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Monsters in literature essay
Monsters in modern culture
Monsters in modern culture
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Monsters are the physical embodiment of fear. Monsters are the physical embodiment due to a wide variety of reasons. The most important being: Monsters’ apparent invulnerability/incredible strength, represent the bad part of society, most often look ugly, represent evil/nightmares itself, are intelligent, and some deviate from the norms are the reasons why monsters are the physical embodiment of fear. Monsters’ incredible characteristics are what strike fear into the hearts of others. In many myths, monsters are a weakness to societies. For instance, the heroes of Rome fight these monsters in order to overcome them which is the symbolic overcoming of weakness by the community. The fear monsters represent is primarily human fear as monsters are generally on good terms with animals and human fear is far deeper than animal fear.
A monster’s apparent invulnerability/incredible strength is what strikes fear into its opponents. Examples of this can be seen in numerous sources. One such example is “Eurytheus first commanded Heracles to bring him the skin of the lion of Nemea. Heracles knew that the beast could not be hurt by stone or bronze, so he would have to devise some other way to kill it. When he came upon the lion he learned that his arrows and his huge wooden club were also useless. The lion responded to Heracles attack by retracting into a cave that had two exits.” (Rosenberg 101). This quote shows the incredible strength the beast possesses which enable it free from death by normal weaponry. Many amateur heroes retreat when their trusted weaponry doesn’t work. This fear was ultimately caused by the monster’s sturdiness. Another powerful example is the fact that some monsters born from gods may prove more formidable than the ...
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...urs. According to Edith Hamilton, “Seeing as the combining of a horse and human was not degrading, the ‘Centaur’ is the only one of the fancied monster of antiquity to which any good traits are assigned”. Another example is some monsters are not exempt from human emotions. One monster who exemplifies this is Polyphemus who dearly loved the sea nymph Galatea.
Monsters are a representation of fear and are like nightmares. This is so because many of the monsters’ qualities strike fear thus, they are a representation of fear itself. Monsters are like nightmares is that one having the nightmare always awakes before the end, symbolizing the victory of good over evil. This is why monsters’ symbolize evil as well as fear. This was the case with Heracles and the snakes. Even danger was lurking, baby Heracles woke up before tragedy could strike and struck back at tragedy.
Across different works like Virgil’s Aeneid and Aeschylus’ Eumenides, In these representations of monsters, the initial relationship between gods and monsters is simple: all monsters derived from the gods. However, as soon as distinguishing features set the monsters apart, they prove Clay’s point that monsters are seen as threats who need to be contained and whose powers need to be exploited by the gods. The close reading of both texts reveal the relationship between gods and monsters along with the power structures between
times we have been fascinated with all sorts of tales about monsters and intrigued by myths and
Monsters are symbols and representations of a culture. They exist because of certain places or feelings of a time period. Monsters are “an embodiment of a certain cultural moment”. Author of Grendel, John Gardner, and author of Frankenstein, Mary Shelley, both create a monster to represent something larger than itself in order to have the reader reflect on their “fears, desires, anxiety, and fantasy” in society, which is explained in Jefferey Cohen's Monster Culture (Seven Theses). The latest trend in monster media, zombies, also fit into Cohen's theses on what a monster is.
Asma, Stephen. On Monsters :An Unnatural History of Our Worst Fears. New York: Oxford University Press, 2009. Print.
...so much that anything that they see in the dark, they imagine it as the beast. Therefore, the fear of the beast is the most dangerous and destructive force on the island.
A monster is not a monster unless he intentionally wants to hurt many and his plans are to hurt many. In Frankenstein, by Mary Shelley, the monster is portrayed as an evil, hideous creature through everyone’s eyes. Victor Frankenstein creates a monster and once he brings him to life he abandoned him, leaving him to learn and discover the world by himself. The monster has to learn his way around society while being rejected by society because of this looks. Frankenstein’s monster is seen as evil because the way people treated him caused him to act out. The monster is not inherently evil because he helps others, has emotions, and does not fight back when he is attacked.
One of the most interesting qualities of Greek mythology is probably the depiction of monsters in the myths. However, these monsters are not all unique. In fact, they all fall into very distinct categories, making them almost the same. Most monsters in Greek mythology look and act in the same ways. Several monsters from these myths look the same in that they have very similar qualities such as being large, snake or human like. However, they are also very alike in that they behave in very similar ways, from guarding something or roaming freely and causing chaos. Generally, the monsters in Greek mythology follow this outline and are depicted in a way to show these qualities.
“At the University of California at Irvine, experiments in rats indicate that the brain’s hormonal reaction to fear can be inhibited, softening the formation of memories and the emotions they evoke” (Baard).
According to Merriam Webster’s dictionary, a monster is a “strange or horrible imaginary creature”. But monsters don’t necessarily need to be fictional; even humans can be monsters. The only thing that distinguishes us from fictional monsters are our appearances, human-monsters are hard to detect. Therefore, it’s easy to treat people based on their appearances since the human mind gets deceived by looks.
The Dangers of Fear Irish Playwright, George Bernard Shaw, once said, “The worst sin toward our fellow creatures is not to hate them, but to be indifferent to them; that's the essence of inhumanity.” Inhumanity is mankind’s worst attribute. Every so often, ordinary humans are driven to the point where they have no choice but to think of themselves. One of the most famous examples used today is the Holocaust. Elie Wiesel’s memoir Night demonstrates how fear is a debilitating force that causes people to lose sight of who they once were.
Gilmore, David D. "Why Study Monsters?" Gilmore, David D. Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors. Philadelphia: University of Pennsylvania Press, 2003. 210.
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
We live in a world where creatures have abilities that can blow our minds, however we are ignorant of this. We live in a world where a constant power struggle is occurring between these secret species, a struggle that most human beings have no inclination of. We live in a world where people who know the truth are sworn to secrecy, and those proclaim this truth are considered crazy and locked away; to be sane is to be ignorant. Well, that is what I would love to be true. In actuality, I am fascinated with the topic of monsters; I love them all: lycanthropes, Frankenstein’s monster, witches, fae, necromancers, zombies, demons, mummies, and my favorite: vampires. This fetish has been manifested in the movies I view, the televisions shows I watch, and the books I read. When my obsession with reading is crossed with my obsession with monsters the result is a bookshelf containing more vampire novels than most people would consider healthy. I have discovered that every vampire novel varies vastly; no two books are ever alike. For example, the Twilight Series, the Anita Blake Series and the Vampire Chronicles Series have different legends and lore, different relationships between vampires and society, and different genres, theme, and purpose; this array of novels display most clearly the range of audience for vampire genre can cater.
"You gain strength, courage and confidence by every experience in which you really stop and look fear in the face. You are able to say to yourself, '...I can take the next thing that comes along.'...You must do the thing you think you cannot do (Eleanor Roosevelt)." Every time I read these words, I am able to see the truth in them. College to me is the next step that I must take in life. Although this next step comes with much trepidation and apprehension, it is a necessary step that I must take to forever better and prepare myself for the life that I wish to lead. State University would be one of the best institutions for this, just as the choice of high school I made four years ago, Good Counsel, was the next step for me then. During high school, I have grown and changed through not only the education I have gained, but also through the activities I participated in. I have gained a lot of strengths from my time spent in high school. Although every weakness has not been erased, the next step in life will ease their numbers even more.
However repugnant he was on the outside, when Frankenstein’s creature begins to tell his tale of sorrow and rejection the creature does not seem to be monstrous. Although rejected multiple times by the humans around him when he finds a family in poverty and “suffering the pangs ...