Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Themes in Casablanca analysis
Themes in Casablanca analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Casablanca is the most romantic movie all the time. Casablanca movie was set in Casablanca during World War II and directed by Michael Curtiz. The movie has three main characters are Rick Blaine (Humphrey Bogart), Ilsa Lund (Ingrid Bergman), and Victor Laszlo (Paul Henreid). Casablanca is a romantic movie in which because of love, Rick helps Ilsa and Laszlo escape Casablanca. It is a love story between Rick and Ilsa. Well, love is defined in many ways. “Love is usually explained as an intense feeling or emotion of deep affection, attachment, and devotion.” “Love is a passionate feeling, emanating from heart and soul, which ennobles men and glorifies women.” In fact, love is hard to define accurately. Everybody has their own explanation about love through their experiences. In this movie, the story of Rick and Ilsa illustrates how a true love is. Love is not about caring each other but also about sacrifice. In this movie, love is illustrated as the scene of spending time together, the promise and wait, and sacrifice.
First of all, based on the romance scenes of spending time together of Rick and Ilsa, Casablanca is considered as a
…show more content…
romantic movie. Mario Reading says that Casablanca is “considered by some to be the most romantic film of all time.” Romance is actions or gestures in a relationship in which expressing the feelings of a person towards another. On the other hand, romance can lead to love. From the flashback of the movie, Rick reminded the happy moments with Ilsa in Paris. In the first scene, Rick and Ilsa were embracing each other in the car. Moving to the next scene, they were joking each other in the ship. Additionally, they were cheering in the room and dancing in the ballroom. They ignored all the questions about each other’s pasts in order to enjoy the time they were together. Those moments show that how happy they were in Paris. According the actors’ actions and the romantic scenes, Casablanca can be considered as the most romantic film of all time. Furthermore, the ignorance of knowing about each other’s pasts also illustrated the love is built on an intense feeling, not anything else. So, one of the important things of love is spending time together and caring each other. It could make the love become stronger. Second, promise and wait are the common things in love. When Rick and Ilsa heard that German army is approaching Paris and Rick forced to leave Paris. Rick convinced Ilsa to leave with him and they would get married. Ilsa didn’t plan that far. But, she agreed and would meet Rick at train station. Unfortunately, she didn’t show up. Rick were waiting. He kept hoping that she would come to the train station. But, she didn’t. Ilsa left a letter for Rick. She told him that she couldn’t come and he had to leave. Then, Rick and Sam got in the train to Casablanca. Although Ilsa left Rick for not telling him any reason, Ilsa is still in his heart. As Michael Wilmington writes,” Nobody lights a torch like Ingrid Bergman’s Ilsa or carries on like Humphrey Bogart’s Rick.” His statement is absolutely right. Ilsa is a beautiful woman. She were charming Rick. Rick loves Ilsa unconsciously. He did everything for her, although he sticks his neck out for nobody. Many time Ilsa meets Rick, she lights up love in Rick’s heart. On the other hand, Rick carries on his love for many years. He suffered and were living with the pain. For instance, Rick met Ilsa in Rick’s café at the first time. She reminded him by the song “As time goes by”. He was drinking and remembering the happy moments with Ilsa in Paris. In another scene, because of trying to help Laszlo, Ilsa came to Rick’s apartment and pretended that she still loves him. In fact, Rick loves Ilsa so much and he’s waiting for her. Well, promise and wait appear in every love story. Third, sacrifice is one of the most important things in love.
In fact, love is all about sacrifice. As Umberto Eco singled out sacrifice as one of the film’s key themes: “the myth of sacrifice runs through the film.” The statement is totally true. Because of loving Laszlo and helping her husband, Ilsa came to Rick’s apartment seeking for help. She pulled out the gun to force Rick giving her the transit letter. She knew that Rick would never give it to her. She pretended that she were still in loved with him. Because of loving Ilsa, Rick tricked Renault to help Ilsa and Laszlo escape Casablanca. Based on the action of Rick and Ilsa, we could see that sacrifice absolutely presents in love. In general, sacrifice is an important thing and indispensable. It is also key themes of the movie and runs through the
film. Casablanca is a great movie. A true love is represented from Ilsa and Rick action. They love each other but they have to sacrifice their love. As Rick, he has to let Ilsa go with Laszlo because he knew that Laszlo needs Ilsa and Ilsa still loves Laszlo. As Ilsa, although she loves Rick, she can’t leave her husband. Sacrifice is the most important thing in the movie. It runs through the film. Well, sacrifice is the thing that proving how true love is. It is one of the most important thing in love. So that, this movie is absolutely a romantic movie.
Casablanca was directed in an era almost entirely dedicated to propaganda, as far as the film industry is concerned. The movie promoted America and the Allies similar to most films of the time, but it did so in a much different manner. The story told in Casablanca follows the main character, Rick, through his personal affairs and love tango with another lead character, Ilsa Lund. The film begins with Rick alone running his saloon based in Casablanca, in which he seems very indifferent to other people’s affairs, and comes off as very exclusive. He is delivered letters of transit by a man named Ugarte, which are nearly priceless to any refugee desiring to flee to the United States or another unoccupied country. Rick continues to act disinterested, reluctantly agreeing to hide the documents. He holds onto them even after Ugarte is killed for having stolen the letters, although there did not seem to be an...
Ingrid coming to Casablanca is the past catching up to rick as he remembers the love they used
In the film Casablanca, directed by Michael Curtiz, a clear juxtaposition exists between Rick and America. Despite Rick’s numerous similarities to America and his deep longing to be part of the country, a physical and psychological barrier separates the two. With America practically being on the opposite end of the world, Rick understands that he cannot abandon his responsibility to aid and influence others in Casablanca. Rick is willing to sacrifice his personal comfort and well-being for the greater good of society. This juxtaposition between America and Rick foreshadows that the United States would soon become involved in the war by overtly displaying Rick’s transformation when he confronts his troubled past.
From the lavish mansions of Hollywood stars to the cigarette smoke filled offices of broke screenwriters, the 1950 noir movie Sunset Boulevard remains a timeless classic with a stunning story of an actress gone mad, and a screenwriter just trying to squeak by. This film is the first pre-1960’s flick that has left me with a feeling of awe. The first word that comes to mind after the credits begin to roll is just“wow!”. I was struck by the intriguing plotline and brilliant execution of the story. Not only is the film a classic for its gripping story, and twisted power dynamics, it also shows amazing camera work and brilliant acting.
The body of Kunze’s essay is broke down by the “three triangulations of desire” and these relationships are dissected to support Kunze’s argument. He elaborates on the importance of Rick, Ilsa, and Sam; Rick, Ilsa, and Victor; and what he believes is most important Rick, Ilsa, and Renault. He uses resources such as Kosofsky Sedgwick’s work on homosocial male desire to support his own argument that Casablanca “accurately depicts the emotional complexity of male friendships and the reductive role of women in these fraternal bonds not only to fulfill the film’s admittedly propagandistic goals, but as an inadvertent testament to gender dynamics in a power structure organized around male power and interactions” (Kunze pg.20). Using Sedgwick’s work as a model, Kunze constructs this erotic triangle between each group of characters mentioned above. Kunze examines each relationship and believes it serves as a sensitive register. Kunze explains that there is more power and meaning that the general content. Utilizing Sedgwick 's model, Kunze suggest that the viewer can see the “complexity of Rick 's interactions with Sam, with Victor, and with Captain Renault—each of whom represents different levels of homosocial desire, all trumping Rick 's love and respect for Ilsa” (Kunze pg.21). Throughout the body of the
The film Casablanca, indeed, involves problems that Rick faced and he finally solved that problem, ending in a satisfying way. Risk’s equilibrium is disrupted when he is going to leave Paris with his girl friend Ilsa because Ilsa doesn’t showed up at last. Risk becomes a boss of a cafe in Casablanca but he never imagines that he would encounter Ilsa again. Ilsa walks into Risk’s life again by accident when she is planing to get a letter of transit in Casablanca in order to escape to America with her husband. At the same time, Nazi Major Strasser arrives in Casablanca and tries to stop Ilsa’s husband from leaving Casablanca. Risk’s equlibrium is disrupted again. Risk still loves and hates Ilsa, and moreover, he gets the letter of transit. Even though Risk wanted to stay with Ilsa and let her husband go to America alone, Risk finally let Ilsa and her husband go and killed the Nazi Major Strasser. That is a satisfying ending.
Robert B. Ray categorizes Casablanca as "the most typical" American film. Ray uses Casablanca as a tutor text for what he calls the formal paradigm of Classical Hollywood as well as the thematic paradigm that addresses the conflict between isolationism and communitarian participation. The film is typical in its appropriation of an official hero Laszlo, who stands for the civilizing values of home and community, and an outlaw hero Rick, who stands for individu...
The 1942 movie, “Casablanca” portrays a World War II era enclave where refugees fled Nazi Europe and used this unoccupied city as a safe haven while pursuing their dreams of coming to America. The main character is Rick Blaine, played by Humphrey Bogart, who owns a nightclub and casino in unoccupied Morocco during the Nazi era. Blaine, whose sole purpose appears to be money, illuminates a sense of arrogance and self righteousness as he assists in retrieving the necessary immigration documents for those who are willing to pay the price for their freedom. Hidden deep within his memory are the reflections of a women that he once loved, Ilsa Lund, played by Ingrid Bergman. The third leading role was that of Paul Henreid who played the Ilsa’s husband in the movie. Victor Laszlo, a Jewish activist who was on the run from the German Regime was once believed to be dead after being captured and placed in a concentration camp, during which time his wife (Ilsa) fled to Paris and ultimately had an affair with Rick Blaine.
“ It’s crazy, all that blood and violence. I thought you were supposed to be the love generation”. Conservative mother, Estelle Collingwood says to her daughter Mari in the beginning of Wes Craven’s cult classic The Last House on the Left (1972). With the war in Vietnam in full swing and the long term effects of the Manson family murders, the peace and love counter culture was at the end of an era. American society had become more violent and corrupt, as were the films Hollywood was starting to release. And with the new generation’s style of filmmaking and recent MPAA rating system, filmmakers were pushing the boundaries of their films and shocking audiences and critics to the core. With new filmmakers kicking down the door of Hollywood every year, it’s no surprise that soon-to-be horror icon Wes Craven would fit perfectly into the new generation of Hollywood. Craven’s early films fall into the exploitation category. They were severely gruesome, repulsive, appalling, and ended up being banned in several countries. Craven would go on to make films that reflect on contemporary society by using a number of recurring themes and formal filmmaking aesthetics that included:
Throughout the book Watership Down there are many themes spanning the entire book, but three main themes stand out. These themes are home, leadership, and nature. The idea of home comes up again and again as the rabbits are trying to find a new home going place to place running from danger as well as finding what appeared to be a home only to find out its true horrors. Leadership is also another big theme as it shifts between the rabbits in the group as well as being stressed in the different warren they come across with varying levels of how it's enforced. Finally, there is a theme of nature. Throughout the book there is a constant battle of natural verses unnatural, the battle of prey and predator, and how rabbits should be in the
Popular music’s affect on a film’s narrative is demonstrated in the film Casablanca released in 1942. The film uses a song called “As Time Goes By” to create a transportation affect for the characters and audience. The song was written by Herman Hupfeld in 1931 and gained modest popularity through its inclusion in the Broadway musical Everybody’s Welcome. In Casablanca, there is a scene inside a restaurant where a woman, Ilsa, runs into an old friend of hers named Sam who is a pianist at the restaurant. She asks him about a mutual friend of theirs, Rick, and then asks Sam to play the song “As Time Goes By.” By the expression on Ilsa’s face and the tears in her eyes it is clear that the song makes her see something, however, the audience does not know what she is seeing. In his chapter on “Transport and Transportation in Audiovisual Memory,” Berthold Hoeckner describes how the audience knows “the song is a carrier, but we don’t know the cargo.” But as the audience listens to the lyrics of the song, they begin to understand the scene as they realize that the lyrics are about an old romance. While Sam is singing Rick enters the room and both Rick and Ilsa meet eyes and both freeze. At this point the audience assumes that the song was about Rick and Isla’s history.
...t it is clearly obvious what is about to happen using an establishing shot. Casablanca also uses camera angle specifically portraying Captain Renault and Strasser as less powerful people in the office scene. Editing allows for smooth transitions between shots and allows for us as viewers to experience the scene like we are seeing through the characters eyes. Lighting provides us a mood of the scene, specifically when Rick first sees Ilsa for the first time since Paris. The Music plays a role in how we as audiences should feel while watching the movie. And without production design movies would not flow correctly. Every setting is specifically chosen to depict the location where the scene takes place. Casablanca is a quintessential film because it ties up all the formal elements of classical Hollywood. Without this movie Hollywood may be a completely different place.
Once a criminal, not always a criminal. In the novel The Tale of Despereaux by Kate DiCamillo, there is a great deal of self-reflection amongst the characters. The human characters do not comprehend that their story is a pure reflection to the rats. Two characters in the book with similar stories are Roscuro the rat and the new prisoner in the dungeon. These two characters are alike in the sense that they both had a reason to look back, they were living in darkness, and they had consequences happen to others for their mistakes.
Even more so in 1950s Hollywood where most things are dramatized. Rick’s gender role in masculinity is the very definition of the word; acquiring strength, independence, being a risk taker, logical, and even rejecting weakness until confronted by Ilsa. While, Ilsa takes the role of being more feminine by caring for looks, focusing on her relationship, and being weak in a way where she needs to be comforted by a male counterpart. Casablanca like most Hollywood films, expresses the ideal gender roles of 1950s and give text book examples of gender roles whether it is biological or deprived from society expectations. Gender playing a part in the characters personality and
Love is a word that’s been both miss-used and over-used all at once. Romantic movies change our definition of and have a big impact on this definition greatly. There have been many movies and novels made over love, but never like this. “The Notebook” is a love story about unconditional love that two people have for each other. This emotionally, heart touching story will have your eyes blood-shot and burning from you not wanting to blink your eyes. This tremendously wonderful love story will have you not wanting to even miss a millisecond of this heart throbbing film. With many plot twists and many scenes that will have you falling off of your seat and you not having any nails by the end of the movie, this is the movie for you. This emotionally rich film is full of action, laughter, and romance, which is the perfect trio combination. This movie shows us how love can bind us together forever. This film went above and