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Literary devices and their effects
Literary devices english 10
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My definition of evil is in its most general context, is taken as the absence of that which is ascribed as being good. Often, evil is used to denote profound immorality. In this situation I would have to say Arnold’s friend most exemplifies evil. Arnold Friend could be an allegorical devil figure, the protagonist who lures Connie into riding off with him in his car, or, in the contrary, far more a grotesque portrait of a psychopathic killer masquerading as a teenager. However, he has all the traditional, sinister traits of that arch deceiver and source of grotesque terror, the devil, with his painted eyelashes, shaggy hair, and stuffed boots. In the story, Oates does make Arnold out to be a psychopathic stalker, but never objectively states the diabolical nature to his character.
Although Arnold Friend's traits are never stated outright, they are presented through his speech and interaction with other characters, which ultimately creates a more impacting effect and lasting impression. Arnold Friend is the devil in human form. However, as his physical description progresses, he b...
A spider, a zombie, a serial killer, all of these things would scare most but why do people pay good money to be scared by all these things? Because people like to be scared. Ever since people could speak to one another, they have been telling these stories. whether it be around a dim lit campfire, in the form of a book, or even on the big screen. these stories stand out through time because of their graphic word choice, unique characters, and suspense. Edgar Allen Poe’s “The Black Cat” and Joyce Carol Oates “Where Are You Going Where Have You Been?” both possess these elements of word choice and suspense along with psychotic like characters such as Arnold Friend (WAYG) and the narrator (The Black Cat). Poe's character the
The depiction of Arnold Friend runs parallel to the common conception of the Devil. Many aspects of his outward appearance, as well as his behavior, contribute to this by portraying him in a sinister manner. His nose is "long and hawklike" and he has a "slippery smile." His "greasy" boots don't fit him right, "as if his feet [don't] go all the way down." The stereotypical Beelzebub is often seen with hooves. When he draws 'his sign' – the sinister letter X – in the air, it "stays there, almost still visible," as if he supernaturally burnt it into the air. The numbers appearing on Arnold's car, 33, 19, and 17, exclude the number 18. The 18th letter of the alphabet is "r", and removing that letter from his name presents "an old fiend". Arnold knows about Connie's family, where they are at that moment, and what radio station she is listening to. This can be explained logically by the fact that that he is a stalker. As an allusion, the Devil is omniscient. Arnold also promises not to enter Connie's house unless she picks up the phone. This exemplifies the classic adage, "The Devil won't come into your home until you invite him in." Finally, the fact that Arnold is preying on someone nearly twenty years his junior (physically inferior and easily overpowered) and the methods he uses to finally convince her to come with him (threatening her family and her home) portray him as a genuinely despicable character, worthy of the epithet "Devil," if not its lit...
Greg Laurie describes the devil as a sly, smart person, in his article “The Truth About the Devil,” and says that even though Satan does not know everything, he knows how to use what he has to lure you to him. Right off the bat, Arnold tells Connie that he knows her family is out and for how long. He also mentions her best friend and other friends by name and tells her, “’I know everybody’ (4)”. This shocks Connie and I think makes her fear that he will hurt them if she does not comply.
Good and Evil in The Devil and Tom Walker The concept of evil in the short story "The Devil and Tom Walker" can be shown in many ways, by Irvings' symbolism. In the short story, Tom Walker symbolizes all of mankind by portraying him as being "sinful" and evil. When there is an intent to destroy, then we get a different level of hatred.
"Connie, don't fool around with me. I mean—I mean, don't fool around," he said, shaking his head. He laughed incredulously. He placed his sunglasses on top of his head, carefully, as if he were indeed wearing a wig…” (Oates 6). Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” highlights an altercation, meeting, conflict and dispute between a teenage girl, named Connie, and a psychotic rapist named Arnold Friend. Throughout their altercation, Arnold Friend tempts and encourages Connie to get in the car with him and lead her to a variety of possible dangerous situations, one of which includes her getting raped . There is no doubt that Joyce Carol Oates’ uses Arnold Friend in her short story “Where Are You Going, Where Have You Been?” to symbolize the Devil and embody all of the evil and sinister forces that are present in our world. This becomes apparent when the reader focuses on how deranged Arnold Friend is and begins to
Arnold Friend could possibly be a symbol of the devil. Friend tries to be kind and tells Connie he will take care of her and everything to try and get her to come with him. Oates says, “His whole face was a mask, she thought wildly, tanned down onto his throat…”; this could symbolically be connected with the devil. The devil would never be out in the open he would be in disguise. McManus also talks about how Friend is related with the devil. “Friend’s suggestion is that if Connie’s house was on fire, that she would run out to him, may also suggest symbolism. Fire being associated with devil.” This is a great symbol of Friend and the devil because fire is most definitely associated with the
Throughout “Where Are You Going, Where Have You Been?” Arnold Friend is a very intimidating and mysterious character that is hard to figure out. Arnold knows everything about Connie, a teenage girl that he has never met before. He is very persistent with getting Connie to run away from her awful teenage life at home with him. Arnold’s appearance adds even more mystery to who he actually is. Arnold has a roughed up look to him, a secret code painted on his car that can be interpreted as a Bible verse, and he can not stand steady on his feet, because of all of these attributes Arnold appears that he is possibly Satan.
Arnold Friend is the devil in human form. However, as his physical description progresses, he becomes more unreal and more caricature-like with every trait. Everything Connie, the protagonist and object of Arnold Friend's desire, sees is like something else she knows, familiar and recognizable. These traits, however, do not create a homologous character; instead it is an awkward collection of incongruities. If a trait does not appear borrowed, it appears fake or imitating. His hair is "shaggy [and] shabby . . . that looked crazy as a wig," and Connie's assertion is strengthened when he put his sunglasses on his head "as if he were indeed wearing a wig." Already Arnold Friend seems assembled, completely divergent from human characteristics. Connie describes the way he is dressed, as well as his body type, as similar to every other boy out there. With every physical detail, Arnold Friend seems more and more like the devil taking on the appearance of a typical teenage boy in order to prevent scaring young girls away. "His face was a familiar...
The narrator implies that Arnold Friend is Satan by giving certain clues that the reader can easily deduce. The name that Oates gives to the character is one hint to the reader: “Connie looked away from Friend's smile to the car, which was painted so bright it almost hurt her eyes to look at it. She looked at the name, Arnold Friend. She looked at it for a while as if the words meant something to her that she did not yet know” (583). The name “friend” was commonly used by the Protestants to refer to evil or the devil. Moreover, Arnold Friend's appearance also hints that he is Satan: “There were two boys in the car and now she recognizes the driver: he had shaggy, shabby black hair that looked as a crazy wig”(583). The narrator emphasizes the “wig” to make the reader think that he is wearing it for a purpose, which is hide his devil’s horns. Also, the fact that Arnold Friend's eyes are covered is another stragedy use by Oates to confirm the assumption of the diabolic presence: “ He took off the sunglasses and she saw how pale the skin around his eyes was it, like holes that were not in shadow but in...
Arnold Friend takes advantage of Connie’s teenage innocence for something of a much more sinister purpose. Connie thought she had it all figured out until Arnold Friend came into her life and up her driveway on one summer, Sunday afternoon and made her realize how big and scary the world can be. Arnold embodies everything that Connie has dreamed about in a boy, but is in the most malevolent form of Connie’s dream boy. She always wanted to get away from her family because she has always felt as if she didn’t belong and Arnold can make this possible just in the most predatory way. She always thought sex would be sweet (and consensual) and that she would be in charge of how it progressed, Arnold strips her of the authority she’s held in any other encounter with a boy. The moral of the story is always be careful what you wish
The use of allusions conveys many different references such as fairy tales, mythology, biblical, and real life. The references contains many evil components of popular tales and real life stories. For example, the story of Pied Piper of Tuscon. He is also known as Charles Schmid, an American serial killer, who murdered three teenage girls. A lot of the characteristics that Schmid had, such as the boot stuffing, makeup, ladies man and charming correlated with Arthur Friend. Also the actions he did and what was going on when he murdered those girls, which was that someone was listening to the radio in the car and that Schmid had raped and killed those teenage girls. Oates took from this horrid and evil factual story and created a devil-like modern fictional character. Another example, is the mythological tale of satyr and nymphs. Nymphs were beautiful, young nubile maidens who love to dance and sing. Satyrs were very lusty creatures and known for raping nymphs. Arnold is being interpreted as a satyr who tries to coax then intimidates Connie out of her house. The evil acts of the tales play into the evil in modern time because it still happens, such as the Charles Schmid
course of his hegira, most of whom spent only a few days in his company, a week
Oates’ use of the way Arnold looks and acts so similar to the devil, her use of the words on the car meaning something foreign and her subtle symbolism with Connie’s attire make the story’s theme of evil and manipulation stand out so much more. Connie’s clothing symbolizing
Wicked, dishonorable, corrupt, villainous, malicious, and vicious all have one thing in common: they define evil. A person or a group of people that display these qualities are often defined as evil beings or creatures. Two people that have many of these characteristics developed within them are Iago from Shakespeare’s Othello and Lucifer from the Bible. Both Iago and Lucifer are developed with many “evil” qualities woven intricately into their character development. The representation of each “evil” characteristic gives them something they have in common, allowing the description and portrayal of both Iago and Lucifer in literature show the audience they share common “evil” characteristics and that they lead to chaos and downfall.
First, Arnold Friend’s physical traits portray him as Satan. Oates says that “There were two boys in the car and now she recognized the driver: he had shaggy, shabby black hair that looked crazy as a wig and he was grinning at her,” (Oates 316). The hair could actually be a wig hiding something that he didn’t want someone to see. Maybe he was hiding his devil horns. Also when he was standing Connie had mentioned that “He was standing in a strange way, leaning back against the car as if he were balancing himsel...