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Drink a cultural history of alcohol summary
Impact of soap operas on society essays
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British soap operas are, of course, overly dramatic. In nearly every soap opera, including the Eastenders, Coronation Street, Emmerdale, and The Archers—the characters constantly discuss money and drink excessively. Of course, these shows are not made to be taken literally—they are mindless entertainment, not serious social commentary. However, behind the drama, they raise subtle questions about the nature of Britain today: the clashes between cultures and religions, upper and lower classes, and the young rebelling against the old. All of these things could be happening at the very same time, and underlining all of these issues is the idea that no one should be trusted.
British people are often the victims of stereotype, but to watch these shows, one would not recognize it. Brits are said to be polite—not so in these shows. Rather than sacrificing comfort or happiness for the sake of manners, the characters in these shows openly confront one another regarding any and every issues that are raised. In Coronation Street, for instance, a character confronts one man she used to date in a pub. He brings up their history together, emphasizing the fact that he knows her better than anyone else. She simply yells, “That history is exactly why we don’t have a future” (Warren), and stalks away with her new boyfriend. In a country where manners are highly valued, confrontations like these are rare—but in soap operas, they happen all the time. Conversely, homes seem to be the places where people speak quietly and share secrets about each other.
Because confrontations usually happen at a bar or a pub, these are not simply settings for drama; they also emphasize the drinking nature of Britain’s citizens. Characters are rarely seen without a g...
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...them apart as distinctly British. They see that life, especially blown out of proportion in a soap opera, is full of inevitable misfortune. We may have complete control over our lot in life, our class, or our looks—but a warm pot of tea (or whiskey) and a good laugh will help make life bearable.
Works Cited
"National Statistics Online - Religious Populations." Home: UK National Statistics Publication Hub. Web. 06 Apr. 2011. .
Newman, Lorraine, prod. Eastenders. BBC. BBC1, 3, HD, London, United Kingdom, 4 Apr. 2011. Television.
November, Steve, prod. Emmerdale. ITV. ITV1, London, United Kingdom, 5 Apr. 2011. Television.
Toye, Joanna. The Archers. BBC. BBC Radio 4, London, United Kingdom, 5 Apr. 2011. Radio.
Warren, Tony. Coronation Street. ITV. ITV1, London, United Kingdom, 4 Apr. 2011. Television.
Alcohol has always been a part of feminine culture, but it took a dramatic shift in the early 20th century. In the book, Domesticating Drink, Catherine Murdock argues that during this period, women transformed how society drank and eradicated the masculine culture that preceded this shift. Murdock draws from a few different sources to prove her argument, such as: etiquette manuals published after the turn of the century and anecdotes from the time period. She provides many interesting and unique perspectives on how drinking culture evolved, but she shows a clear bias towards “wet” culture and also makes very exaggerated claims that turn her argument into something that is nearly impossible to completely prove.
Phillip Bell talks about the rise of Australian ‘soaps’ in his article, for example Neighbours which began in 1985, he talks about how the show deals with ‘Australian’ issues. (Bell Phillip, ‘Television’), this isn’t necessarily true. In fact many of the storylines in Neighbours are taken from American soaps like Day of our lives or Bold And The Beautiful. Our screens are increasingly filled with disturbing storylines which continually push the boundaries of human depravity.
The shows portrays a melting pot of each character lives with money, sex, social media, and relationships unfiltered and toxic, yet irrelevant to the real –world. Another key point is the exploitation of the television world and the millions of viewers, that it’s okay sociably to exemplify deviant behaviors in real –life. Also, culturally and sociably, the reality show creates a bigger problem as the platform provided for the cast is characterized in a negative state. On the negative side, this creates the illusion to act in like manner, from the deviant behavior portrayed on
Since the beginning of time itself, Television has been one the most influential pieces of media that the world has ever encountered. The beginning days of television depicted stereotypical mothers cooking and cleaning their homes for their husbands and children. Yet, as the decades passed, television took a dramatic turn, leaving the days of drama free entertainment as a vast memory. Now a day, however, when one hits the power on button to Bravo, the screen lights expand to ritzy socialites dealing with their everyday lives as “housewives”. Bravo TV’s hit number one reality television show, The Real Housewives of Atlanta, deals with the everyday lives of modern-day housewives. When speaking of these women and their family life, the reality series shows its viewers that family life in modern times is dramatic, full of misrepresentations of how people are perceived, and that fame comes at the cost of family.
11 Ellen Seiter and Mary Jeanne Wilson, “Soap Opera Survival Tactics”, in Thinking Outside the Box: A Contemporary Television Genre Reader (Lexington: The University Press of Kentucky, 2005), 138.
Those who had remained in England during the Commonwealth had faced years of strict moral repression. Those who fled to France had acquired some of the decadence bred across the channel. In combination, these two forces created a nation of wealthy, witty, amoral hedonists. Their theatre reflected their lifestyles. Thus was born the Restoration Tragedy and the Comedy of Manners.
The Future Popularity of British Soap Operas The issue of whether soaps can sustain their popularity is very debateable as the overall viewing figures for soaps have fallen, for example figures for Eastenders in 1995 where sixteen million (according to BARB) whereas in 2005 the average viewing figures were about eight to nine million. There are different factors that could be associated with this decline such as more competition for the audience, more channels and soaps, scheduling issues and the changing dramatic styles of soaps themselves. Another factor that must be considered is the publicity surrounding soaps in the wider media as influencing the level of sustainable popularity that they may have. Technological advances have resulted in the rise of digital television where the viewers have a much wider choice of channels and programmes to choose from, this has brought about an influx of American shows with which British soaps have to compete with.
Act Two scene One looks into the emotions of the characters especially the officers, Stanhope, Osborne, Raleigh, Trotter, Hibbert and the cook Mason, an example of this is trotter he hides his emotions by being humours with mason as he keeps his mind on food ‘Trotter: well there’s nothing like a good fat bacon rasher when your as empty as I am, Mason: I’m glad you like it fat sir. Trotter: well, I like a bit O’ lean, too’, this shows that the writer is showing the reader that people dealt with stress and fear in different ways, however when comparing this to Stanhope he copes with all this stress and fear by drinking ‘sitting on the bed was Stanhope drinking a whisky’ this shows the audience how people dealt with stress and fear even if they were in completely different ways.
The book ‘Chavs; the demonization of the working class’ 2012 by Jones is an up to date account of the media political, and there for social perception of the lower classes. Jones begins with an anecdote of a dinner party in which the topic of conversation is drawn onto the closure of Woolworths to which ‘where will all the chavs buy their Christmas presents’ is quoted. The people at the party were all considered educated, not bigots and somewhat liberal, yet despite...
Oscar Wilde’s treatment of high society and manners are explored in the play “The Importance of Being Earnest”. Here, members of the upper class display a great deal of pride and pretense, feeling that they are inherently entitled to their wealth and higher social position. An example is Lady Bracknell, who is preoccupied with maintaining the status quo that she quickly squashes any signs of rebellion. Characters from higher societies/classes are mainly concerned about their reputation and respectability. Thus, expectations of the upper class for both men and women include being upstanding, rich and come from a wealthy family. Wilde’s criticism on high society and manners are explored through the characteristics of Lady Bracknell; the dialogue between Gwendolen and Cecily; and the characteristics of Jack in the country.
Soap Operas Soap opera can be defined by looking at the two words separately: The word soap originated from soap powders because the women used to stay at home looking after the house and children and would watch T.V while doing the ironing and it would show soap powder adverts between programmes. The word opera means emphasis on emotion. Soap operas were first heard on the radio during the war because they didn’t have much money and it was not safe to go out.
Let’s face it, in The United States, we do not understand cricket, we do not understand tea, and we certainly do not understand hidden emotions. Of course there is more to Britain than these cultural icons, just like America is not just made of cowboys from “Dallas” and loud egotistic tourists. However in the year 2000, there are still several myths surrounding the British culture that are very much alive today.
Jimmy Porter spoke for a large segment of the British population in 1956 when he ranted about his alienation from a society in which he was denied any meaningful role. Although he was educated at a "white-tile" ...
Television comedies have been on the air for decades, and throughout this time many different shows have come and gone. Due to the dominance of these shows, comedies are one of the biggest draws on television. There are many different types of comedies, each with their own unique characteristics and features that differentiate them from others and lead to their popularity. Whether the show is a sketch comedy, sitcom, mockumentary or dramatic comedy, each utilizes different types of humour, locations, themes, and situations to appeal to the audience; which is likely why they are so popular today.