DreamWorks Studios has created two great films portraying the Caregiver archetype. Gru, from Despicable Me, and Sully, from Monsters Inc., fit into this archetype. Throughout challenges and mishaps, they adapt. The audience feels love whilst watching these films. Formerly, Gru was a reluctant father, who used children for selfish purposes. Despite being inhospitable and resisting, Gru opened his heart to repay their love. A book he wrote contained a quote, “Three little kittens who changed his heart.” Moreover, he aspired to protect the girls, which meant sacrifices. Such sacrifices include the moon he had stolen. Similarly, Sully overcame his fear of children. Sully would praise Boo, encouraging her to stay strong during hardships. These praises …show more content…
include “That’s right Boo! You did it! You beat him!” In contrast, Gru does not focus on affectionate encouragements until the ending scene. All humans have desires for love, warmth, and motivation. From these films, the audience feels supported by Gru and Sully’s adaption. This Caregiver archetype aspect appeals to the audience and encourages worldwide love. Both films’ protagonists are masculine and indifferent characters at first.
Nevertheless, they became caregivers during mishaps. These films are popular, as the directors disregarded traditional gender role ideology. This alteration captivates the audience. Aside from both being male, their career and goals affected Gru and Sully. During his time at Monsters Inc., Sully focused on his job. As he was the best in his area, many aspiring scarers looked up to him. Even his boss, Waternoose, praised him by saying, “I need scarers who are confident, tenacious, tough, and intimidating. I need scarers like…like…James P. Sullivan.” Whilst Sully worked for his world’s benefit, Gru yearned for power and control. The last words of his evil plan were, “We are going to pull the crime of the century. We are going to steal…the MOON.” It is obvious that they both had no intentions of caregiving. Throughout history, mainly females showed Caregiver characteristics. Formerly, Gru and Sully stereotypically suffices their needs; the audience finds this practical. However, their characterisations continued developing into selfless caretakers. Human brains find surprises rewarding. These masculine characters were not ideal Caregivers to the audience. Once Gru and Sully became loving super-dads, astonishment strikes the audience. Accordingly, the films’ producers used this Caregiver archetype
concept.
In the short story “Dog,” Russo paints the picture of a strong willed boy who is amongst parents who don’t understand what the real problem which is his lack of parents attention and bad parenting when dealing with his extreme obsessions over getting a dog.
In the book, Mattie starts out as a lazy teenager who needs to be told what to do by her over controlling mother, but throughout the story, she becomes more responsible and adult-like. For example, at the start of their adventure, Mattie leaves P...
Rolph is introduced as an innocent young boy early on in the story. He “doesn’t speak up all that often” (1) and is “too young to notice” (1) the extremely sexual relationship between Mindy and Lou. The generalization Mindy brings forward for Rolph is “structural affection” (5) in which Rolph “will embrace and accept his father’s new girlfriend because he hasn’t yet learned to separate his father’s loves and desires from his own” (8). Rolph’s fragile depiction foreshadows the importance of nurturing vulnerable children. If a child is already susceptible to emotional confusion or damage in their youth, it is important to provide them with an extremely positive upbringing to give them confidence to make their own decisions as they mature. In the case of Rolph, however, he does not receive the support he needs to make a healthy transition from childhood to
Throughout their early life, children feel oppressed by their parents. From being constantly nagged to being misunderstood, children can feel that their parents dislike them. With screams and threats, with lions lurking, Ray Bradbury utilizes foreshadowing and symbolism to uncover those dark feelings that dwell within a child.
Antwone’s foster mother that abuses and belittles Antwone while a lad along with his two other foster brothers.
From the call to the return, Toy Story Two is a modern example of Homer’s classic Journey of the Hero cycle. The movie Toy Story Two is taken right out of Homer’s archetype for his book the Odyssey. Both Toy Story Two and the Odyssey both go through a mundane world, the first stage that the hero does not want to be in, a call to adventure, and the point where the hero leaves the first world and goes to a different one. There is also a path of trails where hero goes on a new adventure meeting new people, and the Master of two worlds stage, when hero returns to old world as a changed person. All of these thing fall under the journey of the hero archetype. The next paragraphs will explain specific pieces from the movie and how they relate to the journey of the hero archetype.
Neglecting a child consists not only of failing to provide life’s necessities, such as food, water, shelter and clothing, but also of inadequate attention and love. This parental neglect is seen in several characters, including Jimmy and his mother, Sharon. Sharon works for a large biotechnology corporation, and she is happiest while working there. However, when Jimmy reaches school age, she quits without reason and her mood degenerates. She becomes distant, depressed, and anxious, and no longer pays attention to Jimmy. This lack of attention that Jimmy faces gravely hurts him, but it does not compare to the feelings he experiences when he “finds a note on the kitchen ...
In a world full of novelty, guidance is essential to whether a being’s character progresses positively or negatively in society. Parents have a fundamental role in the development of their children. A parent’s devotion or negligence towards their child will foster a feeling of trust or mistrust in the latter. This feeling of mistrust due to the lack of guidance from a parental figure is represented in the relationship between Victor Frankenstein and his creation in Mary Shelley’s novel, Frankenstein. The creature created by Frankenstein was shown hatred and disgust from the very beginning, which led to its indignant feelings toward his creator and his kind.
the movie the audience knows whom the nanny is and it is just a matter
The members of this family presented characteristics of many untraditional gender roles. This movie consisted a nuclear family, including a mother (Carolyn), father (Woody), four sons (Clinton, Wendell, Nate & Joseph), a daughter (Troy), and along with their family treasured dog (Mutley). Carolyn was depicted as the sole breadwinner for the family. She participated in a few gender roles in her family such as, a masculine figure holding authority in the household and a feminine figure that depicts care and unconditional love. She was also a mother figure to the kids outside her home. For example, she talked to the children on the streets and looked out her window to the children. In the late 70’s, it was typical for the male gender to be known as the breadwinner and we saw the switch of gender role in this movie when the wife was characterized as the provider of the family and not the husband. Throughout the movie, Troy took on different gender roles too. It is Troy, who acts as caretaker, who assumes the traditional defined, desirable feminine role.” After Troy visits her mother from the hospital, she showed a change of character, from a child to an adult. She became the caretaker. She cleaned the house, mopped, and did the dishes like what her mother asked her to do prior to her illness. When her mother died she took the mother role. For instance, she became more
In the novel Frankenstein, the monster is deserving of empathy because as a young child he did not have the guidance nor care from a parent or guardian like most people do. He was brought into the world and then cruelly rejected by the ...
In the final half of David Adams Richards, Mercy Among the Children, the novel is expanded with the support of the archetypal criticism and theory. According to Carl Jung’s views on archetypal theory, our knowledge of legends and dreams have all been developed based upon one another's past beliefs. Lyle and his life deal with many archetypes in which help the reader make other beliefs revolve around the characters and situations. The main archetypal characters in the story are the mother figure and the victim. The victim in this novel is set as a main bestowing factor throughout the story as it is a direct connection to Lyle himself; his father. Lyle's father Sydney is victimized in his community all the time, this teaches Lyle to have the strength
Throughout the film, viewers witness Gru’s self-concept drastically changing. This is very important to recognize because self-concept influences the “roles we play, social identities we form, the comparisons we make with others, and our successes and failures” (Meyers, 40). In the beginning, Gru collectively characterizes himself as a villain, and as a result, forms a social identity as an evil individual. He does not compare himself to a layperson, such as his next-door neighbor, but rather to other villains and their criminal accomplishments. His self-concept influences the role he plays in society, and hence his behavior and actions. Gru’s behavior can be described as selfish, as he is solely concerned of his own gains and benefits, and very aggressive. He shapes his behavior to emphasize his social role of a villain. For example, in the beginning of the film, when Gru sees a young boy crying because he dropped his ice cream, he makes a balloon animal for him. When the boy begins to smile, Gru then proceeds to pull out a pin and pop the balloon. When he encounters a long time...
The relationship portrayed in the film above, is again, without a doubt, a scary one, but unfortunately these unloving mothers do exist, and it's not only what these mothers do that is terrible, it is what they neglect to do in comparison to their loving foes, that makes these strained relationships even worse.
... does get to leave the monsters back home), win and the evil monsters lose. Sulley is the hero in the end, and also discovers a new way to get energy without scaring children like Boo.