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Similes and metaphors
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The San Francisco Earthquakes
Jack London and Mark Twain wrote stories on the sights of two different earthquakes that happened in San Francisco. Although the stories were on two different earthquakes, they share similar stylistic elements such as similes/metaphors, intense word choice, and mood.
Twain uses a series of similes to describe what he witnessed during the earthquake. Although Twain is mostly criticizing the actions of people, he describes the city briefly. For example, Twain says, “...and then drop the end of a brick on the floor like a tooth.” and “...meeting earth like a slender grave.” Twain uses these similes to add a sense of horror and imagery for the reader. It emphasizes the destruction of the city and the intensity of the earthquake. Twain's’ similes are not subtle rather they are very intense to truly help the reader see the destruction and really understand why he is connecting it what he is comparing it to. The similes make sense, they may be simple, but the context
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of them make the similes a huge part of the essay. Like Twain, London uses metaphors to get his vision of the earthquake to the reader. For example, London says, “...was a lurid tower visible a hundred miles away.” London's metaphors are hidden deep within the story, they are hard to point out and notice. Like Twain, they are imagery for the reader, they are what makes the reader truly see what they witnessed. London does not use such intense comparisons, but his intention was the same. Twain uses strong vocabulary to emphasize what he witnessed.
Twain uses words such as vomiting, squirming, grinding, terrific, disgusted, and foolishness. Although the context surrounding each word is different, the words are there simply show the reader how intense the earthquake was or how ridiculous people acted when facing a frightening situation. The words are in place to not only add the emphasis on the earthquake, but they do it for the people and their actions, for the things that took place, and for what he witnessed in general. Just as Twain used words that intensify his writing, London's words are more violent rather than sweet and short, but they have the same intention. London uses words like, smashed, piled, humped, burst, twitching, and thrown. His words are more violent because London is trying to really emphasize the destruction rather than the actions of people. London's’ word choice adds more imagery for the reader and it adds more interest and
curiosity. Finally, Twain uses imagery that was quite descriptive. For example, he says, “the passengers were pouring out of both ends.” and “in all sorts of queer apparel.” These sentences are not very descriptive, but he can still add the sense of imagery in with the sentences. Twain has imagery that does not stick out but as you read along with the flow of the story, the sentences are still describing what he saw. Just as, London uses a whole lot of imagery with his story because his is truly about the city itself. He says, “It was dead calm.” and “The steel rails were twisted into perpendicular and horizontal angles” These truly show the city, they are a bit more descriptive than Twain's, but they still are adding the sense of imagery. Twain and London are sharing similar stylistic ideas to get the point across on the earthquake. Similes/metaphors, diction, and imagery are what truly made the stories stand out, but not over each other. These ideas are what really showed the similarities between the earthquakes and the authors.
Firstly, Twain uses satire in the form of irony to show people what their prayers actually mean. Irony is a rhetorical device that is used to humorously relate two very different things, for example the Olympic sprinters name was slow. One of the best examples of irony is displayed when the stranger walks on the stage and says “you pray for the blessing of rain upon your crop which needs it, by that act you are possibly praying for a curse upon some neighbor’s crop which may not need rain and can be injured by it”. This is a perfect example of irony because the farmer wants rain, but at the same time he does not want rain. This makes no sense because they are asking for something, but only if he
For example, He says “The barbed wire encircled us like a wall…”(11). He is trying to compare barbed wire to a wall. He wants us to imagine it was a wall and that's what it felt like for them but he always turned it into a positive because he felt they were now part of a small Jewish republic. In addition, He also said “Monday went down like a small summer cloud, like a dream in the first hours of dawn.”(18). He trying to tell us that monday felt short by describing what it literally felt like but it wasn’t actually. Emotions can get really high in times this and things start to feel different . Similes were a way for the author to express his feelings to the
“The Convergence of the Twain” is a nonlinear retelling of the Titanic disaster of 1912; however, on a deeper level, the poem explores hubris, downfall, and how fate connects hubris to downfall. Through tone, diction and juxtaposition, the speaker describes the sinking of the Titanic as inevitable and necessary. The juxtaposition of the Titanic and the environment in the first five stanzas symbolizes the opposition between man and nature, suggesting that nature overcomes man. The speaker characterizes the sea as being “deep from human vanity” (2) and deep from the “Pride of Life that planned” the Titanic. The diction of “human vanity” (2) suggests that the sea is incorruptible by men, and then the speaker’s juxtaposition of vanity with “the Pride of Life” (3), an allusion to humanity, further implies a connection between the two.
The only impulses that Twain intends to stir are a person’s moral compass in an attempt to rid society of their negative outlook toward African Americans. In the Explanatory of the novel, Twain tells the readers that “several different ‘dialects are used,’ which have been written ‘painstakingly,’ based on his own ‘personal familiarity with these several forms of speech’” (Adventures 3). Twain grew up in a setting similar to that of the
... However, upon further exploration, we realize that Twain uses Sherburn’s pompous lecture on human nature to represent his own contempt for the state of mankind. He goes on to say, “A mob don’t fight with the courage that’s born in them, but with the courage that’s borrowed from their mass, and from their officers(159).” Twain uses Sherbern’s speech to condemn the people of Bricksville, and to give voice to Huck’s disgust with their horrific behavior. While it’s difficult to applaud Sherburn for his brutal murder of Boggs, it is nevertheless.
Mark Twain’s use of humor in the story mocks and shines light on the issues of our society’s political system from back then that continue
Hardy uses strong meaningful diction to convey his thoughts of the sinking of the Titanic. Words such as “vaingloriousness”, “opulent”, and “jewels in joy” illustrate Titanic for the reader so that he/she can picture the greatness of the ship. Phrases such as “Lie lightless, all their sparkles bleared and black and blind” describe what the Titanic looked after the sinking, loosing all of its great features. Hardy’s use of strong, describing diction depicts his view of the ship, before and after.
Twain’s experiences greatly affected his writing. One of the most pivotal events in Twain’s life was the Civil War. The Civil War proved critical in his life because it drew a fine line between Twain’s childhood and adulthood, even though his volunteer troop never went into battle and disbanded after two weeks (Ramussen). After the Civil War, he traveled west and dwelt in areas around Nevada and California. Specifically, he spent a few months in the mining district of Calaveras County before settling in San Francisco (Mark Twain: Chronology). This period in his life was imperative as Twain used his experiences traveling in writing his first successful short story, “The Notorious Jumping Frog of ...
Twain describes local customs and the ways that the characters behave to create a more realistic setting for the story. In the story the characters engage in behavior or activities that would be unusual for a regular person to do. For example, the narrator says:
Mark Twain applies humor in the various episodes throughout the book to keep the reader laughing and make the story interesting. The first humorous episode occurs when Huck Finn astonishes Jim with stories of kings. Jim had only heard of King Solomon, whom he considers a fool for wanting to chop a baby in half and adds, Yit dey say Sollermun de wises?man dat ever live? I doan?take no stock in dat (75). Next, the author introduces the Grangerfords as Huck goes ashore and unexpectedly encounters this family. Huck learns about a feud occurring between the two biggest families in town: the Grangerfords and the Sheperdsons. When Huck asks Buck about the feud, Buck replies, 搾... a feud is this way: A man has a quarrel with another man, and kills him; then that other man抯 brother kills him; then the other brothers, on both sides, goes for one another; then the cousins chip in ?and by and by everybody抯 killed off, and there ain抰 no more feud挃 (105). A duel breaks out one day between the families and Huck leaves town, heading for the river where he rejoins Jim, and they continue down the Mississippi. Another humorous episode appears n the novel on the Phelps plantation. Huck learns that the king has sold Jim to the Phelps family, relatives of Tom Sawyer. The Phelps family mistakes Huck for Tom Sawyer. When Tom meets with Aunt Sally, he ?.. [reaches] over and [kisses] Aunt Sally on the mouth?(219) This comes as a surprises to her and Tom explains that he 揫thinks] [she] [likes] it?(219) Later, Huck runs into Tom on the way into town and the two make up another story about their identities. The two then devise a plan to rescue Jim. They use Jim as a prisoner and make him go through jail escaping clich閟.
Twain uses personification to show the beauty of nature in contrast to the immaturity and obnoxious mentality of society. Huck would sometimes wake up to "see a steamboat coughing along upstream" that "now and then would belch a whole world of sparks up out of her chimbleys" which acts like a child without manners. (Twain, 81) In almost every chapter Twain uses colorful descriptions of nature to help the reader to imagine the setting of the scene. Twain would not have used so many examples and vivid descriptions of nature if he didn't want nature to be a huge part of the novel.
Starr, Kevin. “The Great Earthquake and Firestorms of 1906: How San Francisco Nearly Destroyed Itself.” University of California Press. 83:3 (2006): 45-61. Web. 16 April. 2014. http://www.jstor.org/stable/25161821
This section states, “Well, after a long time I heard the clock away off in the town go boom-boom-boom-twelve lick; and all still again-stiller than ever. Pretty soon I heard a twig snap down in the dark amongst the trees-something was a-stirring” (29-32). Talking about the stillness of the house after the “boom-boom-boom” was a severe contrast between the noise of the bell tower and the silence of the night. This silence amplifies Huckleberry’s anxiety to being alone in his life. Also, the “twig snap down in the dark”, shows how Huckleberry is affecting by being alone in the house, and in his life, very jumpy and unsure of what’s ahead. Through the end, Twain achieves his purpose of showing Huckleberry’s
...nfortunate events, Mark Twain became very bitter, cynical and reclusive from the outside world. Edgar Allan Poe’s gothic style of writing and Mark Twain’s humorous and realism tone of writing have played a large role in the reasons of why literature is the way it is today.
In his poem Auto Wreck (p. 1002), Karl Shapiro uses carefully constructed similes to cause the events he relates to become very vivid and also to create the mood for the poem. To describe the aftermath, especially in people's emotions, of an automobile accident, he uses almost exclusively medical or physiological imagery. This keeps the reader focused and allows the similes used to closely relate to the subject of the poem. Three main similes used are arterial blood, tourniquets and cancer. These images all follow the same idea, and thus add more to the poem than other rhetorical figures might.