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How Does Emily Bronte Use The Settings Of Wuthering Heights To Comment On The Themes Of The Novel
Emily bronte's life and work
How Does Emily Bronte Use The Settings Of Wuthering Heights To Comment On The Themes Of The Novel
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Wuthering Heights, written by Emily Bronte (1847), is one of the most highly regarded novels in English Literature as it was intended to both shock and captivate readers with scenes of passion and spitefulness (Bloomfield 2011). Comprised of violent characters and harsh realities, this exceptional novel was not openly accepted by the Victorian society at first. Essentially speaking, it was labeled as somewhat contentious. Victorian literature is most likely to consist of romanticized representations involving difficult lives in which hard work, determination, luck and love triumph in the end. Wuthering Heights, therefore, challenged those strict elements. Nevertheless, subsequent audiences are much more understanding and tolerant concerning the use of objectionable characteristics relating to human life throughout this literature.
The problem of intense love throughout this Gothic novel is apparent while it favors the disparaging effect that ruthlessness and jealousy have, both on the individuals involved and on their surrounding environment as well. Bronte (1847) brings the powerful use of supernatural elements and overdramatic quality to life by appealing to the characters Heathcliff (antagonist), Catherine Earnshaw (romantic figure) and Edgar Linton (protagonist).
Heathcliff, who is found seemingly orphaned, is brought to live at Wuthering Heights by a man known as Mr. Earnshaw. Heathcliff eventually falls into an unbreakable and passionate love with Catherine, the daughter of Mr. Earnshaw. As the years pass, the two of them form an inseparable bond. However, Catherine’s elder brother Hindley becomes jealous of Heathcliff immediately due to the attention he receives. In turn, this creates a terrible feud between Heathcliff and ...
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...nd Victorian eras are apparent throughout the novel. With that being said, it is not only obvious among the relationships between Heathcliff, Catherine Earnshaw and the respectable Edgar Linton, but also as the place itself (Yorkshire Moors). Whether it is the instability of social class or the destructiveness of an ageless love, the dramatic characters throughout this novel represent the Victorian era well. However, when no one triumphs in the end, this somewhat challenges those romantic elements of Victorian literature.
Works Cited
Bronte, Emily. Wuthering Heights. Project Gutenberg eBooks. 19 Apr. 2007. Web. 17 Mar. 2014. .
Bloomfield, Dennis. "An Analysis Of The Causes And Effects Of Sickness And Death In Wuthering Heights." Bronte Studies 36.3 (2011): 289-298. Academic Search Premier. Web. 19 Mar. 2014.
Heathcliff cried vehemently, "I cannot live without my life! I cannot live without my soul!" Emily Brontë distorts many common elements in Wuthering Heights to enhance the quality of her book. One of the distortions is Heathcliff's undying love for Catherine Earnshaw. Also, Brontë perverts the vindictive hatred that fills and runs Heathcliff's life after he loses Catherine. Finally, she prolongs death, making it even more distressing and insufferable.
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Emily Bronte’s Wuthering Heights is a novel about lives that cross paths and are intertwined with one another. Healthcliff, an orphan, is taken in by Mr. Earnshaw, the owner of Wuthering Heights. Mr. Earnshaw has two children named Catherine and Hindley. Jealousy between Hindley and Healthcliff was always a problem. Catherine loves Healthcliff, but Hindley hates the stranger for stealing his fathers affection away. Catherine meets Edgar Linton, a young gentleman who lives at Thrushcross Grange. Despite being in love with Healthcliff she marries Edgar elevating her social standing. The characters in this novel are commingled in their relationships with Wuthering Heights and Thrushcross Grange.
...ly declared their love there. As respite from the prison of Wuthering Heights the moors are a mysterious place that is liberating, and boundaryless. Catherine says, “I wish I were out of doors- I wish I were a girl again, half savage and hardy, and free” (105). Once Catherine compares Linton and Heathcliff saying, “My love for Linton is like the foliage in the woods. Time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath a source of little visible delight, but necessary” (84).
Shapiro, Arnold. “‘Wuthering Heights’ as a Victorian Novel.” Nineteenth Century Literary Criticism. Vol. 16. Eds. Joann Cerrito and Paul Kepos. Detroit: Gale Research, 1992. 108-110.
Varghese, Dr. Lata Marina. "Stylistic Analysis of Emily Brontë’s Wuthering Heights." IOSR Journal of Humanities and Social Science 2.5 (2012): 46-50. Print.
Wuthering Heights. 1847. The. Ed. Richard J. Dunn, Ph.D. 4th ed.
Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals.
Varghese, Dr. Lata Marina. "Stylistic Analysis of Emily Bonte's Wuthering Heights." www.iosrjournals.org. Volume 2. Issue 5. 46-50. IOSR Journal of Humanities and Social Science (JHSS), n.d. Web. 18 Apr. 2014. .
(2) Emily Bronte’s purpose in writing Wuthering Heights is to depict unfulfilled love in a tragic romance novel and hence the theme of Wuthering Heights is love is pain. Emily Bronte reveals an important life lesson that love is not sufficient for happiness and if anything, stirs up more agony. This message is important because, although it is difficult to accept, the message is devastatingly honest. In Wuthering Heights, two characters named Heathcliff and Catherine loved each other immensely. However, their pride and adamance disabled them from making any progress on their romantic relationship. In fact, Heathcliff and Catherine purposely hurt each another through reckless and cruel actions. The author is exemplifying a recurring theme in history that love is associated with pain. The message allows readers to be aware that love is not constant perfection and happiness.
To sum up, Emily Brontë’s Wuthering Heights is a classic that portrays a love, even though confined by social classes, trespasses boundaries of life and death. The Gothic elements incorporated in this novel such as extreme landscape and weather, supernatural events and death brings about a mysterious and gloomy atmosphere suitable for a revenge plot with heightened emotions.
“Wuthering Heights is a strange, inartistic story”(Atlas, WH p. 299). “Wuthering Heights is a strange sort of book” (Douglas, WH p.301). “This is a strange book” (Examiner, WH p.302). “His work [Wuthering Heights] is strangely original” (Britannia, WH p.305). These brief quotes show that early critics of Emily Bronte’s first edition of Wuthering Heights, found the novel baffling in its meaning - they each agreed separately, that no moral existed within the story therefore it was deemed to have no real literary value. The original critical reviews had very little in the way of praise for the unknown author or the novel. The critics begrudgingly acknowledged elements of Wuthering Heights that could be considered strengths – such as, “rugged power” and “unconscious strength” (Atlas, WH p.299), “purposeless power” (Douglas, WH p.301), “evidences of considerable power” (Examiner), “power and originality” (Britannia, WH p.305). Strange and Powerful are two recurring critical interpretations of the novel. The critics did not attempt to provide in depth analysis of the work, simply because they felt that the meaning or moral of the story was either entirely absent or seriously confused.
Bloomfield, Dennis. "An Analysis Of The Causes And Effects Of Sickness And Death In Wuthering Heights." Bronte Studies 36.3 (2011): 289-298. Academic Search Complete. Web. 13 Feb. 2014.
Bronte's Use of Language and Setting in Wuthering Heights Between pages 15 and 18 there are identifiable ways in which 'Bronte' uses 'language and setting' to establish the characters and create a distinguishable atmosphere. In this essay, themes, genres and styles will be discussed to show how 'Bronte' establishes the characters; there will also be a discussion of the 'gothic' elements which Wuthering Heights contains. Many people would argue that the style of 'Wuthering Heights' is peculiar and complex, the power of Wuthering Heights owes much to its complex narrative structure and to the device of having two conventional people relate a very unconventional tale. Bronte importantly introduces the element of 'the supernatural' into chapter 3 which is an important technique as it grips the reader. Lockwood has come into contact with the ghost of Cathy, who died 18 years before, Some might argue that she is a product of Lockwood's imagination, and it is clear that Bronte has presented these facts in this way so that the reader can make up their own mind on the subject.
In the novel Wuthering Heights, Emily Bronte strongly emphasizes the dynamic and increasingly complex relationship of Mr. Heathcliff and Catherine. Heathcliff, the abandoned gypsy boy is brought to Wuthering Height by Mr. Earnshaw to be raised with his family. After Mr. Earnshaw's death, he suffers harsh abuses from his "brother" Hindley and from Catherine, whom he dearly loves. This abuse will pave the way for revenge. The evolving and elaborate plans for revenge Mr. Heathcliff masterminds for those who he feels had hurt him and betray him is what makes Wuthering Heights a classic in English literature. The sudden change in feelings and emotions in Mr. Heathcliff are powerful scenes. Revenge becomes the only reason to live for him. Revenge is the main theme in Wuthering Heights because it highlights important events, personality flaws, and the path of destruction.