post WW1 Before and throughout World War One most relics were collected and maintained by Charles Bean. However, now official histories are commissioned by the government including firsthand accounts like diaries. Since the conclusion of World War One more recent conflicts and battle are being included in the memorial so Australians can know how much of an extent people are suffering. The exhibitions have been using more technology and creative ways to convey stories and experiences. Construction of additional wings and areas of AWM The Australian War Memorial is constructed of many different areas each holding a different purpose. The original way that Charles Bean had imagined the memorial looking was having a centre area holding relics and two wings; one with a gallery showing paintings from artists who were on the scene and the other wing as a library for official records. However, additional wings have been constructed onto the existing memorial but hold different purposes to what Charles Bean had imagined. The left wing showcases an exhibition for World War One and the other wing holds an exhibition for World War Two. Throughout the rest of the memorial there are ten other common and well-known areas.
The commemorative area and roll of honour hold records of over 102,000 names and a place to commemorate the members of armed forces who have died whilst serving the country. The hall of memory is above the pool of reflection where names of soldiers can be seen and the tomb of the unknown Australian soldier lies underneath the dome where souls of the dead are shown to “ascend into heaven”. The dioramas are a physical representation for different battles and assist in showing the devastation and danger caused. The hall of valour also recognises ordinary citizens who faced similar conditions and the Anzac hall shows large displays and stories about Australians who served. The aircraft hall is also an exhibition demonstrating how the aircraft worked and the discovery zone is an educational area where school groups can learn and do hands-on work to assist in understanding. The sculpture garden is a quiet area with a range of sculptures in which much commemoration can
occur. Commemoration at the AWM Commemoration at the memorial plays a key role as the main purpose is to commemorate the sacrifices of the soldiers and there are a range of ways that it can take place within the memorial. There are regular Anzac Day and Remembrance Day ceremonies which take place and ceremonial customs and wreath laying also occur as a symbol of remembrance and commemoration for soldiers. An example is seen in image 4 below. The roll of honour also shows the names of over 102,000 soldiers who have died fighting for the country. Changing uses and purposes of the AWM up to 2018 There are permanent exhibitions sharing information about Australia’s involvement in battles and temporary exhibitions are also held at different times demonstrating other aspects about Australia’s military history. A past temporary exhibitions includes Hearts and Minds: Wartime Propaganda (3 November – 8 April) and a current exhibition is From the Shadows” Australia’s Special Forces. The memorial is now more focused on educating Australians on the effect on Australia. They do this by providing many free talks and ceremonies that can be attended. The current purpose is to commemorate the Australians who have made sacrifices for the country and they present these in different ways to keep the public engaged and to assist them in understanding in different ways.
On the 14th of September 1914 executive council of the Australians Journal Association appointed Charles as the official war correspondent with the AIF troops (Australian Imperial Force). He was then honorarily given the ranking of a captain and then followed in the footsteps of the Australians infantries campaigns.
Good morning members of the Mt Gravatt show society. Did you know that World War Two is known as the most destructive war in history? It killed over 60 million people and had a lot more far-reaching impacts than any other wars. Published in 1988 in Inside Black Australia, an anthology of Aboriginal poetry, “The Black Rat” by a famous author and researcher, Iris Clayton, was a poem inspired by her father, Cecil, who fought in the war. The poem describes the depressing life of an Aboriginal soldier who helped off the German army at Tobruk at the time. The message in the poem is that the Aboriginal soldiers did not receive the benefits that European soldiers received, like farming lands after the war ended. This tells how unjust the European society was in Australia’s history.
I will also discuss how the young, naive soldiers arrived at war, not knowing what warfare entailed. They were shocked by the conditions and the casualties. I will also discuss the bravery shown by the ANZACS in the most dangerous conditions. I will conclude with my reasons for why the Gallipoli campaign holds such value and importance in Australian history and ideology. Australian men were very keen to get involved in the war because they felt that it was their duty and if they didn’t go to war it would make them look cowardly.
'The Australian Legend', in itself is an acurate portrayal and recount of one part of society, from a specific era, ie. the Australian bushman of the 1890s. Its exaggerations, however, such as the romanticism of the bush ethos by Australian writers, the unbalanced use of evidence, and the neglect to acknowledge the contribution to our national identity from certain sections of society, ie. aboriginal people, city-dwellers, women, and non-British immigrants, render this book to be flawed. For these reasons, it cannot be regarded as a complete and balanced account of Australian history.
Lin's work, unlike most previous military monuments, rejects the emphasis on heroics in favor of a poignant, contemplative, apolitical design which conveys an almost unbearable sense of loss. Simple, graceful, and abstract, the design specified two 246.75 foot long walls of polished black southern India granite, set below grade and connected at a 125 degree angle.2 Each segment of the wall is composed of 70 panels. At their intersection, the walls are 10.1 feet high and they taper down to a height of 8 inches at their extremities.3 The largest panels have 137 lines of names.4 The smallest panels have just one line. Each line consists of five names, which were sandblasted into the polished surface by hand, rather than cut into it with machine tools.5 Currently, the monument wall lists the names of 58,175 members of the armed forces who were confirmed killed or listed as missing in action during the Vietnam War.6
Although, most of it is accounted by the war itself, the suffering of many Australian veterans had much to do with...
The Tomb of the Unknown Soldier has struck my interest for the past few years. I have always been interested in historical events that impacted many lives. The Holocaust, the Berlin Wall, and World War I and II have always been something I take very seriously and I am very interested in learning about America’s history. The backstory behind the Tomb of the Unknown Soldier is fascinating and after researching it I learned new things that made me more motivated to write this essay in hopes that I get the honor of laying a wreath on the Tomb of the Unknown Soldier. If I am chosen to take part in the wreath laying ceremony it would mean so much to me because laying a wreath is a very symbolic ritual and I believe it shows how much people care about all the soldiers who served in World War I.
Peter Weir’s 1981 film Gallipoli can in every sense of the phrase be called an ‘Australian classic’. The impact and effect this film has had upon the psyche and perspective of several generations of Australians has been significant. Whilst it can be argued that every Australian is aware of the ANZAC legend, and the events that occurred on the Turkish beaches in 1915, Weir’s film encapsulates and embodies a cultural myth which is now propagated as fact and embraced as part of the contemporary Australian identity. The film projects a sense of Australian nationalism that grew out of the 1970’s, and focuses on what it ‘means’ to be an Australian in a post-colonial country. In this way Gallipoli embodies a sense of ‘Australian-ness’ through the depiction of mateship and through the stark contrast of Australia to Britain. A sense of the mythic Australia is further projected through the cinematic portrayal of the outback, and the way in which Australia is presented in isolation from the rest of the world. These features combined create not only a sense of nationalism, but also a mythology stemming from the ANZAC legend as depicted within the film.
In the nineteenth century, the “History wars” became the fight between the most prominent historians revolving around the deception of frontier conflict between the labor and coalition. The debate aroused from the different interpretations of the violence that took place during the European colonization and to what degree. It became a crisis in history, emerging from the dispossession of the Aboriginal and Torres Strait Islanders (ATSI) that resulted in exclusion of their traditions and culture. The ATSI were the first people of Australia that brought along a different culture, language, kinship structures and a different way of life (Face the Facts, 2012). Post European colonization was a time where the ATSI people experienced disadvantage in the land they called home. With the paramount role as future educators, it demands proficient knowledge on the Australian history and one of the most influential moments in our history started from the first European settlers.
Thousands of headstones in the far distance create magnificent mazes against the horizon. The immense land has very little room to spare as it is overflowing with graves of heroic soldiers. The white marble graves are like oversized dominos stacked precisely in the thick wind ruffled grass. It is almost inconceivable to imagine each tomb is the physical eternal home to a once courageous and patriotic warrior of our homeland. As the fireball in the heavens slowly descends, it creates a glorious silhouette of the infinite number of tombstones.
The Korean War Veterans Memorial is an ominous depiction of an American squad on patrol alongside a 164 foot mural wall, to show that freedom is not free. The memorial is dedicated to those who served in the Korean War but more importantly those of them who were killed in action, are still missing in action, or were held as prisoners of war. The memorial was created by Frank Gaylord and Louis Nelson. The objective of the memorial is to remind the public of the dedication to the United States of the men and women who served in the Korean War. The memorial was designed to show the trials and tribulations that many of the military personnel faced during the war.
Not only are military heroes buried at Arlington, but memorials have also been built to honor others who have given their lives for America. The memorials that are located throughout Arlington tell a story about people throughout American history (Reef 43). Each year families walk the endless rows of white head stones at Arlington in order to pay their respects to the ones that have given their lives for America.
As students of history in the 21st century, we have many comprehensive resources pertaining to the First World War that are readily available for study purposes. The origin of these primary, secondary and fictional sources affect the credibility, perspective and factual information resulting in varying strengths and weaknesses of these sources. These sources include propaganda, photographs, newspapers, journals, books, magazine articles and letters. These compilations allow individuals to better understand the facts, feeling and context of the home front and battlefield of World War One.
At the Arlington National Cemetery in Washington D.C. lie the remains of four hundred thousand soldiers, but only four are given the title the unknown soldier. The tomb of the unknown soldier, also known as the Tomb of the Unknowns, is a monument that opened on November eleventh nineteen twenty-one. The tomb contains the remains of four unidentified soldiers from World War I, World War II, the Korean War, and the Vietnam War. The tomb is a reminder of America 's pastime. The Tomb of the Unknown Soldier is a vital part of American history because it represents all the men and women who have selflessly given their lives for American freedom.
Around the world, people travel far and wide to pay their respects at monuments which memorialize important events or great historical figures. These monuments play a vital role in offering people with a place to pay proper homage to the subjects that have great significance to them. Monuments are a place to show respect and remembrance and should be constructed with this as the most important value in mind. When creating a monument to put a person or event into memorial, it is important to consider the location, design, and longevity of the memorial in order to properly honor the subject.