The poem “Grass” by Carl Sandburg has the deepest emotional connection to the reader out of all the other poems in the book. Sandburg starts off by highlighting the importance to keep all of the people in mind that are sent off to war and their lives were taken. Many people today take all the freedom that Americans have for granted, not only do they think that there is a place that is more free than America, they don’t respect all the lives that were taken to have this great place we live in today. Unlike at the time this was written many wars were happening outside of the United States of America that our armies were called to partake in. Many people would be directly impacted by war whether a brother or father was drafted since many men were …show more content…
The structure is very short sentences that are packed full of strong meaningful imagery. Each stanza had at least one sentence that is repeated to give the importance of each piece of history. “Let me work”(2,6,11) is in this short poem three times to show that no matter all the horrifying things that can be buried in the soft green grass, and it will always rise about or ever through those things to give a peaceful green glow. The “pile” in the poem is a verb and not a noun because of the destruction of human life, it is an action to throw all these deceased people onto of each other until they have a large enough place to lay them to rest. This poem is constructed to be a short but powerful dagger to cut deeply into anyone who has read it. There are only a few lines that are actually full sentences because of the length being only 11 lines. This type of poem has no need to be long because it can be so deep by comparing nature being marvelous and humans being brutal. It leaves a lasting impact on everyone who has read it because freedom isn’t the first thing on our minds each day when it should …show more content…
To the audience the grass has a voice “Pile the bodies high… I am the grass: I cover all”(1,3) the grass shows how it will always cover anything bad that has happened to or on it. No matter how many bodies you place underneath the grass, it will always grow overtop of the flesh and bones until you can’t tell anything is buried there. The grass can hide all of the bad that has happened, this is like when millions of bodies lay there lifeless that died in war over the years that the land was fought on. The grass is like a memory it will always forget the things that happened on top of it and do its job to continue and
...ntion of memories sweeping past, making it seem that the grass is bent by the memories like it is from wind. The grass here is a metaphor for the people, this is clear in the last line, “then learns to again to stand.” No matter what happens it always gets back up.
When Paul was in the war he and his Friend Kat ran into a recruit that had been shot and they were debating whether or not to put him out of his misery. "We'll be back again soon," says Kat, "We are only going to get a stretcher for you."We don't know if he understands. He whimpers like a child and plucks at us: "Don't go away--” Kat looks around and whispers: "Shouldn't we just take a revolver and put an end to it?" (Page 34). In the movie Gallipoli, the main character Archy was a runner and he had no idea what he had gotten himself into. But when it was his time to cross the front line he had hesitation and did what he had signed up for. In the poem In Flanders Field it makes you feel sad for all the lives that had been lost. “Loved and were loved, and now we lie In Flanders fields.” this gives you a feeling of sadness for all the people who died and their families that they will never see
The most noticeable aspect of the structure of the entire poem is the lack of capital letters and periods. There is only one part in the entire forty lines, which is at the very end, and this intentional punctuation brings readers to question the speaker’s literacy. In fact, the speaker is very young, and the use of punctuation and hyphens brings to attention the speaker’s innocence, and because of that innocence, the
Carl Sandburg's short poem "Grass" represents a metaphor for the disguise of history. The persona tells how histories that have taken place are sooner or later disregarded. The persona tells that the histories should not be disregarded, but be left the way it is as cited in the poem "I am the grass .Let me work." People should notice the events that took place and learn from their mistakes and be better people. The places that are mentioned in the poem are allusions. The allusions are indirect references that Carl Sandburg utilizes to exhibit the seriousness of the past events.
Route March Rest by Vernon Scannell, Night Raid by Desmond Hawkins, The Battle by Louis Simpson - How do the poets communicate emotional or moving responses to war? What do these poems tell us about wartime life and the thoughts and feelings of civilians and soldiers? How do the poets communicate emotional or moving responses to war? The following essay will try to answer the question above.
Now over these small hills, they have built the concrete' The last line of the first stanza is describing a peaceful village , part of the countryside and the first line of the second stanza tells the reader of the desecration of the stone, the tone completely shifting. From the Motorway has a structure that is all in one sentence so that it sounds like the ongoing motorway 'among rich and ragged, sprinter and staggerer' This quote simulates traffic using unpronounceable alliteration. In the beginning of The Pylons, the fist stanza is an almost dream location in the middle of the country, before they were destroyed 'The secret of these hills was stone, and cottages Of that stone made' These first two lines sound biblical. The hills are as if they had been in this way forever and the cottages had been made in equilibrium with them, of the local natural stone.
The poem “Grass” by Carl Sandburg depicts the message of being forgotten clearly. Sandburg speaks of the thousands, if not millions, of people that died in a battle he’s listed. He says that after they died, they were buried,
Each soldiers experience in the war was devastating in its own way. The men would go home carrying the pictures and memories of their dead companions, as well as the enemy soldiers they killed. “They all carried emotional baggage of men who might die. Grief, terror, love, longing- these were intangibles, but the intangibles had their own mass and specific gravity, they had tangible weight.” These were the things that weighed the most, the burdens that the men wanted to put down the most, but were the things that they would forever carry, they would never find relief from the emotional baggage no matter where they went.
The depth of the poem, in both its poetry and narration, is incredible, and in the
I believe that the structure of this poem allows for the speaker to tell a narrative which further allows him to convey his point. The use of enjambment emphasizes this idea as well as provides a sense of flow throughout the entirety of a poem, giving it the look and feel of reading a story. Overall, I believe this piece is very simplistic when it comes to poetic devices, due to the fact that it is written as a prose poem, this piece lacks many of the common poetic devices such as rhyme, repetition, alliteration, and metaphors. However, the tone, symbolism, allusion and imagery presented in the poem, give way to an extremely deep and complicated
A poem which I have recently read is: “Dulce Et Decorum Est” by Wilfred Owen. The main point Wilfred Owen tries to convey in this poem is the sheer horror of war. Owen uses many techniques to show his feelings, some of which I’ll be exploring.
The fact that there the poem has no stanza divides represents the long and painful road to sleep and the never ending fight with insomnia.
The poem shows that the young man grows up to become a fighter who does not know when to stop all in the matter of a few lines that amount to one sentence. Then in an even shorter sentence, he dies in combat. Writing this as two sentences accentuates the idea that life is short, but can even be shorter if we can not get along. The speaker’s mourning tone probably ponders if the man avoided fighting maybe he could have lived longer as suggested when mentioning killing war elephants were not enough for the man who immersed himself in the battleground. By putting oneself in an environment of anger and aggression to the point of a questionable noticing of an arrow inside of oneself can only lead to a shortened
On the most superficial level, the verbal fragments in The Waste Land emphasize the fragmented condition of the world the poem describes. Partly because it was written in the aftermath of World War I, at a time when Europeans’ sense of security as well as the land itself was in shambles, the poem conveys a sense of disillusionment, confusion, and even despair. The poem’s disjointed structure expresses these emotions better than the rigidity and clarity of more orthodox writing. This is evinced by the following from the section "The Burial of the Dead":
One piece of the poem hints towards imagery involving slavery, this occurs when the speaker talks about the “charter’d street….charter’d Thames” and later on mentioning “The mind-forg’d manacles”. The street and Thames being described as charter’d shows the power of the government having the control of parts of the city such as a river and the streets. The use of “the mind-forg’d manacles” is symbolic by showing that their brains or minds are being controlled and limited by the government and is a symbol of enslavement. The poem seems to express a lot of imagery about death and sadness, terms such as cry, curse, plagues and hearse are used. The use of such words tells the reader that the soldiers are being forced by the government to kill. Therefore, causing the soldiers despair. Another portion of the poem uses phrases such as “in very infants cry of fear” and “how the chimney sweepers cry” to show an image of child labor. The term “appalls” is used to describe the “blackning Church” to allow the audience to realize that the church is horrified of the child labor. The chimney sweepers are a specific example of child labor. And the use of the word “blackning” suggests that a sin such as child labor is occurring. Lastly, imagery is used in the last stanza to show the horrifying cycle of living in London, England. “How the youthful Harlots curse, blasts the new-born Infants tear” describes how prostitutes are