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How rap music influences violence
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The second article is about rap music and violence. The article’s authors, Jeanita W. Richardson and Kim A. Scott, explore rap music’s history and place in American culture. The article discusses the ways in which rap music is related to violence, by looking at the creators and listeners of this genre. They argue that it is not primarily about violence towards others, it began as a way for urban youths to express themselves and their unfortunate lot in life and frustration in their situations, with less education opportunities available, poverty, heavy drug influences, and police brutality. The violent lyrics are simply a reflection of a culture of violence in America. As with all people, youths are willing to spend money on things that they are drawn to, whether it is music, movies, etc. and violence is what sold. The authors explain how younger audiences are drawn towards more violent media as that is what has been promoted for them in the media from an early age, as cartoons and regular children’s commercial television are riddled with violent acts. Later in rap’s history, 7 out of 10 youths who bought rap albums …show more content…
The first article discusses how the themes in the music may cause violence or increase feelings of violence towards the self, usually without specifically ever mentioning those acts, whereas rap music talks specifically about violence and the culture it is seen in by the artists. The first article is a study looking at rates of suicide, percentage of country music on the air and other variables, while the second article doesn’t have any data recorded, it is just talks about its topic and gives a full summary all of its issues. The articles neither contradict nor confirm each other, as they talk about different cultures of
This article is titled “Rap music is harmful to African American communities” and is written by E. Faye Williams. Williams is a chairwoman of the National Congress of Black Women (NCBW). The national congress of black women is a non-profit organization dedicated to the educational, political, economic, and cultural development of African American women and their families. Williams’s article “Rap music is harmful to African American communities” makes her qualified and a credible source to be writing on this question: If rap music and other media is harming the African American community? In her article, she states her side of the argument of how rap music and media are indeed harming the African American community, using the context, and reasoning,
Music can be reflection of our life experience. Each genre of music invokes different emotions and reactions in it's listeners. Rap has become a very popular genre in today's society. Is today “Gangster rap” and rappers exploiting society, introducing drugs and instigating violence? In the mid-1980s Gangster rap came to be portray images of violence, guns, gangs, drugs, and sexism. By the 1990s rap music became a major part of the industry and topped the charts. As people begin to operate different things; different music was engendered and that contributed to the variety of music that we have today. This is one of the many things that makes America different but is astringently under looked by everyone. There are many types of different raps
...mages of Violence in Rap Music Lyrics: 1979-1997” Journal of Public Health Policy, Vol. 30, No. 4 (Dec., 2009), pp. 395-406
The event in Littleton, Colorado, 5 years ago was a shocking wake up call to our society. Because of Eric Harris and Dylan Klebold’s fanaticism with artists such as Marilyn Manson, music was labeled as the culprit for negatively influencing the youth of America. Music is a tool of expression that an artist uses to vent their frustrations and to reveal their emotions. However, these artists do not see the moral boundary that they have crossed with their emotionally disturbing lyrics and dark melodies. To grab the attention of teenagers, musicians often produce music videos with a vivid portrayal of the song’s message. The heavy influence it has on kids today is in direct relation to the murders and shootings that are happening. The use of CD walkmans and the carelessness of parents are making it easier for children to get their hands on the “satanic music.” The anger expressed by these musicians shows the youth that violence is culturally acceptable. Due to the strong emotion that is portrayed in music, the youth responds to music more so than they do to video games, movies and TV. There are many components in music structure that influence violent behavior such as music videos, lyrics, style, and role model images.
“The Hip Hop Wars What We Talk About - And Why It Matters” by Tricia Rose explores what hip hop has done to society in recent years and what people think it has caused. Though it has become one of the most commercially successful genres in mainstream music Tricia Rose explains that the topics in hip hop music have narrowed. Commercial hip hop mainly consist of black gangstas, thugs, pimps, and hoes. In the book she looks into the different points of views of people who think whether hip hop invokes violence or if it reflects life in a black ghetto and if it slows down advancement for African Americans in US. The author goes back and forth with the opinion of the mass on hip hop, she says people view hip hop as a music like heavy metal which people associate with violence but she refutes most of these points by showing the positives of hip hop.
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
In a article “Rap Music's Psychological Effects”, written by Suite 101, studies were conducted to assess how listening to hip hop effected teenagers and young adults, and found that overall, that listening to rap music does not cause aggressive or deviant behavior. Instead hip-hop music did cause violent actions, particularly abuse against women. Additionally, those who watched either violent or non-violent hip-hop videos were more inclined to express materialistic attitudes and favors, potentially acquiring possessions through crime. Studies also found th...
The second article, “Commercialization of the Rap Music Youth Subculture” by M. Elizabeth Blair, expresses the point of the use of rap music to sell a product even though advertisers know nothing of the subculture....
Hip hop culture and its creation of rap music has been stereotypically deemed as mere violent depictions as portrayed by its black artists, and is prejudicially more criticized than white genres that also perpetuate violent language within its lyrics. They are subsequently blamed for the massive rates of homicides within the black community, as blackness is given a dangerous face and linked to criminality, as if innately part of a violent culture. However, violence must be defined through the physical utilization of certain words and actions, along with social manipulations of power and hierarchy to confirm one’s own identity (Hernandéz, Weinstein & Munoz-Laboy, 2012, pg. 595). Rap music was created in the 1970s and originated in the South
It cannot be denied that there is an excess of violence in today's music. Eminem raps about spousal abuse and murder sprees, Marilyn Manson sings of anarchy, drugs, and atheism, and Limp Bizkit urges fans to "break stuff." Some critics argue that fans will take these words seriously, and act out on the urging of their beloved artists. However, if listeners aren't mature enough to know the difference between the fictional world these lyrics invoke, and the reality that they personally live in, perhaps they aren't mature enough to listen to it. If a young person seriously believes in the message he or she hears, perhaps it is because the parents have not done a sound job of teaching the difference between fiction and reality, between right and wrong. Too man...
In the modern world today crime is at an all time high. Gangs are now
Rap has been around since 1973, when Kool DJ Herc introduced this new mash of jazz, soul, gospel, and reggae. This culture has been focused around African Americans, and since has served as a voice for the underrepresented, that is spreading violence, alcohol, and drugs. In this genre the most popular and successful boast about who has murdered more foes as breezily as other artists sing about love. Rap music tells stories of drugs, violence, and alcohol. The youth of America is constantly exposed to this kind of music, and our teenagers are being desensitized to the effects of these stories.
Richardson, Jeanita W., Kim A. Scott. “Rap Music and Its Violent Progeny: America’s Culture of Violence in Context.” The Journal of Negro Education 71.3 (2002): 175 – 192.
Imagine our youth all over the country being exposed to this explicit kind of language. There is no need to imagine, because it is already happening. Ever since the rise of Rap and Hip Hop music, teens have been turning to them to help solve their problems. However these kinds of music can be very destructive to teens. It is not the youth’s fault; it is the content that the music contains. Although Rap and Hip Hop music can be a force for good, they can also have an extremely negative impact on the attitudes and behaviors of our youth.
In the “Rap Music World” defiance has replaced respect, sex has replaced courtship, using others for personal gain has replaced basic courtesy, and wanton rape has replaced teen romance. “Rap Music” (in general) is definitely a harmful and dangerous factor to American civilization because the colossal scourge equates (in innocent adolescent minds) pervasive corruptive moral fallacies purporting that: adventures tragically equals thugs and drugs, that freedom is social anarchy, that love is the same thing as sex, that justice is a vigilante-oriented lifestyle, that truth can only be represented as deplorable ghetto misery, that honor is nothing more than In conclusion, the flimflam known as “Rap Music” is not bona fide music because the blight is without grace, without beauty and without love, the fundamental, truly joyous qualities that are vitally necessary in order to make life both satisfying and worthwhile in any given civilization.