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US domination in Australian media
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The Americanization of Australian Television is a sad and terrible thing. It is a process whereby ordinary Australians are bombarded every day with images of American lifestyle, so much that it merges almost unnoticed into their own lifestyle. It is a process whereby our home-grown entertainment industry is overwhelmed by the enormous powerhouse of the American economy, with drastic effects upon the modern Australian nation. Not only is Australian free to air TV being dominated by American produced shows, but a lot of the content on the Australian TV shows is sourced from America. American culture is part of Australian mass consumer culture, It dominates our television.
If we look at the early history of Australian television, virtually all program material until 1963 was of foreign origin, of which eighty three percent was American and the rest British (Cited in an article by Cunningham Stuart ,“History, Contexts, Politics, Policy”.) Philip Bell discusses in his article that even in the first two decades of television ‘American programs and formats dominated commercial channels’ ( Cited in an article by Bell Phillip, ‘Television’). So Americanization of Australian television is not just a recent development. This problem has been there right from the beginning with American shows like Leave it to Beaver and I love Lucy dominating the TV screens of Australian households.
Many are concerned with this issue, a good example is shown in an article written by David Dale, readers were asked if they were shocked by the revelation that all the most popular dramas and comedies on Australian television were made in America, and whether they thought TV stations should be forced to show more stories from other countries, including Australia. Carolina Peters talks about her concerns over this issue, she quotes, “I am not at all shocked that so much of the drivel on our TV screen comes from the US. I am, however, deeply concerned that so much of our programming is either direct from or heavily influenced by the US. The influence is clearly seen in the way kids today are affecting US accents and using US terms. I have heard many kids lately referring to their mothers as 'mom' instead of 'mum'.” ( Cited in the Sydney Morning Herald, David Dale).Whilst people like Terry North disagreed, Terry North talks about how the Australian networks should not be forced to show mo...
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...ence, and now talk and act like American teenagers. Australian television is threatened by the influx of American culture.
Phillip Bell talks about the rise of Australian ‘soaps’ in his article, for example Neighbours which began in 1985, he talks about how the show deals with ‘Australian’ issues. (Bell Phillip, ‘Television’), this isn’t necessarily true. In fact many of the storylines in Neighbours are taken from American soaps like Day of our lives or Bold And The Beautiful. Our screens are increasingly filled with disturbing storylines which continually push the boundaries of human depravity.
Australian commercial television has imported American formats (Bell Phillip, ‘Television’). Even the Australian Logies are becoming Americanised. At the 2005 Logie awards, there were at least two American celebrity guests, CSI Miami actress …… was given a lot of attention at the Logies, because of her famous American celebrity status. The Logie awards which were supposed to be awarded to shows that are produced in Australia, this year awarded a Logie to the OC for the best overseas program. The influence of the American culture on Australian television was clearly evident at the Logies.
Pung explains that “This was a deliberate and light-hearted attempt to shift away from the two decades of ‘migrant’ or ‘ethnic’ literature narratives that have been published in Australia” (Arcangelo,1). Yet the beginning of the story is scattered with examples of the Pung family mirroring this expectation, though how she describes the way her family marvels at new resources Australia has to offer “Wah, so many things about this new country that are so taken-for-granted!” (9). The amazement that there is no one needs to “walk like they have to hide” (9) and “no bomb is ever going to fall on top of them”(9) nor will they find any one “pissing in the street” (9)that was “so gleaming spick-and-span clean” with “beautiful food” and “pretty packages” (11) makes it difficult to disassociate the familiar stereotypes from Pung’s
Hannie Rayson’s play ‘Hotel Sorrento’ explores the changing nature of Australian cultural identity. Rayson successfully perpetuates and challenges common Australian stereotypes in order to establish how the Australian National Identity has changed over time. She presents these stereotypes through the characters expectations of gender roles, attitudes towards Australian culture and the theme of ownership.
Pop culture in the 1950s and 1960s began to spread and infest the nation from front to back through radio shows, books and magazines, television programs, and even motion pictures. Whether it is culture in terms of political affairs, clothing or the latest musical sensations, the United States has always played the dominant role when it came to who knows what is best, first. Some cases of Americanizati...
The suburban house, as the film’s setting and sphere of action, is extraordinary partly because it is ‘next-door’ to an airport. The odd layout of this backyard is underlined because their suburb meets the kind of architectural cast-offs often found at the margins of big cities. This mix of the humble backyard with the international vectors of travel, tourism and international trade plays out in the film’s narrative which connects the domestic and the distant. The Castle displays many locations and landscapes easily identified as being unique of Australia- The ‘Aussy’ barbeque and patio setup, greyhound racetrack and poolroom, just to name a few. The neighbours of the Kerrigan’s are a symbol representing the multicultural diversi...
This essay will discuss how national attitudes towards the working-class and the impoverished are represented in American Television. The purpose of this paper is to comprehend that television shows are not solely designed to entertain consumers but also contain a hidden agenda whose task is to protect certain ideological perspectives and therefore constant framing strategies take place. The paper will commence the analysis by discussing how males and females are represented in the television show Friday Night Lights, secondly it will look at the
The momentous Anzac Day in 2015 remembered 100 years since the landing in Gallipoli and Australia’s population made it an important anniversary, with it being promoted and commercialised on a larger scale compared to previous years. The media had a big impact in the scale of the celebration by releasing a TV mini-series about Anzacs and their experience in World War 1 such as the highly rated television programs ‘Gallipoli’ and ‘Anzac Girls’ . The aforementioned shows were a hit with the public despite being broadcasted in conflict with popular reality shows such as ‘The Block’ and ‘The X Factor’ thus showing the interest in the event . ‘Gallipoli’ received 1.1 million views for the first episode whilst ‘Anzac Girls’ gained 800,000 views for the first episode and both were able to maintain their audience for the duration of the series, a major feat for any such television history
In North American culture, watching television is as much part of regular life as eating supper. In an age
Many people might have a diverse opinion on the extend of the American cultural influence on Canada, but the truth is, these two countries share a long common border, they use frequently the same language, they watch the same movies, listen to the same music and collaborate on other numerous levels, including economic and political activity. In this paper, I would like to show the extent of the influence on Canadian popular culture that comes from the United States. For my analysis I have chosen four segments of popular culture: television, printed media, music and films. In these are the main sectors where we can see the biggest evidence of this phenomenon. In the first part I would like to shortly introduce the history of this issue. The second part is the analysis of the four sectors.
We have also read some information about how Carl Jung defines personality and he uses, eight personality types based introversion as well as extroversion. Jung states that our attitudes seem to have a tendency, to behave in a certain manner. Jung believed that individuals who classify themselves as introverts place importance on their personal views of the world, while individuals who classify themselves as extroverts seem to place more importance on detachment and surrounding influences.
The girl must see a value in the ritual that is being presented to them, gaining maturity and the “rite of passage”. It is evident that families tend to keep these traditions due to the majority of the culture but also because they tend to shape their daughters into “women” stage right away without noticing. “It made me feel so special. In fact, she credits it with leading her down the path to being crowned Miss Dominican Republic” (Alvarez 48). Families have so much power in shaping a woman 's identity. The tradition of it being how a girl transforms into a full women, ready for marriage and adulthood. Society expects them to act in a mature way after their fifteenth birthday, why no wonder woman 's identity transforms enormously. Not realizing how traditions do impact a gender roles and how they should act because families expect them to and society as well. Not mentioning the pressure they have in order to look grown and act like one. Poisson asserts “When the baby comes out, even the people who love you
Television networks used these types of shows to protect themselves from any accusations that they were sending out “Communist messages”, but these shows subsequently influenced a generation into a new way of thinking and living. Families moved in rapid numbers to suburbia and wanted to be just like the Cleavers or the Andersons. The American public would never be the same, always reflecting on the perfection played out nightly on television and setting their goals to reach that level of traditionalism. The Hollywood Blacklisting that followed the Red Scare of the 1950’s forced the media to change in order to survive the scrutinizing committees of the HUAC and various congressional committees that pushed for the social “purging” of America in hopes of searching out the “Reds” which they believed were hiding among them. This change in media came at a time when the public had become extremely receptive to such influences due to the spread of the television and the growth of the middle class who had extra money to spend on luxuries such as going to the movie theatres.
Tim Wintons short story, “Neighbours” questions Australia's social discourse by exploring the transition of individuals into a new phase of life. Winton challenges society’s ignorance and cultural stereotypes by displaying a provocative new experience which has the ability to manipulate and change individuals perspectives. Society’s ignorance can be seen through the conflicting hyperbole, “good neighbours were seldom seen and never heard”, exploring the couples incomprehension of different cultures and lifestyles. The negative connotations surrounding the adverb “seldom seen” and “never heard” distort society's underlying values of love, respect and trust, consequently positioning the reader to consider the impact of new experiences in developing one's personal perspective. Moreover, Winton explores society's challenging and spurring transition into a new phase of life via the use of the emotive noun “murdering” in “their neighbours were not murdering each other, merely talking”. The noun, “murdering” juxtaposed with the positive imagery of “talking” posits the audience to society's dignity in the stereotypical context of Australia. Winton challenges the audience to question their moral truths and how a new experience can enlighten individuals to consider different cultures and perspectives. Composers manipulate the reader's perspectives through showing the transition into a new phase of life and how this has the ability to develop and individuals knowledge and
One of the largest “booms” that this country has witnessed is in the area of the ultimate “entertainment” source, the television. The growth in popularity of the use of the television is harming Americans in every aspect of their lives,
Television has always been an industry whose profit has always been gained through ads. But in chapter 2 of Jason Mittell’s book, Television and American Culture, Mittell argues that the rise of the profit-driven advertising television model can be traced back through American television history, and that the rise of the profit-driven advertising model of television actually helped to mold American culture both from a historical standpoint and from a social standpoint.
By this, she means our minds have a capacity beyond anything else on earth. Benstock suggest, “Dickinson claims that the mind is infinitely larger than the physical spaces of sky and sea, which seem so vast. The brain, she says, can “contain” the sky “with ease,” and with room to spare; it can “absorb” the sea as can a sponge.” In Dickinson’s poem, “The Brain—is Wider than the Sky--” she says, “The Brain—is wider than the Sky-- / For—put them side by side-- / The one the other will contain / With ease—and You—beside--…” She goes on to explain how the brain is also deeper than the sea, and it is “just the weight of God.” Dickinson clearly believes the human mind is capable of much more than we give it credit, and she encourages us to seize the opportunity to make use of the fact that our minds are so