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Architecture of the gothic period
Architecture of the gothic period
Architecture of the gothic period
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Historical background:
Gothic architecture is a style of architecture that flourished during the high what's more, late medieval period. It developed from Romanesque structural planning and was succeeded by Renaissance architecture. Originating in 12th-century in France and lasting into the 16th century. Gothic cathedrals resulted from additions to a Romanesque church. The desire to enrich an earlier church was a strong motivation behind Gothic cathedral building. Numerous Romanesque holy places were crushed to clear a path for a cathedral in the new style. As a result, the majority of cathedrals in Europe are Gothic
Location:
Gothic architecture originated in northern France from 1140 to 1144 near Paris. The style spread to the cathedrals
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Then from France to England, Italy, Spain, and all over Europe through the 13th century. (medieval Europe)
Early Gothic:
This first stage endured from the Gothic style's origin in 1120–50 to around 1200. The blend of all the previously stated auxiliary components into a reasonable style initially happened in the district around Paris, where prosperous urban populaces had adequate riches to manufacture the immense church buildings that typify the Gothic style. The most punctual surviving Gothic building was the nunnery of Saint-Denis in Paris, started in around 1140. Structures with correspondingly exact vaulting and chains of windows along the border were soon started with Notre-Dame de Paris (started 1163) and Laon Cathedral. At this point it had gotten to be popular to treat the inside sections and ribs as though each was made out of a pack of more thin parallel individuals. A progression of four discrete even levels or stories in the church building's inside were advanced, starting with a ground-level arcade, over which
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This style was described by the use of progressively expand geometrical improvement to the basic structures that had been set up amid the former cent
Late Gothic:
In France the Rayonnant style developed around 1280 into a significantly more enhancing stage called the Flamboyant style, which kept going until around 1500. In England an advancement known as the Perpendicular style kept going from around 1375 to 1500. The most prominent ١ element of the Flamboyant Gothic style is the strength in stone window tracery of a flamelike S- molded
Both St. John the Baptist Cathedral and Cathedral Basilica of Our Lady of Chartres are constructed in French Gothic style which means that architecturally they have many similarities. However, the 700 year gap between their construction
...understandable of making use of perfect architectural form as geometry, in terms of believe and as well as architecture. His design was straight to the point , making use of geometrical shape and it’s magnificent meaning which itself emphasises a perfect form and perfect centre point at its middle, which itself is a powerful remark on the focus point of the building (crucifixion spot at Tempietto and the pulpit at the Basilica) this achievement is more effective rather than using of coloured and expensive material ,gold ,sculpture ,painting ,large windows and light or other architectural elements which Baraque architecture used to bring about the attraction and highlight it’s point in the building.(the Alter of Grace at Church of Vierzehnheiligen)
I chose two cathedrals for my post, the Durham Cathedral and the Chartres Cathedral. The Durham Cathedral, my example of Romanesque architecture, was built from local sandstone in 1087-1133 CE (the east wing was replaced in 1242) and is currently located in Nothern England. The Gothic style structure, the Chartres Cathedral (also known as the Cathedral of Notre-Dame), was mostly constructed between 1194 and 1220 CE due to a fire causing it to be rebuilt. Assembled utilizing limestone, this colossal structure is currently located in France and is known for it’s strikingly beautiful stained-glass windows. These structures share a few similarities, like their ribbed groin vaults (the crossing segments on the ceiling of the hallways), the high-placed windows as well as their huge circular window that were added to provide light and a
The story is about a blind man who visits a married couple. He is an old friend of the wife, but the husband does not look forward to see the blind man (called Robert) because he does not know what to expect. He has never known any blind persons and his picture of these is based on a very little foundation. He has a lot of prejudices against Robert, but during his visit he changes his opinion about him. While watching TV together they get each other to know better and the husband finds out that he actually likes his company. They watch a program about cathedrals and while talking about cathedrals, Robert says that he does not even know how a cathedral looks like. The husband tries to explain what a cathedral is and how it is built, but Robert does not understand it. Therefore he suggests that they can draw one together. In that way Robert gets a picture of a cathedral in his mind and even though it is not as good as seeing it with his own eyes, it is good enough to give him an idea of what a cathedral is.
Some attempts at gothic architecture were made in 17th century but many were a mix-match of ideas. Even though in the early1600’s there was an early flowering of mediaeval architecture with the Kings College in Cambridge.
The term “gothic” comes from the name of the Germanic tribes “the Goths”, who were seen as barbarians, uncivilized, savage human beings. Later, the term was used to describe an architectural style that appeared in the Twelfth Century in Western Europe , and also to illustrate a new type of novel issued in Romanticism, in the second part of the Eighteenth Century.
In the end of the 12th century and the start of the 13th century the Gothic and Naturalism movement was moving across Europe. Originally a derogatory term Gothic was used to describe the art of Northern Europe. Despite the resistance to the abandonment of traditional architecture the beauty of stained glass and flamboyant architecture of the gothic style quickly gained popularity. The churches were built by the common people and for the common people. Stained glass was used to depict biblical passages in an intriguing way for those who were illiterate which at the time was a large part of the population. Cathedrals were beacons that could be seen for miles with their pointed spires and from the country side they appeared to be the center of
Cathedral “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me” (99) the narrator tells us in Raymond Carver’s Cathedral. An old friend of the narrator’s wife, Robert, is coming to visit them at their home. The narrator is not at all pleased with this situation and let us know about it from the beginning.
The term “Gothic” was coined by Italian Renaissance writers who blamed what they considered to be the non-classical ugliness of the art and architecture of the time, to the northern tribes of Germanic barbarians known as Goths. Baron Wolfgang van Schreck’s ancestors had invaded the Roman Empire and destroyed what was considered to be the “true” art of the time; walls that were much too high and thick, arches that were too steeply pointed. The Gothic school of architecture, which included flying buttresses, rib vaulting, pointed arches and the presence of gargoyles on the inside and outside of the building. At the end of the 18th century the term Gothic switched meanings, from “medieval” to “macabre”, through the intervention of a man named Horace Walpole (1717-1797). He was the son of the famous politician Sir Robert Walpole, Horace was a well-known writer and dilettante who gradually transformed his villa, Strawberry Hill, into the most famous Gothic building of age. With this the now cliché image of a Gothic castle is now an accurate representation of the non-classical ugliness of the time period itself.
In the beginning of the story, the narrator feels very uncomfortable knowing that he will
‘Florated madness, liniar hysteria, strange decoratve disease, stylistic free-for-all’, such were the terms its contemporaries used to describe Art Nouveau, the first international design style. Art Nouveau was the rebellion against the entire Victorian sensibility, steeped as it was in the past. The exponents of the style hoped to revolutionize every aspect of design in order to set a standard that would be compatible with the new age. Art Nouveau was a direct descendant of the Arts and Crafts movement and influenced by celtic ornament as well as Japanese woodcut prints, all this resulted in an international style based on decoration.
Analyzing Raymond Carver’s short story, “Cathedral,” his writing is considered to be minimalistic, and the story contains themes of prejudice and religion. Since Hemingway was an influence on Carver, minimalism has shown up in his work as well. As for the themes, Carver uses his characters to come to overcome a prejudice of blindness and end with an epiphany through religion while drawing a cathedral hand over hand.
This style was one of the first to utilize almost entirely stone for its construction. The Gothic style followed, originating in France during the 12th century. It was widely used across Europe until the end of the 16th century. These architectural concepts differ in three fundamental areas: arch construction, buttress style, and type of vaulting. Structures built under the Romanesque category are generally dark and solemn, with little decoration on their exteriors.
Mike. "The Evolution of Gothic Architecture." Aquinas Multimedia. Aquinas Multimedia, 12 May 2008. Web. 10 Apr. 2014.
Gothic art evolved from Romanesque art and lasted from the mid-12th century AD to the end of the 16th century. It was a particular style of Medieval art and was led by the concurrent development of Gothic architecture, established by the Basilica of St Denis. Through the influence of historical design methods, such as Islamic/Romanesque architecture and the impact the spread of Christianity had on Europe, Abbot Suger was able to develop a new style of architecture through his reconstruction of St Denis. This led to the development of taller buildings with thinner walls and bigger rooms on the inside.