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Creative writing of war
Essays on war literature
Essay on war literature
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Catastrophe in Literary Works: A Multi-Sensory Experience Catastrophe is something that can not only be seen physically with your eyes, as a bystander or survivor of a catastrophic event, but also through spectacle in literary works depicting catastrophes. Through the different literary devices used in a work displaying catastrophe, writers further enhance this spectacle of catastrophe as something that is not only seen, but also can be subjectively felt and heart by the reader. In Dulce et Decorum Est and The Convergence of the Twain, imagery and choice of diction are used specifically to enhance this subjective vision, feeling, and auditory experience of a catastrophe for the reader. These three senses work together in these poems to help humanize the event that occurred and give readers a multi-sensory experience, greatly enhancing the reader’s …show more content…
The next best thing, however, is to present it through literature. In both poems, Dulce et Decorum Est, and The Convergence of the Twain, the imagery and diction used help to provide three specific experiences for readers: a visual one, one of feeling, and an auditory one. Without these experiences present in literary works of catastrophe, there would be no real way to actually feel what is occurring, and the humanity of these catastrophic events would be lost. Readers would no longer be able to relate to what is happening, and it would become just a story. Distance would form between the reader and the event, so much so that it is okay to pretend it never actually happened, which is something that modern society easily does when a catastrophe is presented on television in the news, or through objective pictures. The subjective experience of catastrophic literature will keep the humanity in what occurs, so that our society does not brush it off as “just a
In Ray Bradbury’s " There Will Come Soft Rains, " he fabricates a story with two themes about the end of the world. The first theme is that humans are so reliant on technology, that it leads the destruction of the world, and the second theme is that a world without humans would be peaceful, however no one would be able to enjoy it. Bradbury uses literary devices, such as narrative structure, personnification, and pathos to effectively address human extinction. One aspect which illustrates how he portrays human extinction can be identified as narrative structure, he structured the story in a way that it slowly abolishes the facade of technological improvements made by people to reveal the devastation that technology can cause. The story started
In his poem, “Prometheus,” Emery George’s speaker closely aligns himself with the main character to describe his theft of fire and its effects on the story of humankind. Even though the narrator speaks in third person, he knows Prometheus’s thoughts and is very in-tune with his experience suggesting that perhaps Prometheus is actually the speaker. His conversational and easy to understand voice goes from cheeky in the first stanza to serious in the second as the horrific consequences of Prometheus’s actions, the bombing of two cities, become apparent. George’s use of enjambment, punctuation, and diction creates continuity throughout the poem in order to highlight the interconnectedness of all things and ultimately pose questions about inevitability and fate.
“The Convergence of the Twain” is a nonlinear retelling of the Titanic disaster of 1912; however, on a deeper level, the poem explores hubris, downfall, and how fate connects hubris to downfall. Through tone, diction and juxtaposition, the speaker describes the sinking of the Titanic as inevitable and necessary. The juxtaposition of the Titanic and the environment in the first five stanzas symbolizes the opposition between man and nature, suggesting that nature overcomes man. The speaker characterizes the sea as being “deep from human vanity” (2) and deep from the “Pride of Life that planned” the Titanic. The diction of “human vanity” (2) suggests that the sea is incorruptible by men, and then the speaker’s juxtaposition of vanity with “the Pride of Life” (3), an allusion to humanity, further implies a connection between the two.
Twain uses a series of similes to describe what he witnessed during the earthquake. Although Twain is mostly criticizing the actions of people, he describes the city briefly. For example, Twain says, “...and then drop the end of a brick on the floor like a tooth.” and “...meeting earth like a slender grave.” Twain uses these similes to add a sense of horror and imagery for the reader. It emphasizes the destruction of the city and the intensity of the earthquake. Twain's’ similes are not subtle rather they are very intense to truly help the reader see the destruction and really understand why he is connecting it what he is comparing it to. The similes make sense, they may be simple, but the context
It is undeniable that human struggle is relative. It is relative to one’s background, life experiences, and strength- and at some point everyone is faced with an obstacle that they feel incapable of overcoming. In Surviving Hell written by Leo Thorsness, the author is captured after a mid-flight ejection in the Vietnam War. He spent years undergoing torture and solitary confinement, not knowing if he would make it out alive. Physically shattered, his spirits remained strong. Several events take place throughout the novel that ultimately kept Leo afloat. The significance of the church service, walking home, and Mike’s flag lies outside of their surface meaning, but in the mental battles won that propelled Leo and the other soldiers to do more
Paik, Peter Y. From Utopia to Apocalypse: Science Fiction and the Politics of Catastrophe. Minneapolis: University of Minnesota Press, 2010. Print.
Using distinctive diction, detailed imagery, and references to God, Thomas Hardy portrays his perspective of the sinking of “Titanic” in his poem, “The Convergence of the Twain.” Employing these poetic mechanisms, Hardy claims that the sinking of the Titanic was fate and meant to happen. The title furthermore portrays the coming together of the hemispheres as Titanic and God.
A common person’s knowledge about sea disasters comes from what they have read in books and articles, and what they see on TV and in movies. The average person does not get to experience the fury of a hurricane while on a boat. In order to capture the audience’s attention, consideration to details and vivid descriptions are needed to paint a realistic picture in their minds. For this reason, the stories have to provide all of the intricate details. In The Perfect Storm, the story starts out with a radio call, not a dramatic scene that immediately foreshadows the possibility of danger. Rather than describing the storm and its fury, the only mention of the setting is of the visibility and the height of waves. However, in “The Wreck of the Hesperus”, the poem begins by stating there is a hurricane possible right away. The current weather conditions are pointed out to the reader as shown in the following quote.
Each literary work portrays something different, leaving a unique impression on all who read that piece of writing. Some poems or stories make one feel happy, while others are more solemn. This has very much to do with what the author is talking about in his or her writing, leaving a bit of their heart and soul in the work. F. Scott Fitzgerald, when writing The Great Gatsby, wrote about the real world, yet he didn’t paint a rosy picture for the reader. The same can be said about T.S. Eliot, whose poem “The Lovesong of J. Alfred Prufrock,” presents his interpretation of hell. Both pieces of writing have many similarities, but the most similar of them all is the tone of each one.
Charles Yale Harrison’s “in the trenches” and mark twain's” two ways of seeing a river” are both autobiographical narratives that use descriptive language. In Harrison’s “in the trenches,” his brilliant use of sensory imagery lets the readers mind experience the treacherous and horrendous reality of war, with just the use of words. On the other hand, in twains “two ways of seeing a river,” the use of sensory imagery is carefully used to help the reader visualize the change in twains perception of the once “majestic river.” Both authors effortlessly utilize imagery to illustrate the realities of their topics. Harrison uses all the aspects of sensory imagery to display the life men are living in the trenches; meanwhile, in twains essay, he partially
Novelist Cormac McCarthy believes his dark books reflect the harsh events of human nature. McCarthy had a vision of life that was plain and simple in his mind making it harder for some readers to accept. In an interview Oprah asks McCarthy where the apocalyptic dream came from and he replied “I went and stood at a window, and I could hear the trains coming through, a very lonesome sound. I just had this image of these fires up on the hill and I thought a lot about my little boy” (New York Times
Stephen King’s Cell and John Wyndham’s The Day of the Triffids are both post-apocalyptical novels that describe an apocalyptic event and how humanity tries to rebuild itself afterwards. The first recognised work of modern apocalyptic fiction is said to be Mary Shelley’s The Last Man which details the account of the last man living in a world in which humanity has been wiped out by a plague. Whilst it received harsh criticisms and reviews at the time, The Last Man has led the way for novels like H.G. Wells’ The War of the Worlds to become successful. The two novels are both set in the time of their writing: The Day of the Triffids being set in the 1950s and Cell being set in the 21st Century. Therefore the apocalyptic events described by Wyndham and King are relevant to their times: Cell is about a virus that infests humanity via their mobile phones and The Day of the Triffids is about the population being attacked by alien plants after the majority of the human race is blinded. If a reader were to perceive these apocalyptic events as being ‘unrealistic’ then this would only be because that they feel they are anachronistic and therefore the reader does not fully engage with the novels. The reader’s interpretation, the novels’ contexts of reception, as well as their contexts of production are vitally important when judging whether or not the events described by Wyndham and King are ‘unrealistic’.
For a writer, stylistic devices are key to impacting a reader through one’s writing and conveying a theme. For example, Edgar Allan Poe demonstrates use of these stylistic techniques in his short stories “The Masque of the Red Death” and “The Fall of the House of Usher.” The former story is about a party held by a wealthy prince hiding from a fatal disease, known as the Red Death. However, a personified Red Death kills all of the partygoers. “The Fall of the House of Usher” is about a man who visits his mentally ill childhood companion, Roderick Usher. At the climax of the story, Roderick’s twin sister, Madeline, murders him after he buries her alive. Edgar Allan Poe’s short stories employ the stylistic decisions of symbolism, dream-like imagery, and tone to affect the reader by furthering understanding of the theme and setting and evoking emotion in readers.
middle of paper ... ... as an art form in expressing the speakers true feelings on the topic of loss. In this intrinsic work of literature many themes are reflected upon but all of them seemingly tie together the notion of inevitability and the consequences of disaster.
In the poem “A song of Despair” Pablo Neruda chronicles the reminiscence of a love between two characters, with the perspective of the speaker being shown in which the changes in their relationship from once fruitful to a now broken and finished past was shown. From this Neruda attempts to showcase the significance of contrasting imagery to demonstrate the Speaker’s various emotions felt throughout experience. This contrasting imagery specifically develops the reader’s understanding of abandonment, sadness, change, and memory. The significant features Neruda uses to accomplish this include: similes, nautical imagery, floral imagery, and apostrophe.