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Character analysis essays
Character analysis essays
Character analysis essays
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In the 1847 novel of Wuthering Heights, Emily Bronte brilliantly employs frame narrative in order to tell a story within a story. The character of Ellen Dean, known formally as Nelly, tells of the past and present from her first person perspective, to the visiting Mr. Lockwood. She depicts the events as she recalls them that transpired during her years at the respective houses, Wuthering Heights and Thrushcross Grange. She talks of the past as she remembers it, and also from what she sees, hears or finds out through the other characters’ words and actions. Although Nelly is basing the characters solely on her own interpretation of them, she is a pretty reliable source, having grown up with the first generation of characters and cared for the second. She grew up on the moors and her life revolves around the Earnshaws and the Lintons, whom she serves in more ways than one. Nelly’s devotion as well as criticism allows her to be a faithful servant throughout the years, as well as a sounding board for the other character’s problems. This allows her to narrate with some credibility because she’s witnessed and been involved in private moments between these two intertwining families all her life. Without her account of the events that took place on the Yorkshire moors, it would all be a mystery. In Wuthering Heights, Bronte depicts Nelly as the servant, confidant and mother figure and without her narrative the story would not be as plausible.
Nelly Dean’s position as a longtime servant for both Wuthering Heights and Thrushcross Grange allow her easy access to the personal lives of these two dysfunctional families. Nelly was brought to Wuthering Heights by her mother, who was a nursemaid for Hindley Earnshaw. She grew up around the E...
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...he was able to interpret the events of her life, and for the first time tell a visitor of everything that has gone on. Since Nelly’s life was not personally haunted by regrets, like Catherine and Heathcliff’s, she is able to recite the past and present in a clear and rational way. Lockwood believes her story and is so intrigued by all the dreadful events that took place across a lifetime on these Yorkshire moors. From the outside looking in it may appear that the Earnshaws and Lintons were just a private family living their lives, but nobody really knows what goes on behind closed doors, except for the help, our Nelly. This is why her narration is crucial and without it, the story of Wuthering Heights may still exist, but would not be as believable.
Works Cited
Brontë, Emily. Wuthering Heights. 1847. Ed. Richard J. Dunn. 4th ed. New York: Norton, 2003.
Brontë, Charlotte. Jane Eyre. Ed. Richard J Dunn 3rd ed. 1847. New York: W. W.
Nelly opinions come from that of an outsider, whose strong personality did not fear Catherine, but easily called her out for her miserable nature. Nelly sees Catherine as a vindictive person who readily gets what she wants and does evil things to overpower people. Nelly has come to face Catherine’s wrath first hand; as evident by her pinches and the stinging blow she delivers to Nelly when she refuses to leave the room as Edgar visits, and Catherine wants to be alone with Edgar as he visits the Heights. In Nelly’s eyes, Catherine is spoiled, and she does not matter who gets hurt or betray in the process to accomplish her goals.
In the novel Wuthering Heights, author Emily Brontë portrays the morally ambiguous character of Heathcliff through his neglected upbringing, cruel motives, and vengeful actions.
Immediately from the start Bronte’s character Jane is different. She is an orphan, mis-treated and despised by her family. She has no clear social position, is described as “less than a servant” and treated like one. A protagonist who one would assume had no characteristics worth aspiring too. Jane is displayed perfectly in her hiding behind the curtain. She is placed by a window, which beyond is icy and cold, contrasting immensely from the inside of the fire and warmth. A clear statement of the icy coldness of the family she has been put to live with, and her fiery and passionate nature which we discover th...
The setting used throughout the novel Wuthering Heights, helps to set the mood to describe the characters. We find two households separated by the cold, muddy, and barren moors, one by the name of Wuthering Heights, and the other Thrushcross Grange. Each house stands alone, in the mist of the dreary land, and the atmosphere creates a mood of isolation. These two places, Wuthering Heights and Thrushcross Grange differ greatly in appearance and mood. These differences reflect the universal conflict between storm and calm that Emily Bronte develops as the theme.
The tone in Wuthering Heights is dreary and melancholy. This style provides the dark atmosphere to the story. Most of the story is conveyed through the narration of Ellen Dean. Setterfield uses a similar style in her story. Most of the story in her book is told by Vida Winter. The technique of flashbacks is used in both books. In both novels the two characters Lockwood and Margaret start out the story from their perspective, later the narrator changes. Wuthering Heights’s Mr. Lockwood hears the story from Ellen Dean (Nelly) much like Margaret hears the story from Vida Winter in The Thirteenth Tale. The two stories are broken up into sections due to interruptions made by the storyteller and situations that arise. The story of Wuthering Heights is told through flashbacks recorde...
There is two stereotypical types of families, one where the children learn from their parents behavior and do the same as they grow up, and the other where they dislike – and do the opposite. In Emily Bronte’s Wuthering Heights, the characters are quite intricate and engaging. The story takes place in northern England in an isolated, rural area. The main characters of the novel reside in two opposing households: Thrushcross Grange and Wuthering Heights. Wuthering Heights is a story of a dynamic love between two people. This love transcends all boundaries, including that over life and death. The author takes parallelism to great extends. Much of the events that happen in the first half of the story correspond to events in the second half; first generation of characters is comparable to the second generation. Many may argue that the characters are duplicates of each other and that they share many traits. Although Catherine Earnshaw and Cathy Linton are mother and daughter, their personalities and lifestyles are very different. This is a great example where the child is and behaves quite different than her mother.
"Emily Brontë’s “Wuthering Heights”." The Reader's Guide to Emily Bronte's Classic 'Wuthering Heights' N.p., n.d. Web. 19 Apr. 2014.
Wuthering Heights, written by Emily Bronte, has 323 pages. The genre of Wuthering Heights is realistic fiction, and it is a romantic novel. The book is available in the school library, but it was bought at Barnes and Nobles. The author’s purpose of writing Wuthering Heights is to describe a twisted and dark romance story. Thus, the author conveys the theme of one of life’s absolute truths: love is pain. In addition, the mood of the book is melancholy and tumultuous. Lastly, the single most important incident of the book is when Heathcliff arrives to Edgar Linton’s residence in the Granges unannounced to see Catherine’s state of health. Heathcliff’s single visit overwhelmed Catherine to the point of death.
The narration of the story is very unique and divergent because there are multiple narrators. Bronte’s character Lockwood is used to narrate the introductory and concluding sections of the novel whereas Nelly Dean narrates most of the storyline. It’s interesting that Nelly Dean is used because of her biased opinions.
In the novel Wuthering Heights, a story about love that has turned into obsession, Emily Bronte manipulates the desolate setting and dynamic characters to examine the self-destructive pain of compulsion. Emily Bronte’s Wuthering Heights is a novel about lives that are intertwined with one another. All the characters in this novel are commingled in their relationships with Wuthering Heights and Thrushcross Grange.
the characters of the story, and even his contact with some of those characters in the three opening chapters and a couple of chapters towards the close, is of a very casual kind and of brief duration. He can therefore be regarded as even more impartial than Nelly. Emily Bronte gave the story into the hands of two narrators each of whom can say: “This is true; I was there; this is really what happened.” Lockwood’s role is to add convincing evidence to what Nelly tells us through him, since he has no need to lie, no subconscious urge to conceal, reveal or justify.
“Wuthering Heights is a strange, inartistic story”(Atlas, WH p. 299). “Wuthering Heights is a strange sort of book” (Douglas, WH p.301). “This is a strange book” (Examiner, WH p.302). “His work [Wuthering Heights] is strangely original” (Britannia, WH p.305). These brief quotes show that early critics of Emily Bronte’s first edition of Wuthering Heights, found the novel baffling in its meaning - they each agreed separately, that no moral existed within the story therefore it was deemed to have no real literary value. The original critical reviews had very little in the way of praise for the unknown author or the novel. The critics begrudgingly acknowledged elements of Wuthering Heights that could be considered strengths – such as, “rugged power” and “unconscious strength” (Atlas, WH p.299), “purposeless power” (Douglas, WH p.301), “evidences of considerable power” (Examiner), “power and originality” (Britannia, WH p.305). Strange and Powerful are two recurring critical interpretations of the novel. The critics did not attempt to provide in depth analysis of the work, simply because they felt that the meaning or moral of the story was either entirely absent or seriously confused.
Bloomfield, Dennis. "An Analysis Of The Causes And Effects Of Sickness And Death In Wuthering Heights." Bronte Studies 36.3 (2011): 289-298. Academic Search Complete. Web. 13 Feb. 2014.
In Wuthering Heights by Emily Bronte, the Earnshaws, a middle class family, live at the estate, Wuthering Heights. When Mr. Earnshaw takes a trip to Liverpool, he returns with an orphan whom he christens “Heathcliff”. During their formative years, Catherine, Mr. Earnshaw’s daughter, plays with Heathcliff on the moors and becomes close with him. As a result, they form a special bond and Heathcliff and Catherine fall in love, unlike Hindley, Mr. Earnshaw’s son, who does not get along with Heathcliff. While Heathcliff benefits from his relationships, his connections are disadvantaged in terms of status, reputation, financial stability, and happiness.