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Origin of Centaurs in Greece
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Centaurs
Centaurs are incredibly interesting figures in Greek mythology. They are creatures with dual natures: half man, half beast. They have the torso of a man and the body of a horse. They are often portrayed in paintings and sculptures with weapons. Typically, they are portrayed as primitive, brave, courageous, vengeful, arrogant, wild, impulsive, savage, rowdy, prone to drunkenness and violence.
Historically, it is believed that the origin of the Centaur myth is based on the bull hunters of Thessaly. The people of Thessaly also spent a great deal of time on horses; it is easy to see how the Greeks could take this observation and create a larger-than-life mythological creature from it.
Centaurs are important to mythology as they provided
the stories with an all-out villain to root against. With the exception of the noble Chiron, they seem to be portrayed for the most past as lustful beasts without restraint or regard for others. The Centaurs overindulged in wine at the wedding feast of the King of Lapith. Their inhibitions gone from the wine, the Centaurs attempted to kidnap the females present at the wedding, even the bride herself. These villainous Centaurs represent a people caught in between two worlds, in transition from one era to another. As the Greeks warred with other nations (for example, the Persian War), they encountered unknown peoples with unknown, seemingly “barbaric” traditions, cultures and customs. When the Greeks finally prevailed over the Persians, the belief in Greek superiority over lawlessness was reinforced. Out of chaos and war came order, government, structure, and decency (according to the Greeks). The defeat of the Centaurs at the Lapith wedding feast illustrates this. With the body of a human symbolizing civilization and the horse symbolizing the chaos of barbarism, the Centaur remains an important figure in Greek mythology, representing a time of nationalism and Greek pride.
“The Centaur,” by May Swenson is speaking about the imagination and games of a little girl. The poet layered her work with many forms of imagery and language. The forms used give the poem a mysterious and surprising tone and help convey her writing about a girl who is defying the expectations of society.
Throughout history, there are many scenes that are repeated in different mediums. Many of these scenes begin as stories. The image of Laocoon was first depicted with words as a story told about the Trojan War. Laocoon is a Trojan priest who had warned against the acceptance of the wooden horse. The gods, who are on the side of the Greeks, send two serpents to kill Laocoon. They first attack his two sons, and when he rushes to save them they attack and kill him (Lee 37). The snakes then return to the citadel of Minerva for safety. A famous depiction of this scene can be found in the illuminated manuscript Vergilius Vaticanus. This illuminated manuscript was done sometime around the 5th century (Wright 91). It was similar to many illuminated manuscripts of the time in that the scribe wrote out the poem, and left designated space for the artist to depict an image that relates to that part of the poem(Wright **). While it is believed that many of the images were copies of images from rolls depicting the same story, the artist did have opportunity to alter images and depict images as they saw fit. The artist that painted the Laocoon scene reveals Laocoon as a strong tragic hero by depicting him the second time as large, nude, muscular and bearded. This view is intensified when compared to the Roman/Hellenistic sculptural group of Laocoon and his sons.
"Griffin." MythOrTruth.Com Mythical Creatures Beasts and Facts associated with them. MythOrTruth.com, 1 Jan. 2014. Web. 23 May 2014. .
From this point, in this essay of Dante’s Inferno, the seven major monsters, namely Minos, Cerberus, Plutus, Minotaur, Centaurs, Harpies and Geryon, are examined for their role and function in the story.
Fig. 9 BluTaiger. “Pastoral Symphony 2/4: Centaur Courtship.” 12 January 2010. Youtube. Web. 20 March 2012. Video
One of the most interesting qualities of Greek mythology is probably the depiction of monsters in the myths. However, these monsters are not all unique. In fact, they all fall into very distinct categories, making them almost the same. Most monsters in Greek mythology look and act in the same ways. Several monsters from these myths look the same in that they have very similar qualities such as being large, snake or human like. However, they are also very alike in that they behave in very similar ways, from guarding something or roaming freely and causing chaos. Generally, the monsters in Greek mythology follow this outline and are depicted in a way to show these qualities.
As the ancient civilizations of the west grew their empires, they encountered something so powerful, beastly, and strong that no man could hold down with his own two bare hands, nor could they be tamed. As centuries go on, men learned the ways of the horse and learned to ride upon their backs. They found them to be a key component in transportation, carrying goods, and warfare. As time went on, for every footprint of a human left behind in the wet mud, there was a hoof print not far from the footprint. Ancient Greeks believed that the horse was a gift from the gods, and they were greatly valued in their society.
...urs. According to Edith Hamilton, “Seeing as the combining of a horse and human was not degrading, the ‘Centaur’ is the only one of the fancied monster of antiquity to which any good traits are assigned”. Another example is some monsters are not exempt from human emotions. One monster who exemplifies this is Polyphemus who dearly loved the sea nymph Galatea.
Seawright, Caroline. "Avatars of the Gods: The Animals of Ancient Egypt." Avatars of the Gods: The Animals of
The third and final level of women in Greek mythology is that of the monster. These monsters are part woman and part animal and mainly depict the fears of woman inside the head of the man, i.
Thesis statement: In this research, I will investigate the basic concepts of the Egyptian mythology and its gods.
In fact, the history of the portrayal of the animal could be traced back to prehistoric time when people were still residing in caves and hunting animals like horses, reindeers for the food. Hunting was an indispensable part of their daily life because animals were the primary source of food and tools. That’s the reason why hunting was considered as one of the most popular themes in prehistoric art. As early as 3,000 B.C., a rock art from Uruk that demonstrates the king killing a lion using ancient weapons was already created. Later, around 700s and 600s B.C., a series of sculpture which has the similar theme was identified in the palace of Ashurbanipal. Every element of the carving signifies the message of strength and motion (Animals in Art). As we could observe from the ancient art, human beings have been closely bonded with the nature and animals since prehistoric time. Animals became a vital element in our art and were portrayed by us to convey messages to the
Taurus, Latin for “bull,” is one of the oldest constellations, its observation dating back tens of thousands of years. In fact, 40,000-year-old Paleolithic cave paintings of Taurus exist in the Hall of the Bulls in the caves at Lascaux, located in the southwest of France. Taurus takes the form of the bull in many mythologies of numerous cultures throughout history.
To be precise my favorite unit was when we learned about the Greek Mythology. This was my favorite unit because I got to learn more about their stories. I didn’t think that there would be much to them but I was wrong. Talking about the most known gods empowered me to want to do more research on my own. I enjoyed reading about them and there vicious ways of thinking.
Throughout studying many myths, I came up with many new observations. Many questions came into my mind about these myths. Greek mythology takes us back to a time when people had a connection with nature and when nature played a major role in people’s lives. The religious beliefs of the people who wrote the myths are found in the background of these myths; however, they are not to be read like religious texts. The myths try to offer explanations of “how”, which makes us think deeply about the purpose of these myths and the questions they draw to our minds. According to the myths we studied in class, the world created the gods, not the other way around. The gods were always created in the image of man, which shows how much men were important in their society. Furthermore, many of these Greek myths show us the difference between the views of the Greek then and our view towards many aspects of the society, including nature. Monsters appear in Greek myths and have different representations and roles. Greek mythology reflects a view of the Greeks towards the world and how certain aspects of their lives are similar and different to modern society.