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An essay on the popularity of Soap Operas
Influences of soap operas
An essay on the popularity of Soap Operas
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Soap operas were first introduced to American culture via the radio in the early 20th century. They were so named because the first sponsors and producers of the radio dramas were soap manufacturers, such as Dial, Proctor and Gamble, and the Lever Brothers. When one thinks of a “soap opera” they think of a daytime drama, in which a new episode is aired every business day, and they would be right. In America soaps hit television in 1946, mainly shown during the day, targeting housewives, allowing those who watched to escape their mundane lives for an improbable life situation and unexpected drama, which occurs during each episode. At their height they numbered nineteen different soap operas, which have now decreased to four. The longest running soap opera, Guiding Light, began on the radio and transitioned onto television, it aired for 72 years, before ending in 2009.
Soap operas have become a cultural norm over the years, which should be expected as they have been airing for seventy-six years; expected to air as daytime programming after the noon news and last until talk shows, such as The Talk, or reality shows, such as Judge Judy, airs. The characters of these dramas have been welcomed into homes and become a part of the family of their viewers; watching their lives unfold on television day after day, allows one to escape their own life and become a part of someone else’s, if only for an hour or two each day. Due to the affect they have on many people, specifically women, look at their lives, relationships, communities, and the world and affairs within it. Soap operas have, over the years, affected American values, caused distractions in the lives of many, and enabled many to think of their lives as better put together than ot...
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... lives as better put together than otherwise imaginable.
The impact of the disappearance of soap operas begins to tell a new story of them. While many people enjoy soap operas, they are now being replaced with talk shows, which are cheaper, because they aren’t scripted, and only have a few paid actors and actress. As with everything in this world, it always comes back to money. Also, since many women now work outside the home, the viewer base has gone down and has caused the producers to lose money. With society as high-paced as it is, most don’t want to watch something every day to discover what new twist is going to happen, as such they have been replaced, and some may say that reality television is better, but the impact is that there are less who will understand and know what soap operas have meant to viewers and how they were so influential in viewers’ lives.
If T.V. news or radio have morphed into reality shows, then it is only a reflection of the viewers. As a former news reporter, the author should understand that the success
Untasteful, feral, depraved viewing; Euphemism for palpable voyeurism; Is spelling the end of decent, moral society - Slagging out reality TV from a high culture standpoint is as easy as taking candy from a blind, paralysed, limbless baby. Reality TV is a significant part of popular culture in the current settings of mainstream Australian society. Counting the number of reality television shows on two hands is now a physical impossibility. But what impact is this concept having on society now and into the future?
Since the beginning of time itself, Television has been one the most influential pieces of media that the world has ever encountered. The beginning days of television depicted stereotypical mothers cooking and cleaning their homes for their husbands and children. Yet, as the decades passed, television took a dramatic turn, leaving the days of drama free entertainment as a vast memory. Now a day, however, when one hits the power on button to Bravo, the screen lights expand to ritzy socialites dealing with their everyday lives as “housewives”. Bravo TV’s hit number one reality television show, The Real Housewives of Atlanta, deals with the everyday lives of modern-day housewives. When speaking of these women and their family life, the reality series shows its viewers that family life in modern times is dramatic, full of misrepresentations of how people are perceived, and that fame comes at the cost of family.
Do you know the guiltiest pleasure of the American public? Two simple words reveal all—reality TV. This new segment of the TV industry began with pioneering shows like MTV’s The Real World and CBS’s Survivor. Switch on primetime television nowadays, and you will become bombarded by and addicted to numerous shows all based on “real” life. There are the heartwarming tales of childbirth on TLC, melodramas of second-rate celebrities on Celebrity Mole, and a look into a completely dysfunctional family on The Osbornes. Yet, out of all these entertaining reality shows arises the newest low for popular culture, a program based on the idea of a rich man or woman in search of the perfect marriage partner. The Bachelor, and its spin-off The Bachelorette, exemplify capitalist ideology founded on the Marxist base-superstructure model and establish the role of an active American audience.
In American culture today, women continue the struggle of identifying what their roles in society are supposed to be. Our culture has been sending mixed messages to the modern day female, creating a sense of uneasiness to an already confusing and stressful world. Although women today are encouraged more than ever to be independent, educated, and successful, they are often times shamed for having done just that. Career driven females are frequently at risk of being labeled as bossy, unfeminine, or selfish for competing in many career paths that were once dominated by men. A popular medium in our culture such as television continues to have significant influences as to how people should aspire to live their lives. Viewers develop connections with relatable characters and to relationship dynamics displayed within their favorite shows. Fictional characters and relationships can ultimately influence a viewer’s fashion sense, social and political opinion, and attitude towards gender norms. Since the days of Bewitched and I Dream of Jeanie, where women were commonly portrayed as being the endearing mischievous housewife, television shows have evolved in order to reflect real life women who were becoming increasingly more independent, educated, and career oriented throughout the subsequent decades. New genres of television are introduced, such as the workplace comedy, where women are not only career oriented, but eventually transition into positions of power.
Reality based television has a broad landscape ranging from competitive game-like shows to programs following the daily lives of a group of people. Every major network now has some form of reality programming because the genre’s shows are high in viewership and require low costs for production. The genre is appealing to viewers because it provides them with a first-hand look into the lives of everyday people, which allows them to observe social behavior that helps them determine what is appropriate or not (Tyree, 2011, p. 397). Since the majority of modern reality stars start out as unknowns, frequent viewers of reality programming believed that fame is obtainable if they appear on a popular show (Mendible, 2004). According to Mendible’s evaluation of the genre in the article Humiliation, Subjectivity, and Reality TV, people enjoy reality programs beca...
The first effect of reality shows is the image it gives viewers. Reality shows give misconceptions of everyday life; the Real World and Jersey Shore show young adults relaxing, having a good time, and partying every day. The...
Soaps will use current events as a major point for viewing. Events such as teenage pregnancy, death of a friend or family member, or domestic violence for example, will be used to relate to the audience. In turn the audience themselves can use the storylines and characters
11 Ellen Seiter and Mary Jeanne Wilson, “Soap Opera Survival Tactics”, in Thinking Outside the Box: A Contemporary Television Genre Reader (Lexington: The University Press of Kentucky, 2005), 138.
Reality based television has a broad landscape ranging from competitive game-like shows to programs following the daily lives of a group of people. Every major network now has some form of reality programming because these programs are high in viewership and require low costs for production. The genre’s shows provide audiences with a first-hand look into the lives of everyday people, which creates resonance among viewers because they feel like they can relate to the characters on screen (Hasinoff, 2008). Since the majority of modern reality stars start out as unknowns, frequent viewers of reality television have essentially bought into the belief that they too can achieve overnight fame by appearing on a popular show (Mendible, 2004). According to Mendible’s evaluation i...
Other techniques that soap opera makers employ are the use of naturalism in the sets and characters, the time paralleling real time, the coverage of everyday issues as well as the big issues which actually happen very rarely but are very real.
Relationship Between Soap Operas and Reality TV Dating Shows Tania Modleski’s “The Search for Tomorrow in Today’s Soap Operas” proposes that the unique appeal and function of soap opera lies in (a) the viewer’s ability to inhabit the text’s prescribed spectatorial position of ‘the good mother’, and (b) using the archetypal ‘villainess’ to displace one’s own repressed anger and powerlessness. It can be argued, using Modleski’s analytical perspectives on the interpellated spectatorial positions of soap operas, that a new genre of television programs (namely the reality dating shows) function in a similar way. An examination of Modleski’s thesis renders these statements more likely. Modleski argues that soap operas are essential in understanding women’s role in culture.
Reality Television has changed television in a way that no one could have imagined. Being the one of the most talked about genre in history, it is seen by millions of viewers. It has more ratings than any other kind of show (Breyer 16). From its start, there have been many Reality Television shows. Shows like The Real World, Survivor, Big Brother, and Jersey Shore. All of these give off a negative portrayal of reality. While Americans watch these shows, it seems that the show is real life, but in reality, no pun intended, before the show is even filmed, it’s written, edited, and produced (Breyer 21). Writers humiliate and degrade people just for the plot of the show, making their private lives public (Breyer 16).
For example, while soap operas tend to be exceedingly sensational and over the top, most comedies gloss over the terrible things that may befall a family. Gritty crime shows and other dramas try to portray families more accurately, but still must follow certain rules. For this reason, dramas still tend to be unrealistic. The recent rise of popular cable television programs highlight key content regulations that contribute heavily to inaccurate family portrayals and ultimately, the broadcast networks’ decline.
A second reason for people’s love of reality television, is the fact that reality TV can stir the viewer’s emotions. “While some cheer for their favorite celebrity on Dancing with the Stars….” (Lehmann). “ Or cry with joy watching Say Yes to the Dress…” ( Lehmann). These are just two of many example quotes that show that people sometimes get very emotional by simply watching other people live out their lives so publicly. Many people id...