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Essay on the castle of otranto
Conventions of the gothic genre in literature essays
Conventions of the gothic genre in literature essays
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Horace Walpole’s creation of arguably the first gothic novel The Castle of Otranto in 1764 features the now well known convention of the tyrannical father. The tyrannical father is often described as a man with complete power and authority who misuses his status in order to oppress and exact cruelty on others, most often his own family and more specifically his children. This convention is personified within Walpole’s novel in the form of Manfred, the primary antagonist and lord of the Castle of Otranto, whose actions revolve around his fears of his family line ending before its time due to the death of his only son Conrad and therefore losing the lordship of Otranto. These actions include, but are not limited to: obsessively pursuing Isabella, …show more content…
However there is a particular focus on the fear felt by Isabella as a direct consequence of Manfred’s “…horrid measures he had conceived…his odious purpose” (p. 26) - something that stems from his pursuing of Isabella with the intent to marry her whilst she sees him as a father figure instead. She even raises this point in order to object to their ‘incestuous’ union when she states “her own misfortune in not becoming the daughter of such wise and noble Princes, whom she shall always respect as Parents” (p. 45). This sense of fear for Isabella is inescapable as she must remain in Otranto with Manfred pursuing her constantly and realises that everyone who attempts to protect her is threatened. As for his true-born daughter Matilda, she appears to be juxtaposed with Isabella in regards to her reaction and treatment towards Manfred – always remaining the loyal and dutiful daughter who feels no fear towards her father and “begged the assistants to comfort her father” (p. 100) after he had stabbed her. Thus Manfred truly fulfils his convention as the tyrannical father and ensures that all the characters within the novel now truly fear his madness and
Jack Spencer's dad is tough on him, but Jack's learned to live with it. For the most part, Jack has it pretty good. He's a star player on his high school basketball team with everything going for him - scoring records, popularity, and an easy path to a college scholarship. Then, the unbelievable happens, and bad news leads to worse news. Almost as fast as the crash that put his mom in the hospital, everything that Jack believes in starts to crumble. His only hope is to discover what's really going on, and quickly. If he doesn't, Jack may lose much more than a basketball career.
A longing for revenge can hold people captive in their own minds, influencing thoughts and speech. The Tempest, by William Shakespeare, is a play that follows the story of Prospero, the rightful Duke of Milan, after he is overpowered by his own brother and left to die with his daughter in a cramped sailboat. He seeks vengeance against many; however, he is not alone in his pursuit of revenge. His servant, Caliban, yearns for revenge toward Prospero for commanding him to be his slave. As Prospero seeks revenge on Antonio and Caliban, he does not realize Caliban’s own craving for revenge against him.
Elizabeth Lavenza (later Elizabeth Frankenstein) is one of the main characters in Mary Shelley’s Frankenstein. She is a beautiful young girl; fragile and perfect in the eyes of all. Her father was a nobleman from Milan, while her mother was of German descent. Before she was adopted by the wealthy Frankenstein family, she lived with a poor family. After Alphonose and Caroline Frankenstein adopt Elizabeth, they lovingly raise her alongside their biological son, Victor Frankenstein, in hopes that the two will eventually get married. When Victor goes off to Ingolstadt college, Elizabeth writes letters to him that later become a crucial part of the story. It weaves together every piece of the story, holding together each individual
Iago throughout the book uses manipulative language to convince characters throughout scenes. However he doesn’t fail, from the beginning he has a well thought out plan, he manipulates people and he has complete lack of empathy which gives him the perfect traits for being a villain. A perfect villain in my definition is someone who can plan out a villainous act and act it out without failure. Iago has achieved this and so I consider him a perfect villain. Although Iago has a few flaws acting out his plan he achieves his goal to an extent in an evil and villainous way such as the failure of murdering of Cassio and his being tortured.
Our perspective on life can have a significant impact on our life. Depending on how you were raised it can impact your perspective on life very differently than others. For example if you were raised in a home of poverty or drug abuse you are use too that lifestyle when you're young. It wouldn't be till your older you would realize it is not a normal way of life. It shapes our life. In the novel the Glass Castle Jeanette is a perfect example of how your perspective changes throughout life as you experience life in addition to maturing. Her change in life had an unbelievable impact on her life that made her a well round mature adult despite her upbringing in poverty.
Loyal. Betrayed. Insane. Ophelia, a character from The Tragedy of Hamlet, Prince of Denmark by William Shakespeare, goes through emotional pain and suffering, that drives her into madness. Torn between her father’s word and her love for Hamlet, she chooses to listen to her father, which spells her own demise. Hamlet betrays Ophelia, telling her that he never loved her and that she meant nothing to him. Ophelia feels abandoned, but when her father dies she is pushed over the edge. She is no longer able to move on so she takes her own life.
I am reading The Lost Hero by Rick Riordan, and I am on page 302. This portion of the novel is about three newfound half-bloods named Jason, Piper, and Leo. This novel starts off with Jason waking up on a bus, not knowing who he is. Apparently his best friend is a guy named Leo, and he has a girlfriend named Piper. They’re all apart of the same boarding school for troubled kids. They arrive at the grand canyon, when one of their thought to be classmates turns into a storm spirit and tries to kill them, because they are half-bloods. At the time they do not know that they are. Their coach, also known as their Teacher, is actually a Satyr that tries to defend the kids. Jason eliminates the storm spirits with his golden sword, even though he was
The Glass Castle is a novel that follows the life of a dysfunctional family from the perspective of Jeannette Walls, the third child of the Walls family. Throughout the stories, the readers see all the hardships the children face, as their lunatic parents do what they think is right. After reading the book, it seems to agree the quote “Parents can only give good advice or put them on the right paths, but the final forming of a person's character lies in their own hands” by Anne Frank.
As Victor Frankenstein recounts his informative tale to a seafaring Robert Walton, he makes it known that he was a child of nobility; however it is sadly transparent that, combined with insufficient parenting, Victor’s rare perspective on life pushes him towards a lifestyle of conditional love. Children are considered symbolic of innocence, but as a child Victor’s arrogance was fueled by his parents. With his family being “one of the most distinguished of the republic,”(Shelley 17), Victor’s parents saw him as their “plaything and their idol, and something better-their child, the innocent and helpless Creature bestowed on them by Heaven, whom to bring up to good, and whose future lot was in their hands to direct to happiness or misery, according as they fulfilled their duties towards me,”(19). “The Social Order vs. the Wretch: Mary Shelley's Contradictory-Mindedness in Frankenstein Sylvia Bowerbank.” Bowerbank, "The Social Order vs. the Wretch", knarf.english.upenn.edu/Articles/bower.html.
The relationship between a father and his son is an important theme in Shakespeare's Henry IV, Part One, as it relates to the two main characters of the play, Prince Hal and Hotspur. These two characters, considered as youths and future rulers to the reader, are exposed to father-figures whose actions will influence their actions in later years. Both characters have two such father-figures; Henry IV and Falstaff for Prince Hal, and the Earl of Northumberland and the Earl of Worcester for Hotspur. Both father-figures for Hal and Hotspur have obvious good and bad connotations in their influence on the character. For example, Falstaff, in his drinking and reveling, is clearly a poor influence for a future ruler such as Prince Hal, and Worcester, who shares Hotspur's temper, encourages Hotspur to make rash decisions. The entire plot of the play is based on which father-figure these characters choose to follow: had they chosen the other, the outcome would have been wholly different.
Responsibility, honor, pride, morality. When one thinks of duty, all these words come to mind. Never would anyone consider duty to be the cause of death, destruction, dishonesty, and cruelty. Although striving to fulfill one’s duty is seen as a noble and honorable, the gothic novel, “The Castle of Otranto” has shown that striving to fulfill one’s duty can be everything but honorable from what Manfred, Hippolita, Matilda, Isabella, and Jerome did in order to accomplish their duties. As a result, the stress that each character went through, in addition to the nature of each character’s role influenced the way the characters treat people close to them and the way their fates are determined at the end of the novel.
The presentation of childhood is a theme that runs through two generations with the novel beginning to reveal the childhood of Catherine and Hindley Earnshaw, and with the arrival of the young Liverpudlian orphan, Heathcliff. In chapter four, Brontë presents Heathcliff’s bulling and abuse at the hands of Hindley as he grows increasingly jealous of Heathcliff for Mr. Earnshaw, his father, has favoured Heathcliff over his own son, “my arm, which is black to the shoulder” the pejorative modifier ‘black’ portrays dark and gothic associations but also shows the extent of the abuse that Heathcliff as a child suffered from his adopted brother. It is this abuse in childhood that shapes Heathcliff’s attitudes towards Hindley and his sadistic nature, as seen in chapter 17, “in rousing his rage a pitch above his malignity” there is hyperbole and melodrama as the cruelty that stemmed from his abuse in childhood has been passed onto Isabella in adulthood.
Isabella, Claudio's sister, is about to enter a nunnery when her brother is arrested. She is unfailingly virtuous, religious, and chaste. When she hears of her brother's arrest, she goes to Angelo to beg him for mercy. He refuses, but suggests that there might be some way to change his mind. When he propositions her, saying that he will let Claudio live if she agrees to have sexual intercourse with him, she is shocked and immediately refuses. Her brother agrees at first but then changes his mind. Isabella is left to contemplate a very important decision.
Babyhood has no monopoly on the tantrum. The characters of King Lear and Ivan the Terrible have much in common. One might almost believe that the writer of Ivan had felt the incompleteness of Lear, and had seen the absurdity of making a melodramatic bid for sympathy in behalf of this old man thrust out by his daughters. Lear, the troublesome, Lear to whose limber tongue there was constantly leaping words unprintable and names of tar, deserves no soft pity at our hands.
Horace Walpole (1717-1797) invented the Gothic novel in his attempt to blend wildness and imagination of the old romance, in his own words "an attempt to blend the two kinds of romance, the ancient and the modern'' in one step altogether, the Castle of Otranto. A novel he claimed to have written immediately after being inspired by a dream, "I waked one morning...from a dream, of which all I could recover was, that I had thought myself in an ancient castle...I saw a gigantic hand in armour. In the evening I sat down and began to write" (Letter, 9th march 1765). On the other hand many would more quickly agree that the writing of this novel was a mere `specialized development of his taste as a virtuoso and collector' (Holt et al. 230). All the same none would disagree that this novel is indeed a page turner, and this is noticeable even in his Preface to the First Novel. This three page preliminary statement serves two minor but significant roles for Walpole within and without the context of the novel. The first is foretelling his readers the flow of his novel and what they should expect. He does this by means of hinting the plot and sharing some elements of mystery, and Gothic elements of the novel. The second role of the preface was however more towards his disadvantage, although I would imagine he never intended this to happen. The preface served as a frame in which Walpole disguises himself as an objective, third party translator, or he is also known as William Marshal. This same frame which served him benefits also proved to be a large indicator that the novel could not have been written two hundred years ago. It had all the key aspect of many eighteenth and nineteenth century novels, authenticity, authority, antiquity and art...