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Descriptive essay about paris
Descriptive essay about paris
Descriptive essay about paris
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The afternoon of July 10th, my birthday, was bright, cheerful, and balmy with the fresh warmth of a full-summer day. The flowers were blossoming exuberantly and the grass was sumptuously green. The rhythmical scratch and slap of leather soles smacked on concrete block. The rich aroma of creamy cheese coming from the cheese stores and the fresh scent of delicious freshly baked bread made me convinced that Paris is my dream country. I walked along the sidewalk, smelling the rich and creamy scent of cheeses so strong you could almost taste it. I was here with my brother, mom, and dad in Paris. You’re probably thinking, ‘Oh, that’s so nice, you’re in Paris with your family.’ Well, I hate to tell you, but honestly, it’s not. My smart – aleck brother wouldn’t stop spouting out facts about “The City of Lights”. For a boy of 11 years old, he sure knows a lot about everything; and I don’t necessarily like that. His muddy blue eyes and strawberry blonde hair just makes me jealous. Me, I have brown eyes and black “luxurious” hair. If you asked me, I wished my hair was strawberry blond just like my mom’s hair. Instead, I’m the outsider with the strange hair. And about my parents, their conversation usually goes like this:
“Oh George, look at this magnificent statue. It was an excellent idea to go to the Louvre,” my mom comments.
“Oh yes, it is a magnificent statue. We should have a statue like this at home,” he responds.
Then, my irksome brother jumps in and says:
“Yes, I agree with you. I should think it is one of the well-known statues in Paris. I believe that it is dated from 130 to 100 B.C. This statue is named The Venus de Milo, a Greek statue of Aphrodite, goddess of Love and Beauty”.
Jus...
... middle of paper ...
...s lit up.
“What did she say?” I asked.
“Kids, time to go now” he said now looking at the impatient 70-year-old woman.
We rushed after this woman who was starting to climb up the flight of stairs at a moderately fast speed. We ran up the flights one by one until we got to the top. I spotted Mom and Dad on the observation deck sightseeing without a care in the world. I ran over to them hugging them by surprise. Suddenly, this loud, scratchy, and screechy sound blasted in my head. The loud speaker woke me up. “Dernier arrêt Eurodisney” it blared. Feeling dazed, I looked up at my family. I hugged them, never letting go. At that point, I understood that the conductor of the train said “Last Stop – EuroDisney.” Exhausted from all the sightseeing and jetlagged from the flight to Paris, I realized that I fell asleep on the train and this scare was all a dream.
The age of the figurine has been changed several times. Originally, when found, the date was estimated to be 15,000 to 10,000 BCE. During the 1970’s the time period was adjusted to 25,000 to 20,000 BCE; the date was again recalculated in the 1980’s to 30,000 to 25,000 BCE; the most recent estimate of age was in the 1990’s and was placed at 24,000 to 22,000 BCE after scientific research was performed on the rock stratification. This statuette was discovered by Josef Szombathy in 1908 near the town of Willendorf, Austria, in an Aurignacian loess deposit, which loosely defined is a yellow brown loamy geological deposit dating to the Paleolithic period. The name Venus was first associated with the figurine as a joke.
In the short story “An Adventure in Paris” by Guy De Maupassant an unnamed woman seeks for adventure, love, and excitement. An unnamed narrator starts to explain the inner nature and curiosity of a woman. The story transitions to the point of view of an unnamed lawyer’s wife which allows us to see her deepest desire to travel to Paris and be part of the lavishing life she has seen in the magazines. To escape her regular routine she makes a plan to go to Paris; however, her family members are only middle class and cannot help her fulfill her desire to live the life of a celebrity, fame, and fashion. Just when her trip seems to be monotonous she comes across the chance to live the life of an extravagant person. This chance happens when she meets Jean Varin, a wealthy author, in a store wanting to purchase a Japanese figurine. When Varin decides that the figurine is too expensive the lawyer’s wife steps up to buy the figurine which causes Varin to notice her. She flirtatiously invites herself into Varin’s daily activities which intrigue Varin. As the day closes she invites herself to Varin’s house and has an affair with Varin; however, she doesn’t feel she is satisfied because of his many needs. She anxiously waits till morning to come so that she can leave which only confuses Varin. When Varin asks her why she is leaving after all they have been through she states that she wanted to know what depravity felt like; however, it was not what she expected. The central idea of the story is about a woman’s psychological desire for romance, adventure, and an opulent lifestyle that leads to curiosity and the immoral act of adultery.
Almost twenty years ago, around this time of the month, you had a baby girl on November twenty-six. Like every parent you are happy, smiling at the baby, holding my hands and taking pictures. I grew up, stood up, walked for the first time, said my first words, and lost my baby teeth. It’s time for me to go to my first day of school; you don’t want me to go because you got use to my presence in the house. Meanwhile, you are low-key wishing for me to stay a baby girl, when you know perfectly that it isn’t going to happen.
I wake up in my small bed rolling right off of it, groaning and brush my teeth dragging myself down to the kitchen, not even bothering to brush my brown mane of curly hair or change out of the blue ‘Panic! At the Disco’ jacket that I’ve been wearing for two days straight. I go downstairs to eat breakfast and my ‘loving’ father greets me by yelling at me and saying that I don’t deserve to eat anything. I sigh at my Dad’s fatherly tone and grab my black ‘My Chemical Romance’ beanie that holds down my curly brown locks. I love how my curly bangs hung over my brown eyes. I love looking over the city because it makes me feel like I’m dominating over everyone else. I walk to the city bus. Fancy… There were a lot of people on the bus. There was a smelly fat guy who kept eating
It is determined the Antonine Woman as Venus is a woman of aristocratic status. The portrait is made of fine-grain marble, a medium only upper-class persons could afford. Also, only persons of wealth could afford to have such a protrait made. The woman is portrayed as Venus, a goddess who is connected to the imperial family, and members of a royal family would often have themselves depicted as a deity. (De Puma 26) We know she is being portrayed as Venus because of her bare breast and the upper-arm ring. The bare breast is a key to Venus because she is the goddess of sexuality and desirability. The upper arm ring can be an attribute of Venus as the Statue of Aphrodite (Venus) by Praxiletels displays the same jewelry on a nude body. (Fantham 175)
The Venus of Willendorf was believed to be created 25,000 years ago, is none-freestanding sculpture and is sculpted out of oolitic limestone. The subject matter, I believe it to convey a fertility figure for men and woman to gaze upon. The Venus of Willendorf is a none-freestanding female nude stature, which is an 11 centimeters high, made out of oolitic limestone and now resides in Naturhistorisches Museum. She was found in 1908 in Austria in a village called Willendorf. The stature has been carved out of oolitic limestone and has been given a red ochre tint. This small oolitic limestone figure representing a woman in the nude has no known artist and no information on why it was created. I believe that
She shows Jim her glass collection. They look closely at a little glass unicorn, remarking on how ...
This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.
The Venus of Willendorf and the Venus de Milo are two ancient day venus sculptures representing two different views on beauty. The Venus of Willendorf is a small 4.5 inch limestone figure of a Goddess which is believed to be used as a fertility symbol, while the Venus de Milo is a tall ancient Greek statue of a Goddess which is said to represent love and beauty. The Venus of Willendorf’s body structure is very different than that of Venus de Milo. The venus of Willendorf appears to be a short lady with a large emphasis on her reproductive organs, breasts and stomach area whereas the Venus de Milo appears to be very tall with smaller breasts, and a really athletic build. She appears to have abs and looks as if she has not had children before, while the Venus of Willendorf looks like she has had children due to her huge breasts and stretched out belly button. The Venus
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
This statue of Aphrodite shows the dedication the Greeks had to their gods. The bronze goddess, holding her right arm in the air, gives off a powerful attitude. As the pose itself of the statue is not bland and more active, it gives the impression that this was created during the classical period of Greece when sculpture began having more relaxed, natural poses. The lack of more painstaking muscle and bone structure probably places it in the earlier part of the classical period though. What is most intriguing about the sculpture is the white eyes she is given that, in the face of a more natural, realistic human form, the eyes seem to retain an essence that reminds the viewer that this statue is of a goddess and no ordinary human being.
In the eighteen-fifties, Charles Dickens was concerned that social problems in England, particularly those relating to the condition of the poor, might provoke a mass reaction on the scale of the French Revolution. In a letter written in 1855, for example, he refers to the unrest of the time as follows:
It was just like any other day of my life. My mother had conned me into coming to help her out at her job, the Washington Parish Activity Center. Of course I did not want to go down to that old, creepy, cold building after hours. It was a Friday night, and those torturous finals had finally came to an end. Spending the first night of that long, difficult semester at that place was not my plans. Sleeping, eating, and watching television was the kind of night this college student had in mind, but mother had other boring plans for her child. Hearing my mother’s nagging voice was not an option. If I did not come, she would have been complaining from here all the way to China. During that long conversation, she used the famous mother’s line, “I
Consumer culture plays a key role in the economy. Today, the ways in which urban spaces are arranged facilitate the consumption of goods. One only needs to look to modern cities such as New York, London or Tokyo in order to recognise the countless forms of advertisement intended to lure the mass population into spending money on various merchandises, from novelty items to luxury products. The use of built structures to facilitate the display of retail products for the consumption of the masses is nothing new. After its renovation, Paris became a model innovative city planning and construction for a lot of modern cities that exist today. The wide boulevards and open spaces engaged the mass population and encouraged consumerism.
The French Revolution and the legacy of A Tale of Two Cities & nbsp; It is a commonplace of Dickensian criticism that the writer was influenced by Carlyle's The French Revolution in A Tale of Two Cities. Taking Dickens's comment that he read Carlyle's history "five hundred times" (I. Collins 46) as a starting point, many critics have discussed Carlyle's influence on several aspects of the novel, such as the narrative technique (Friedman 481-5), the imagery associated with the Revolution (I. Collins 52; Baumgarten 166; Lodge 131-2), and the narration of the historical episodes (Lodge 134; Friedman 489). And yet, Dickens's outlook on revolutionary violence differed significantly from that of Carlyle. As Irene Collins points out, Dickens "dislikes the violence of the revolutionaries, both in its popular form (the mob) and in its institutionalised form (the Terror). Unlike Carlyle, he can no longer see justice in the violence" (53).