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Essay on french rap
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In France there are different kinds of music. Rap is one of the most innovative and unique products. For this paper, I decided to choose, Melanie Georgiades aka Diam’s who was a French rapper born on July 25th, 1980 in Greece. She was the unique child. While she was three years old, her mother moved to France after her divorced with her husband. The single mother and she lived in the Essonne Departement, in Ile-de-France. Diam’s discovered rap with the album “The Chronic” by Dr. Dre in 1992 and the “Je rap” by the famous French band NTM with Joe Starr. In 2002, she began rap with the album “Brut de femme”. Then, two years later, she won a victory for the best rap album. In 2006, she made her new album “Dans Ma Bulle” which won 3 NRJ Awards
In Adam Bradley’s “Rap poetry 101” he shows us how rap is more than just songs being sung, it is poetry; it is something that has an empowering ability to make the familiar unfamiliar.In this chapter Bradley creates a new viewpoint too rap. Bradley shows us how rap and poetry has become a very similar piece of art that should be further appreciated. In the chapter poetry 101 Bradley describes how rap is a form of public art, and how rappers have become our greatest public poets. The importance of rap as poetry is shown throughout Bradley's book as well as the evidence behind the reasons rap is poetry.
3.The paper will also talk about their contributions to the growth of the international popularity in the rap industry.
began, there were hardly any female rappers well known. She is a quite recent rapper but it did
Rap started as a social movement during the mid-1970’s, once the 80’s arrived it started expanding dramatically, and became popular among white suburban youth. During the late 1980s and early 1990s rap became overtly political with its messages, which expanded its popularity further. Unfortunately, political rap lost its popularity in the mid-1990s; regardless of this artists and their voices have been marginalized because of corporate control. Although there does not seem to be a direct connection between rap music and its whitening, the author claims that it is not coincidental. Despite the political messages within the genre, rap has been viewed through a racist
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
Rhodes, Henry A. “The Evolution of Rap Music in the United States.” Yale New Haven
The second article, “Commercialization of the Rap Music Youth Subculture” by M. Elizabeth Blair, expresses the point of the use of rap music to sell a product even though advertisers know nothing of the subculture....
Since hip-hop has expanded from the undergrounds in Bronx in the 70’s it has grew into a popular accepted music genre. Consequently, as it progressed from the golden age it gradually grew away from its original roots. If one were to evaluate the change of lyrics in hip-hop, they would see a difference between early hip-hop and today’s hip-hop. The current state of hip-hop is in a stage where things like hey young world are outdated. Instead of broadcasting out a positive message, hip-hop sends out a message of sex, drug, and violence. The early musicians who helped solidify hip-hop, by producing music that told stories on subjects of race, respect, or even music that had a positive message.
The most popular new music to emerge from the ‘80’s was rap music. It first developed in the mid ‘70’s in New York City, and soon in other urban areas, primarily amongst African-American teen-agers. It became very popular with the urban public that it soon began to spread throughout the United States and much of the world. It replaced rock music as the creative force in music of the ‘80’s and ‘90’s. However, as popular as it was then and it is now, the lyrics of many rap songs have caused controversy. Many believe and have charged that these lyrics promote racism and violence and show contempt for women.
...abuse towards women, the sexual objectification of women and the effect these lyrics have on our youth?s opinion of women make hip-hop the absolute embodiment of exploitation of women. The extreme abuse that women must endure as a result of hip-hop, in conjunction with the constant objectification and marginalization that women continue to experience in society today has had a very negative influence on an average adolescent?s perception of women. In a fashion that is metaphorically parallel to the exploitation of women in rap, the great French writer Francois-Marie Arouet, whose pseudonym is Voltaire, once stated, ?No snowflake in an avalanche ever feels responsible? (Arouet). Hip-hop icons are instilled with the incomparable power to change lives for the better or the worse?for the sake of women everywhere, black or white, one can only pray that it is the former.
Rhodes, Henry A. “The Evolution of Rap Music in the United States.” Yale. Yale-New Haven Teachers Institute. 2014. Web. 10 Mar. 2014.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Rap is becoming more popular than ever, soon most of the world will have some type of knowledge of rap music. Rachel Sullivan from the University of Connecticut stated “White respondents in this survey had difficulty naming three rap artists, which indicated that they did not have a high level of commitment to the music.” This statement was produced in 2003, also seemed to be very one dimensional. Recently, rap music has been surging through the masses no matter the race. Furthermore, rap is becoming very prevalent especially in the youth of this era. Many trends, commercials, social media, etc. are revolving around rap music.
>. Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .
The second article is about rap music and violence. The article’s authors, Jeanita W. Richardson and Kim A. Scott, explore rap music’s history and place in American culture. The article discusses the ways in which rap music is related to violence, by looking at the creators and listeners of this genre. They argue that it is not primarily about violence towards others, it began as a way for urban youths to express themselves and their unfortunate lot in life and frustration in their situations, with less education opportunities available, poverty, heavy drug influences, and police brutality. The violent lyrics are simply a reflection of a culture of violence in America. As with all people, youths are willing to spend money on things that they are drawn to, whether it is music, movies, etc. and violence is what sold. The authors explain how younger audiences are drawn towards more violent media as that is what has been promoted for them in the media from an early age, as cartoons and regular children’s commercial television are riddled with violent acts. Later in rap’s history, 7 out of 10 youths who bought rap albums