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Bust of nefertiti essay analysis
Bust of nefertiti essay analysis
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History: The Bust of Nefertiti, a sculpture of Egyptian Queen Nefertiti, was created around 1340 BC by the royal sculptor Thutmose in the ancient city of Achet-Aton, now called Amarna. German excavators found it on December 6, 1912 buried in the workshop of the sculptor along with many other model heads. The Nefertiti Bust is believed by many to be a symbol of pure beauty because after 3300 years the model head has maintained its original color and shape. After being found in 1912 by German archeologist Ludwig Borchardt, it was given to Jaques Simon, who had funded the expedition for Bordchart's team. He kept it on display in his home for 11 years. It wasn't until 1923 when it was put on display in Berlin, Germany. During World War II it
was hidden in a salt mine to be protected from bombs. It now rests in Berlin's Neues Museum. Purpose: Queen Nefertiti was a model for the royal sculptor Thutmose. The original bust was often used as a model for other artists creating painted or sculpted portraits. The purpose of making a bust sculpture is to create a life sized portrait of someone. Today, the purpose of the Nefertiti Bust is to be viewed in museums as an archaeological discovery. It is marveled over as an icon of beauty and the queen was named on of the most beautiful woman in the world. Design: The Bust of Nefertiti is a 44 lb life sized portrait of Queen Nefertiti of Egypt. It is a limestone bust colored with modeled gypsum, which has maintained its color after thousands of years. The eye was inlayed with crystal and black wax, although the second eye was never finished. A blue, flat topped crown -only seen on this Egyptian Queen- rests on her head. There is an interesting ribbon design surrounding her crown. Her facial features are all reasons why she remains one of our highest representations of beauty; any woman would envy them. The only damage so far to the sculpture is the partially broken left ear. But this beauty is only skin deep; modern day CT scans reveal that underneath the beautiful face of the queen, there are wrinkles and bumps.
These two statues are famous to the Egyptian art era. They represent the woman’s position and the man’s position at that day and age. Traditionally, the rulers of Egypt were male. So, when Hatshepsut, Dynasty 18, ca. 1473-1458 B.C., assumed the titles and functions of king she was portrayed in royal male costumes. Such representations were more for a political statement, rather than a reflection of the way she actually looked. In this sculpture, she sits upon a throne and wears the royal kilt and the striped nemes (NEM-iss) headdress with the uraeus (cobra) and is bare chested like a man. However, she does not wear the royal beard, and the proportions of her body are delicate and feminine.
The pharaoh named Khafre was an ancient Egyptian king of the 4th dynasty during the old kingdom. Khafre enthroned shows the pharaoh is shown in a seated potion on a throne with a look of deep serenity in his face. The king is sitting rigidly upright with one of his hands on his knee and the other one making a fist on his thigh. Khafre is also wearing a headdress as well as a strapped on beard. Khafres’ face and body are both idealized with the help of bilateral symmetry. Khafre is perfectly symmetrical on both sides; his pose is also both frontal and ridged. The Sculptor shows all movement, however, still showing eternal stillness (Kleiner, 2013). The statue of Khafre is an image of unbridled power. This work, life-sized and carved from diorite (an extremely hard and difficult-to-work stone) portrays the Pharaoh Khafre, sitting immobile. This piece of art uses the Egyptian canon of proportions, creating a very idealized figure (Kleiner,
Around the time 530 bce a statue was carved out of marble and given the name Anavyos Kouros. It represents a male figure completely nude. It is a sculpture in the round and stands a height of six foot four inches. Starting from the top we see the man's head. His hair looks odd to that of a normal human, it does not look like it belongs on his head. Looking at his facial structure his eyes are large similar to art of ancient Egypt. His nose, lips, cheeks, and ears are well defined and proportional. His body is muscular and he looks to be in great shape. The sculptor who made this paid close
The sculpture is small, approximately 4 3/8 inches, and is carved of oolitic stone, a porous limestone. Since this particular stone is not found in the area, it is believed that the sculpture was brought from another region. The size and shape of the figurine fit comfortably in the hand which suggests the figurine was meant to be carried. (Witcombe, sec. 3) The Venus of Willendorf has achieved renown because the work is believed to be the earliest known sculpture of a human being. The statuette clearly depicts an overweight female with braide...
The Egyptians created Ramesses’ statue 1279-1212 B.C. using granodiorite. The statue is currently being exhibited at the Museum of Fine Arts Houston. Its dimensions withouts a base are 59 3/4 x 23 1/2 x 30 inches (seems bigger than life-size). One must look at the statue from various sides in order to see its entirety. Ramesses II, known also as Ramesses the Great, ruled Egypt for over sixty years. there are thousands of statues made in his honor to proclaim his power and divinity.
"Statuette of a standing maiden [Etruscan] (17.190.2066) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Metropolitan Museum of Art - Home. N.p., n.d. Web. 16 Feb. 2014.
It was found in a multitude of places such as a German youth group, the emblem for the Wandervogel, and th...
One of the first to work with the copies made from the stone (the British had taken the stone during their war with the French) w...
The Bust of Nefertiti is a fourteenth century BC treasure. Egyptian sculptor Thutmose created the bust in 1345 B.C. There is almost no information on the life of Thutmose. The bust is made from limestone with a thin layer of plaster cover the entire bust. Sculpting during this time period usually involves wood, clay or metals. The use of limestone indicates that the sculptor is trying to enhance the image of Queen Nefertiti. Using limestone allows Thutmose to make her cheekbones more defined, fix any imperfection in her skin, specifically the area surrounding her mouth and fix the uneven marks on the Queen’s nose. Today, there is a medical procedure in cosmetic surgery with the name, “The Nefertiti
This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.
Not too far away from the town of Montignac, in the western Massif Central and Northern Pyrenees, the cave of Lascaux was discovered. Four teenage boys and their dog discovered it. The four boys, Marcel Ravidat, Jacques Marsal, Georges Agnel and Simon Coenccus, were out on an expedition, but they found more than they bargained for that day. Their dog wandered away and they searched for him. In the process, the four boys discovered a cave that had been right below their feet for the past 17,000 years. They were not able to venture down into the 250-meter deep cave on the first day so they came back the next day prepared to enter the cave. When the boys first wiggled their way down into the cave they did not find anything. It was not until they reached an oval room that they first discovered paintings on the walls. These boys had uncovered paintings dating back to the Aurignacian (30,000-18,000 B.C.E.) (Laming, 34-41) and Magdalenian (15,000-10,000 B.C.E.) periods. It is believed that many of the paintings found in Lascaux were created between 16,000 and 14,000 B.C.E. The boys could no longer keep this cave a secret, so they told one of their teachers, Monsieur Laval. After accompanying the boys down to the cave, M. Laval started alerting historians to this new discovery. Within five days three historians were already on their way to visit the site. On September 17, 1940 three experts on Paleolithic art, Abbé Breuil, Dr. Cheynier and Abbé Bouyssonnie, crawled down into the cave; it was at this point the cave became authenticated.
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
statue was found in the Hera's Temple. Contained in the Temple of Zeus was one
Fischer, Henry George. Egyptian Women of the Old Kingdom and the Heracleopolitan Period. The Metropolitan Museum of Art, New York, New York. 1989
“Yes, I agree with you. I should think it is one of the well-known statues in Paris. I believe that it is dated from 130 to 100 B.C. This statue is named The Venus de Milo, a Greek statue of Aphrodite, goddess of Love and Beauty”.