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Hip-Hop Culture and Contemporary Race Relations
Essays on who are the founders of hip-hop
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To Pimp a Butterfly “My whole thing is to inspire, to better people, to better myself forever in this thing that we call rap, this thing that we call hip-hop.” (Kendrick Lamar) Hip-hop, which first appeared in New York’s South Bronx in 1973, has been at the forefront of American music ever since Jamaican-born Kool DJ Herc used turntables to stretch certain sections of the song. This first happened at a Halloween dance party. Since then, Hip-hop has spread and become associated with social activism and education. These two things combined have brought the influence of hip-hop into practically every culture in the world. An important aspect of music is to convey musical messages. Hip-hop which does just that has been used all over the world …show more content…
His Grammy Award-winning best rap album To Pimp a Butterfly has a deep meaning starting with the theory of the album relating to Harper Lee’s novel “To Kill a Mockingbird”. The novel which is based on an innocent Black male, Tom Robinson, who is being indicted for committing a crime he never did. In the novel, the mockingbird is an allusion for Tom, a man who has never hurt anyone, yet is on trial and facing a death sentence. In Lamar’s politically fueled album, with response to racism, feminism, violence, and police brutality he created a pro-black record and sings it like a mockingbird would, a harmless album referring to the growth of a “butterfly”. However, he is the “butterfly” and the series of songs refer to his growth and transformation from the inner-city kid of Compton to the world renown artist he is today. He is able to do this through the evils he has experienced in this world. Lamar captured the American black population’s political and personal struggles by incorporating the economic, social, and political wrongdoings amongst the society. While writing the album To Pimp a Butterfly, Lamar pledged his dedication to bringing positivity to his listeners. Through his own assessment of systematic problems facing the black community, he takes his music’s impact seriously. Since music is a truly powerful force, and “one of the most arresting …show more content…
His work contributes to many positive and real situations in the world, along with feeling a sense of pride and hope. “Alright,” a song that has now become the anthem for Black Lives Matter. In the song, Lamar’s wrote some controversial statements in the “wake of Michael Brown’s killing.” This song empowers the protestors that no matter what is going on, everything will be alright. A repercussion has transpired since the release of his album Geraldo Rivera stated, “Hip- hop has done more damage to young African Americans than racism in recent years”, however, Kendrick Lamar responded “Hip-hop is not the problem. Our reality is the problem… This is our music. This is us expressing ourselves” (Slate). These songs received extraordinary amounts of positive feedback and popularity, allowing them to get their message out and create a positive impact on the listeners around the world. He not only writes music to make a difference and bring hope to listeners, he also makes personal appearances to let his fans know he is a person and wants to be as impactful as possible. This allows the public to know he truly means what he says and is trying to bring positivity to his listeners while still making a statement. Hip-hop culture has become a global language to youth. It creates the ability to feel
In one of the chapters, ‘Where Did Our Love Go?’ the author reveals how blacks in America use the music to express their anger and commitment to emerge as great people in an unfair community. Most songs are written to educate the society on the negative effects of racism. They encourage the society to love one another and embrace unity. The human nature is founded through a social platform where philosophers claim that people were created to love one another and live with peace and unity. Through this book, it is clear that the blacks in the hip-hop generation are money minded. However, this is expected in a world where the economy is tough. The author claims that the youth are the people who are majorly affected by racism. Many of them have been arrested for pity mistakes which are magnified in the courts due to the impression that the society has on the black people. They engage in dirty activities like drug dealings that that put them on the wrong side of the
One of Williams main topics of concerns is the wrong messages that “public airwaves” are sending to their listeners and followers. Williams claims rap and other medias are representing and sending the wrong message about African American communities. She mentions that rap music once held a positive message but now rap music is bombarding the public with the use of profanity, violence, and obscenity throughout their lyrics and music
The most poignant finding is not that black and whites think differently about its meaning, but what emerged was the acknowledgement that Hip-Hop was created as a tool to voice the sentiments of the disenfranchised. This locates the birth of Hip-Hop in cradles of disenfranchisements, the hood. Hip-hop worked as a megaphone, a magnifying glass that candidly told whoever would listen about the hardships, injustice and racism faced by those living in American ghettos. It worked as a tool to tell the stories of the people living there in order to build empathetic conversatio...
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
Rap is about giving voice to a black community otherwise underrepresented, if not silent, in the mass media. It has always been and remains … directly connected to the streets from which it came. (144)
Hip-Hop is produced on the role of coercion and power. The diversity of the culture supposes to create meaning not chaos. Social order is maintained by domination, and the power of the song lyrics. The black youth is more likely to be victimized by crime than any other group. Hip-Hop influence the music that we listen to that a new artist can directly affect how we dress, talk, dance and etc. For example, “prison inspired hip-hop styles like sagging black pants and oversized t-shirts” (Baxter & Marina 2008, 110). Sending a culture shock across the country, some may believe it could be a good thing and others may believe it could be a detriment to our youth and
Both movements use “rhythm and poetry” (Gladney 291) to address social issues affecting the black man, including racism, education and drug use. These movement can both be linked to extreme examples of frustration and rage felt be a large part of the black community, like “the Los Angeles riots of 1992 and the riots that followed the assassination of Dr. Martin Luther King in 1968” (Gladney 292). However, Gladney observed that the Hip-Hop genre has developed more of a focus on commercialism and only in the underground rap world do we still see the idealist who is in touch with the pulse of the black communities. Many rappers in the mainstream lack the political, racial, and social tone of the black community. The notable exception being the groups who use shock and a sold ghetto theme to crossover to the commercial market but maintain their artistic
Overall his lyrics brag about the stereotyped Afro-Americans. Within his first stanza Kendrick Lamar devours us right into the struggle faced by the Afro-Americans in the modern society and his own divided self.
In light of this, Lamar speaks from a learned perspective rather than a Black youth’s. The chorus voice mimics that of an elderly Black woman, and this is meant to recreate a passage of knowledge between Black generations. Whereas Shakur speaks from the eyes of a Black youth, whom “all [they] know is violence”, Lamar speaks as an experienced Black male who is “institutionalized” and learned “all that [he] can be” through the
Kendrick Lamar is known for his controversial lyrics discussing popular and historic political issues. Recently winning the Grammy for best music video of the year, he typically uses his music videos as a paratext to further elaborate on his thought provoking songs and to point out issues in society. His Grammy winning video, “Humble,” does an exceptional job of highlighting the increasing conformism in society and suggests nonconformity as a way in which an individual can rise above it. The increasing conformism that Kendrick Lamar is critical of is a type of ideology. An ideology is a system of values upheld by a group and the values effect the group’s actions and goals. A conformist ideology can be defined by one following the popular route
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Hip Hop’s according to James McBride article “Hip Hop Planet” is a singular and different form of music that brings with it a message that only those who pay close attention to it understand it. Many who dislike this form of music would state that it is one “without melody, sensibility, instruments, verse, or harmony and doesn’t even seem to be music” (McBride, pg. 1). Though Hip Hop has proven why it deserves to be called music. In going into depth on its values and origins one understands why it is so popular among young people and why it has kept on evolving among the years instead of dying. Many of Hip Hop values that make it unique and different from other forms of music would be that it makes “visible the inner culture of Americas greatest social problem, its legacy of slavery, has taken the dream deferred to a global scale” (McBride, pg. 8). Hip Hop also “is a music that defies definition, yet defines our collective societies in immeasurable ways” (McBride, pg. 2). The
At its core, black protest music is characterized by the expression of resistance and the articulation of the heartache and pain that Blacks have endured throughout history. Likewise, Shakur as a social critic conveys through his music the despair, anger, and resentment that resonates with many African Americans” (2005). Just as in, the song “Changes” where he illuminates social oppression that affect the African American population. For example, just within the first stanza, Tupac makes reference to poverty and welfare, issues of substance abuse, and racism. Tupac stated “I'm tired of bein' poor and even worse I'm black” making the correlation between his skin color and the poverty in which he grew up. He goes on to reinforce this connection further by stating, and “My stomach hurts, so I'm lookin' for a purse to snatch.” He also illustrates the relationship between police brutality and race by declaring, “Cops give a damn about a negro? Pull the trigger, kill a nigga, he's a
To Pimp a Butterfly does not shy away from controversial issues, such as racism in the black community. Rolling Stone contributor, Greg Tate, writes “Lamar straight up owns rap relevancy on Butterfly” (Tate). The cover art for the album even features many shirtless black men posing with money in front of the white house. Before To Pimp a Butterfly Lamar discussed his upbringing, the hood, drug use, peer-pressure and other personal experiences, but To Pimp a Butterfly was different. The album “is densely packed, dizzying rush of unfiltered rage and unapologetic romanticism” (Tate).
Not only is hip-hop a way of expressing ones feelings or views, but it is a part of the urban culture and can be used as a communication tool. Slang originally came from hip-hop music and has become a very popular use in today’s society, especially the urban parts. Hip-hop is a standout amongst the most compelling musical sorts on the globe. There are rappers everywhere that know what amount of an impact their music can have. Some entertainers attempt to utilize that force of impact to do great (Ruiz INT).