The most dangerous foe can be right in front of you, right next to you, possibly someone or something very close to you, without you even knowing. “Where are you going? Where have you been?” By Joyce Carol Oates is set in the 1960’s in a small rural town. Connie is the main character who obsesses over all the boys and they return the favor. She is very self-centered and does nothing to help out her family. When she’s not off chasing boys she’s at home thinking about all the boys until one of them, Arnold Friend, shows up unannounced to whisk Connie away for good. Arnold Friend is a wolf in sheep’s clothing; he may appear to be familiar and friendly but upon closer investigation Arnold is a demonic character with sinister intentions that we …show more content…
should all look out for. Everything from Arnolds name to his appearance and attitude portray all the right qualities that Connie looks for in boys but hide his true identity and intentions. When Arnold got out of the car “Connie liked the way he was dressed, which was the way all of them dressed” (Oates, 394). Connie recognized his “tight jeans that showed his thighs and buttocks and the greasy leather boots and the tight shirt, and even that slippery friendly smile of his… that all the boys used to get across ideas they didn’t want to put into words. But all these things did not come together” (395). Connie sees what she has trained herself to see which is a good-looking boy with all the right attributes. What she fails to see is the danger of a stranger pulling into her drive. Rather than questioning the advance she welcomes it, and the attention, like all the other boys who try to court her. She describes Arnolds face as “a mask… tanned down onto his throat but then running out as if he had plastered make up on his face but had forgotten his throat”(398). She saw his eyes for the first time “and she saw how pale the skin around his eyes was, like holes that were not in shadow but in light” (394). Connie is starting to notice certain things about Arnold that are extremely peculiar like the fact that he is wearing make up. Connie is becoming wary of Arnold but still does not grasp the weight of the situation. Some things in life are not as they appear, looks can be deceiving, sometimes for the better sometimes for the worst. Too many people take things at face value. It is important to always keep your guard up and keep from judging a certain person or situation without all the information. Arnold portrays demonic characteristics through his appearance and some of Connie’s description.
Connie describes Arnold and how he was “sniffing as if she were a treat he was going to gobble up and it was all a joke” (394). This description of Arnold Connie shares show’s his darker side indirectly. For a person to be gobbled up doesn’t necessarily mean being eaten but could mean to get so consumed or caught up in someone or something that it could destroy or change your life forever. Connie sees Arnolds “feet did not go all the way down; the boots must have been stuffed with something so that he would seem taller” (398). This is more than his appearance here. While he might be ashamed of his height and wears lifts to make women more attracted to him it is how the lifts make his feet look. They are described to look broken like any human foot could not fit in the boot; the description resembles a hoof like appendage. The most infamous demonic character is the devil and the devil is said to have hooved feet that Arnolds stuffed shoes …show more content…
resemble. While Arnold may say he just wants to take Connie for a ride in his jalopy or have a date with Connie; his intentions are much more than that.
Arnold takes his sunglasses off and Connie described the look in his eyes “as if the idea of going for a ride somewhere, to some place, was a new idea to him” (392). Based on the time period and Connie’s interaction with boys she knows what a ride in a car is like and so should Arnold. The fact that Arnold has this look in his eyes shows that he isn’t thinking about a car ride but something completely different. Arnold tells Connie “This is how it is… but if you don’t come out we’re gonna wait till your people come home and then they’ll all get it” (399). While it is not said directly what it is, it is a direct threat toward Connie’s family. He demands Connie to come outside or her whole family will be in some kind of danger. Through his threats and his body language Arnold shows he has a sinister
side. Arnold has created another person to fool and trick younger women into trusting him. He has disguised himself to fit in, to be unnoticeable and different but noticeable and different nonetheless. Arnold Friend may appear to be what Connie dreams of, though he is most certainly not. Everyone can relate to Connie and Arnold, though it might not be in the same way. Arnold is an idea of something greater and more powerful, something evil and uncontrollable and something to be aware of. People struggle with different forms of Arnold everyday whether its drug and alcohol abuse, uncontrollable gambling, cheating on their spouse or many other possibilities. It doesn’t have to be something that is clearly dangerous or malice; it could be something completely normal, like chasing the opposite sex at a young age, but so much attention is given to that aspect of life that it takes over one’s life and can morph into an Arnold Friend.
Like all great stories throughout time, a compelling villain is the key to making a story worthwhile. In short stories like, “Where have you been, where are you going,” and, “Love in LA,” a though provoking antagonist was used by the authors to really give the stories some depth. The antagonist of, “Where have you been…”Arnold Friend takes on the persona of temptation to the protagonist Connie and really emphasizes the theme of be careful what you wish for. Connie was a young girl who repeatedly met up with older more mature boys; but one day Arnold Friend arrives at her house and coerces her to leave with him. The story abruptly stops there leaving the reader hoping for more. The antagonist of, “Love in LA”, Jake, an unemployed dreamer, meets the heroine of the story, Marianna, when he mistakenly hits her car on the freeway. From there, he proceeds to lie and do whatever it takes to make himself look better, and go out with Marianna. Both of these antagonists are similar in that both could have some underlying biblical meaning or connotation, both hit on younger, seemingly “innoce...
Joyce Carol Oates' short story "Where are you going? Where have you been?" 'runneth over' with Biblical allusion and symbolism. The symbols of Arnold Friend, his disguise, and the music that runs through the story contribute to an overall feeling of devilishness, deception, and unease.
My definition of evil is in its most general context, is taken as the absence of that which is ascribed as being good. Often, evil is used to denote profound immorality. In this situation I would have to say Arnold’s friend most exemplifies evil. Arnold Friend could be an allegorical devil figure, the protagonist who lures Connie into riding off with him in his car, or, in the contrary, far more a grotesque portrait of a psychopathic killer masquerading as a teenager. However, he has all the traditional, sinister traits of that arch deceiver and source of grotesque terror, the devil, with his painted eyelashes, shaggy hair, and stuffed boots. In the story, Oates does make Arnold out to be a psychopathic stalker, but never objectively states the diabolical nature to his character.
Arnold Friend is the devil in human form. However, as his physical description progresses, he becomes more unreal and more caricature-like with every trait. Everything Connie, the protagonist and object of Arnold Friend's desire, sees is like something else she knows, familiar and recognizable. These traits, however, do not create a homologous character; instead it is an awkward collection of incongruities. If a trait does not appear borrowed, it appears fake or imitating. His hair is "shaggy [and] shabby . . . that looked crazy as a wig," and Connie's assertion is strengthened when he put his sunglasses on his head "as if he were indeed wearing a wig." Already Arnold Friend seems assembled, completely divergent from human characteristics. Connie describes the way he is dressed, as well as his body type, as similar to every other boy out there. With every physical detail, Arnold Friend seems more and more like the devil taking on the appearance of a typical teenage boy in order to prevent scaring young girls away. "His face was a familiar...
The overuse of biblical allusions throughout the story helps to expose the naive nature of Connie that reveals her as a victim of evil which shows that lust often transgresses on an individual’s identity. In “Where Are You Going, Where Have You Been,” Joyce Carol Oates expressed the subjective ideas by symbolizing Arnold Friend as a devil that tempts a clueless teenage girl Connie, who wanted to experience love.
In “Where are You Going, Where Have you Been?” Joyce Carol Oates uses an allegorical figure of evil to illustrate the theme of temptation. Oates alludes to hell through the character Arnold Friend, as the devil, and his victim Connie, who invites him in by committing the sin of vanity.
In “Where Are You Going, Where Have You Been” by Joyce Carol Oates, Connie is a normal teenage girl who is approached outside her home by a guy named Arnold Friend who threatens to harm her, and she obeys, if she does not get in the car with him. Connie is the main character in this story who teaches us that sometimes we might search for adult independence too early before we are actually ready to be independent and on our own. Connie is so focused on her appearance that she works hard to create a mature and attractive adult persona that will get her attention from guys. This search for independence conflicts with Connie’s relationship with her family and their protection of her. Connie’s insecurity and low self-esteem is triggered by her fear of intimacy. Connie confuses having the attention of men with actually having them pursue her in a sexual way.
Joyce Carol Oates' "Where Are You Going, Where Have You Been?" is about a young girl's struggle to escape reality while defying authority and portraying herself as a beauty queen; ultimately, she is forced back to reality when confronted by a man who symbolizes her demise. The young girl, Connie, is hell- bent on not becoming like her mother or sister. She feels she is above them because she is prettier. She wants to live in a "dream world" where she listens to music all day and lives with Prince Charming. She does not encounter Prince Charming but is visited by someone, Arnold Friend, who embodies the soul of something evil. Arnold Friend symbolizes "Death" in that he is going to take Connie away from the world she once knew. Even if she is not dead, she will never be the same person again, and will be dead in spirit. With the incorporation of irony, Oates illustrates how Connie's self-infatuation, her sole reason for living, is the reason she is faced with such a terrible situation possibly ending her life.
Joyce Carol Oates intrigues readers in her fictional piece “Where Are You Going, Where Have You Been” by examining the life of a fifteen year old girl. She is beautiful, and her name is Connie. Oates lets the reader know that “everything about her [Connie] had two sides to it, one for home, and one for anywhere but home (27). When Connie goes out, she acts and dresses more mature than she probably should. However, when she is at home, she spends the majority of her time absorbed with daydreams “about the boys she met”(28). This daydreaming behavior is observable to the reader throughout the story. From theories about dreams, theories about subconscious thought, and the clues that Oates provides, the reader is lead to believe that Connie’s experience with Arnold Friend is a nightmare used to awaken her to the consequences that her behavior could result in.
Ignorance and vanity can be good, in small amounts, but too much can lead to very unwelcome consequences. Connie, a teenage girl who can’t get enough of herself, learned this the hard way when a strange man by the name of Arnold Friend arrives at her house with the intent of taking her on a ‘date’. Instead of calling the police or locking herself in, like common sense would imagine, Connie uneasily greets Arnold from her door when he gets out of his car, instantly letting her vanity and ignorance get the best of her. Joyce Carol Oates shocks the reader with the twist ending in her short story “Where Are You Going, Where Have You Been” in which after hearing Arnold’s threat towards her family, Connie hands herself over to Arnold allowing him
Joyce Carol Oates' short story "Where Are You Going, Where Have You Been?" written in the late sixties, reveals several explanations of its plot. The story revolves around a young girl being seduced, kidnapped, raped and then killed. The story is purposely vague and that may lead to different interpretations. Teenage sex is one way to look at it while drug use or the eerie thought that something supernatural may be happening may be another. The story combines elements of what everyone may have experienced as an adolescent mixed with the unexpected dangers of vanity, drugs, music and trust at an early age. Ultimately, it is up to the reader to choose what the real meaning of this story is. At one point or another one has encountered, either through personal experience or through observation, a teenager who believes that the world is plotting against them. The angst of older siblings, peer pressure set upon them by their friends, the need for individualism, and the false pretense that at fifteen years of age, they are grown are all factors which affect the main character in this story.
Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been?” clearly illustrates the loss of innocence adolescents experience as they seek maturity, represented by Connie's dangerous encounter with Arnold Friend. Connie symbolizes the many teens that seek independence from their family in pursuit of maturity. Connie’s great desire to grow up is apparent from the beginning of the story, as she experiments with her sexuality. However, it is clear that Connie is not interested in pursuing a relationship, but relishes the maturity she feels after being with the opposite sex. After following a boy to his car, she was “gleaming with a joy that had nothing to do with Eddie or even this place” (2). This suggests that Connie's exploits
In the short story “Where Are You Going? Where Have You Been?”, by Joyce Carol Oates, the use of the symbolism of Connie’s clothes, her fascination with her beauty, Arnold Friend’s car and Arnold Friend himself help to understand the story’s theme of evil and manipulation. The story, peppered with underlying tones of evil, finds Oates writing about 15-year-old Connie, the protagonist of the story, a pretty girl who is a little too into her own attractiveness, which eventually gets her into trouble with a man named Arnold Friend. The story is liberally doused with symbolism, from the way Connie dresses to the shoes on Arnold Friend’s feet. In “Where Are You Going? Where Have You Been?” the reader can pick up on some of the symbols very easily, while others need deeper thought. The subtle hints of symbolism throughout the story create a riveting tale that draws the reader in. Connie finally succumbs to Arnold Friend at the end of the story, it then becomes obvious that he represents the devil and the symbolism of her clothing and Arnold’s car all tie together to create a better understanding of the story.
Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” tells the tale of a fifteen year old girl named Connie living in the early 1960’s who is stalked and ultimately abducted by a man who calls himself Arnold Friend. The short story is based on a true event, but has been analyzed by many literary scholars and allegedly possesses numerous underlying themes. Two of the most popular interpretations of the story are that the entire scenario is only dreamt by Connie (Rubin, 58) and that the abductor is really the devil in disguise (Easterly, 537). But the truth is that sometimes people really can just be in the wrong place at the wrong time. Connie, a victim of terrifying circumstance will be forever changed by her interactions with Friend.
First, Arnold Friend’s physical traits portray him as Satan. Oates says that “There were two boys in the car and now she recognized the driver: he had shaggy, shabby black hair that looked crazy as a wig and he was grinning at her,” (Oates 316). The hair could actually be a wig hiding something that he didn’t want someone to see. Maybe he was hiding his devil horns. Also when he was standing Connie had mentioned that “He was standing in a strange way, leaning back against the car as if he were balancing himsel...