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Language in literature importance
Caring for those with mental illness
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Recommended: Language in literature importance
Marissa Woo
Ms. Barwise
ENG 111
14 October 2016
Dismal Heights Mental health. It is not a physical thing we can see, rather it is much more complex. The only individuals that can realize this are ourselves. No one else can look into our minds, know what we are thinking, or how we’re feeling. However, since only we can realize whether we are mentally healthy we may stray away from accepting possible mental instability, and by the time we do, it may be too late. In “Certain Tall Buildings”, author Franz Wright discusses the painstaking path of a suicidal and depressed individual. He employs tone and enjambment to highlight the reality of depression and suicide. At the beginning of the poem, Wright utilizes a melancholic tone when he communicates
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For the individual pondering suicide, life and death start to become one and the same. Part of the individual wants to die, while another part of the individual wants to be saved desperately. Nevertheless, the line breaks prevent the completion of a thought, almost like indecisiveness, which appears to be presented by Wright in the last two paragraphs for the disparity between living and dying. The last line ultimately leaves us feeling cold, and almost lost in thought as though we are the individual contemplating life and death. There it is. The extremes of mental unhealthiness, that we may not recognize until we are standing on the edge between life and death. While death dominates the thoughts of those contemplating suicide, life holds them back. It is that small slit of light that leaves the individual in a state of misery- while keeping them alive at the same time. The severity of mental illnesses Wright stresses in “Certain Tall Buildings” only comes to center stage when someone comes out from the dark. It is our minds that often dictate how we approach issues as intricate as our mental health. Sometimes, our memories and thoughts speak louder than our words. Think back. “Remember your mother hanging the cat in front of you when you were
The author illustrates the “dim, rundown apartment complex,” she walks in, hand and hand with her girlfriend. Using the terms “dim,” and “rundown” portrays the apartment complex as an unsafe, unclean environment; such an environment augments the violence the author anticipates. Continuing to develop a perilous backdrop for the narrative, the author describes the night sky “as the perfect glow that surrounded [them] moments before faded into dark blues and blacks, silently watching.” Descriptions of the dark, watching sky expand upon the eerie setting of the apartment complex by using personification to give the sky a looming, ominous quality. Such a foreboding sky, as well as the dingy apartment complex portrayed by the author, amplify the narrator’s fear of violence due to her sexuality and drive her terror throughout the climax of the
The counterweight to the attempt is fear, it dives some to their death and needs to be overcome in order to be free. The author portrays this in society's need to overcome the fear of women in authority despite being against it. The use of failed examples who could not overcome the circumstances and committed suicide . The opposing example is of the character chief who succeeds in his attempt. The Author places importance on this idea through his use of the mental hospital and the fine line the characters walk. The novel sets a tone for the world of mental hospitals that leaves a lasting image and affect the way mentally ill people are perceived. So he success of the novel is driven home in its lasting
Michaelson, Peter. “A Hidden Reason for Suicidal Thoughts”(2013). Why We Suffer. n.pag. Web. 2 Apr. 2014
The speaker in “Five A.M.” looks to nature as a source of beauty during his early morning walk, and after clearing his mind and processing his thoughts along the journey, he begins his return home feeling as though he is ready to begin the “uphill curve” (ln. 14) in order to process his daily struggles. However, while the speaker in “Five Flights Up,” shares the same struggles as her fellow speaker, she does little to involve herself in nature other than to observe it from the safety of her place of residence. Although suffering as a result of her struggles, the speaker does little to want to help herself out of her situation, instead choosing to believe that she cannot hardly bare recovery or to lift the shroud of night that has fallen over her. Both speakers face a journey ahead of them whether it be “the uphill curve where a thicket spills with birds every spring” (ln. 14-15) or the five flights of stares ahead of them, yet it is in their attitude where these two individuals differ. Through the appreciation of his early morning surroundings, the speaker in “Five A.M.” finds solitude and self-fulfillment, whereas the speaker in “Five Flights Up” has still failed to realize her own role in that of her recovery from this dark time in her life and how nature can serve a beneficial role in relieving her of her
The creation of a stressful psychological state of mind is prevalent in the story “The Yellow Wall-Paper” by Charlotte Perkins Gilman, as well as, Edgar Allen Poe’s “The Tell-Tale Heart”, Ophelia’s struggles in William Shakespeare’s “Hamlet”, and the self-inflicted sickness seen in William Blake’s “Mad Song”. All the characters, in these stories and poems, are subjected to external forces that plant the seed of irrationality into their minds; thus, creating an adverse intellectual reaction, that from an outsider’s point of view, could be misconstrued as being in an altered state due to the introduction of a drug, prescribed or otherwise, furthering the percep...
Poe continues to develop his point that no one escapes death through the setting. Not only does he use the exterior and how it was constructed to tell what precautions P...
Many times people tend to allow their thoughts to have an overtake in which it clouds what is actuality. Some can revoke from their right state of mind and make their own make-believe world with these thoughts. Authors, Charlotte Perkins Gilman and Edgar Allan Poe both demonstrate this perception in their short stories, “The Tell-Tale Heart,” and “The Yellow Wallpaper.” In The Tell-Tale Heart, the narrator murders the old man he lives with because he is disturbed by the man’s eyes. Similarly, in The Yellow Wallpaper, the narrator is dealing with depression, and feels that she is being watched by the wallpaper and starts to study it and decoding the meaning. Hence, these two characters start to analyze their thoughts in a way where they become
I think in the beginning, this poem is mocking the façade of happiness that many clean-cut individuals have. It is a mockery of the thoughts in the criminal mind. Many times, a criminal cannot bring himself to commit suicide, so they take someone else's life instead. By doing so, subconsciously, the criminal knows he will be caught and in turn, executed.
The vision of the mind is easily portrayed through the art of literature, painting a picture with the stroke of words. The natural inspiration that influences the creation of these works is derived from the life and the experiences of the creator. For some, these tales become stories and those stories become novels, but for one man it meant so much more. The works of Edgar Allan Poe became his life; he expressed every feeling and every moment of his existence through ink and paper. Poe involved his entire life in his writing, leaving no element of the story untouched by his trademark of a past. His work became so unique and unorthodox, yet it did not lack the attention it deserved. The American critic, Curtis Hidden Page, suggested that “the essence of his work is logic, logic entirely divorced from reality, and seeming to arise superior to reality” (Quinn 31). The foundation of Poe’s stories seems simple enough, but beneath the surface remains unanswered questions and undiscovered truths, which have yet to be uncovered. The people and experiences throughout Edgar Allan Poe’s lifetime have influenced various themes including: insanity, revenge, death, and guilt which can be distinguished through a collection of his works.
In the three works, “The Tell-Tale Heart”, by Edgar Allan Poe and Emily Dickinson’s poems 340 (“I -felt a funeral in my brain”) and 355 (“It was not Death”), each display different aspects of the depths of the human mind through similar modes of rhetorical sensory overload. While Poe reveals the effects of denying one’s insanity, Dickinson displays the struggle and downfall of a depressed mind.
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
Edgar Allan Poe’s haunting poems and morbid stories will be read by countless generations of people from many different countries, a fact which would have undoubtedly provided some source of comfort for this troubled, talented yet tormented man. His dark past continued to torture him until his own death. These torturous feelings were shown in many of his works. A tragic past, consisting of a lack of true parents and the death of his wife, made Edgar Allan Poe the famous writer he is today, but it also led to his demise and unpopularity.
With each analysis the reader gets a greater understanding of suicide and the mental state of those who commit it, as well as some of their motives. One could read only a single chapter of this book and gain a greater understanding than they previously had on the topic of suicide, but when one brings all the chapters together as a whole a much deeper understanding is obtained. Lester’s analyses start with diaries, using that of a girl he has called Katie as his first example. In this 14 page chapter he analyses her diary, not only comparing her to Ophelia from William Shakespeare’s Hamlet, but using that comparison to show some of her motives and to make sense of them. It is this astute analysis that sets the tone for the rest of the similar chapters, in a way that is not boring but is not lighthearted in the slightest. The way that the whole book works together to give one insight on the topic of suicide makes it a useful resource for those who wish to understand it in a more in-depth way.
Edgar Allan Poe is one of the most famous writers in the American literary world. His stories and poems are known for their gothic style and having the common theme of death. This is certainly seen in his short story “The Cask of Amontillado.” It is speculated by many that Poe suffered from the mental illness known as bipolar disorder. In a letter to James Russell Lowell, Poe said, “I am excessively slothful, and wonderfully industrious — by fits. There are epochs when any kind of mental exercise is torture, and when nothing yields me pleasure but solitary communion with the “mountains & the woods” — the “altars” of Byron. I have thus rambled and dreamed away whole months, and awake, at last, to a sort of mania for composition. Then I scribble all day, and read all night, so long as the disease endures.” In “The Cask of Amontillado” he presents two very different characters, Montresor the spiteful, revenge seeking killer, and Furtunato the impulsive, pleasure-seeking victim. The two opposing personality types in these two characters fit the mania and mixed state characteristics of those suffering with type one bipolar disorder. Poe used the characters in “The Cask of Amontillado” to express the feelings of madness he dealt with during his lifetime.
Nevertheless no suicide note is able to give a complete account of the suicidal mind. Such a note must be put in the context of the individual life as Shneidman said (1980) and in the context of broad theoretical formulations about suicide and personality functioning in general as stated by Leenaars (1988) if one wants to understand the motives lying behind.