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Essay about the history of portraiture
History about portraiture
The history of portraiture
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Cartes de visite are small, commonly albumen, prints average size 2.5” x 4” usually mounted onto cardstock. Cartes de visite became wildly popular in the late 1850s and continued to be made for decades after. Although originated in the Europe, cartes de visites became prevalent in several countries around the world. “The format was an international standard; for the first time, relatives and friends could exchange portraits, knowing they would find a place in the recipient's family album--whether that album was located in Brooklyn, Berlin or Brazil.” One of the many reasons why cartes de visite became wildly popular in such short time, is that unlike earlier photography processes, such as the daguerreotype and ambrotype, which not only cost greatly more to produce but both also required added protection in order to be sent via mailing system. Since cartes de visite were paper prints, they could easily be sent through the mail without the need for a bulky case and fragile cover-glass. The use of the albumen process and the ability of having eight different images made on one sheet of photographic paper made cartes de visites relatively inexpensive. Because of its relatively low costs, cartes de visite was one of the first processes that made photography really accessible to the vast majority of people. They also had a large influence in ways people look at photographic images, for example evidence of early fashion photography can be seen through out cartes de visite history. Cartes de visite also allowed erotic images, or pornography, to become easily accessible and widespread. Although typical cartes de visite cease to be made today, their influences both socially and photographically, still lives on today in such traditions as ...
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...tography.” 2004. http://www.photographymuseum.com/histsw.htm (accessed Nov. 11, 2010).
Hannavy, John. Encyclopedia of Nineteenth Century Photography. London [u.a.: Routledge, 2008.
Marien, Mary Warner. Photography: a Cultural History. Upper Saddle River, NJ: Pearson Prentice Hall, 2011.
Ovenden, Graham, and Peter Mendes. Victorian Erotic Photography. New York: St. Martin's, 1973.
Painter, Nell I. Sojourner Truth: A Life, A Symbol. Ed. Nell I. Painter. New York, NY: W. W. Norton & Company, 1997.
Post, Emily. Etiquette in Society, in Business, in Politics, and At Home. Chapter 10: Cards and Visits. N.p.: Jungle Books, 2007.
Wichard, Robin. Victorian Cartes-de-Visite. Great Britian: Shire, 1999.
Younger, Dan. Cartes-de-visite: Precedents and social influences. CMP Bulletin. Vol. 6, 4. Riverside, CA: California Museum of Photography, 1987.
Romare Bearden, Harry Henderson. A History Of African-American Artists. New York : Pantheon Books , 1992.
beautiful works of art. Douglas reached Harlem and instantly fell in love with the culture and
In eighteenth century Paris the images on signboards served the purpose of stimulating, amusing and informing through an iconography that was complex enough to engage the great masters of the time.
The media object selected for analysis is the Daguerreotype. Louis-Jacques-Mande Daguerre (1787-1851), a Romantic painter and printmaker, had introduced the Daguerreotype on 7th January 1839 and would forever change the perspectives of the visual experience through photography (Daniel, 2004). Ever since the advent of the Daguerreotype, people were able to view a detailed imprinting of a certain visual frame on a treated sheet of copper (which today is called the film) (Daniel, 2004).
Samuels, Wilfred D. “Sojourner Truth.” Encyclopedia of African-American Literature. New York: Facts on File, 2007. 509-510. Print.
Jacob Lawrence is celebrated for his insightful depictions of American and, in particular, African American life. Best known for his epic series of paintings on such subjects as the lives of Harriet Tubman and Toussaint L'Ouverture, he has also created numerous prints, murals, and drawings. Among the latter are a delightful set of twenty-three illustrations...
Gage, Frances D. "Reminiscences by Frances D. Gage of Sojourner Truth, for May 28-29, 1851." Paul Laufer, ed. The Heath Anthology of American Literature, vol 1, 3rd ed. Boston: Houghton Mifflin Company, 1998.
Isabella Baumfree, otherwise known as Sojourner Truth, was born to James and Elizabeth Baumfree as a slave around 1797 in Ulster County, New York. She was a slave of a Dutch family, the Hardenberghs, but once her owner died, she was sold at an auction for the first time to a Englishman, John Neely. Since she could only speak Dutch while Neely spoke English, it was difficult for them to communicate and as a result, Neely would constantly beat her brutally. She had suffered as a slave such as being spit on, threatened, and beaten aggressively to the point that she had scars on her body, blood trickling down from her body, and many wounds.
Gage, Frances D. "Reminiscences by Frances D. Gage of Sojourner Truth, for May 28-29, 1851." Paul Laufer, ed. The Heath Anthology of American Literature, vol 1, 3rd ed. Boston: Houghton Mifflin Company, 1998.
Sojourner Truth was a major activist of the abolitionist movement. She was born into slavery in Ulser County New York to James and Betsey as Isabella Baumfree. It is estimated that she was born in between 1790 and 1800. Her life story helps illustrate why her passion and steed ruminated throughout the abolitionist movement. For once, the African American slave woman could share her thoughts, ideas, experiences and hurts about slavery. Her upbringing and experiences as a slave contributed to many of her great speeches and writings, which helped bring awareness to the monster known as slavery.
In 1843, an ex-slave named Isabella Baumfree, heard the voice of the Holy Spirit speaking to her. He instructed her to take on a new mission of preaching the people to abstain from sin and to change her name to Sojourner Truth (Sojourner Truth PBS). Sojourner left New York City where she had lived working as a housekeeper and going to spiritual gatherings for the past 15 or so years of her life. Traveling up the Connecticut River Valley, Truth gave speeches on rights for women and slaves as an itinerant preacher (Voices of the Civil War). Her work as an abolitionist and women’s rights activist made a difference for African-Americans, women, and the Union during and around the time of the Civil War.
Sojourner Truth (1797-1883), born into slavery as Isabella, was an American abolitionist and an advocate of women's rights. She joined the abolitionist movement and became a travelling preacher. She took her new name-Sojourner Truth-in 1843 and began preaching along the eastern seaboard. Her strategy consisted of walking through Long Island and Connecticut, speaking to people about her life and her relationship with God. She was a powerful speaker and singer. When she rose to speak, wrote one observer, "her commanding figure and dignified manner hushed every trifler to silence." Audiences were "melted into tears by her touching stories". She traveled and spoke widely.
...l. Sojourner Truth: a life, a symbol. W. W. Norton & Company, 1996. Print (p4)
The author was born in Washington D.C. on May 1, 1901. Later, he received a bachelor’s degree from Williams College where he studied traditional literature and explored music like Jazz and the Blues; then had gotten his masters at Harvard. The author is a professor of African American English at Harvard University. The author’s writing
France is one of the most popular tourist destinations in the world, boasting of an array of extremely impressive tourist sites. These include beautiful beaches and a variety of magnificent landmarks. It sits at the centre of most tourists‘ wish-list of countries to visit in the world. However, no trip to France is complete without a visit to the Cote d’Opale; the coast of the Pas de Calais located in northern France, stretching approximately 26 miles between Calais and Boulogne-sur-mer.