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Lyrics analysis essay
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While lyrics might seem to be the easiest way to dissect a song, there are other factors at play. The next layer to a song other than lyrics is the instruments that back up the singer. In the musical South Pacific, the character known as Bloody Mary sings the song Bali Ha’i. Bloody Mary attempts to entice the character Joe Cable over to a seemingly amazing island. The musical accompaniment is able to display the allure of the island just as well as the lyrics. One instrument, in particular, that does this is the harp. A harp is heard throughout most of the song and harps have a strong association with heaven in western culture. Since Joe Cable is an American, it is assumed he would understand the link between the harp sounds and heaven. The
In the spiritual "Swing Low, Sweet Chariot," the writer writes about where they want to go, or rather where they're destined to go, which is heaven. The tone is very subtle and comforting. Around the time period this song was made, many black people had their dreams of being free and accepted. The writer's 'American Dream' isn't to obtain fortune or materialistic things, he simply would like to go to heaven. In a way, going to heaven could be their version of freedom. Most people are focused on the here and now but the writer is looking at the main goal; the things that will ultimately matter, in the future. The writer also uses imagery that gives the idea of how he visualizes the way his dream will play out. He explains that from across the
meaning of the songs. From now on I am going to dig a litter deeper into the surface of
For example, one line, “Soon our pilgrimage will cease; Soon our happy hearts will quiver, with the melody of peace,” which is saying that one day we will die, and you can’t stop that. “Lay we every burden down; Grace our spirits will deliver, and provide a robe and a crown,” also reveals that you should appreciate what we’ve had, and what was given to us. This song is telling you, in every line, that you can’t live forever, but appreciate what you have, while you
In Dylan’s Chronicles Volume One, he says, “folk songs are evasive – the truth about life, and life is more or less a lie, but then again that’s exactly the way we want it to be. We wouldn’t be comfortable with it any other way.” He goes on to also confirm the ambiguity of folk music, saying that “[a] folk song has over a thousand faces and you must meet them all if you want to play this stuff. A folk song might vary in meaning and it might not appear the same from one moment to the next. It depends on who’s playing and who’s listening” (71). One of the characteristics that Bob Dylan possesses, and that has helped him be such a successful folk artist, is his ability to recognize this ambiguity. His ears were and still are immune to the literalness of time, and upon hearing something new, he can apply what he does not know to his listening, instead of confining his interpretation to what knowledge he already has. This is the basis for what folk music taught Dylan in some of his most formative years, that “[i]f you told the truth, that was all well and good and if you told the un-truth, well, that’s still well and good” (35). Even old folk legends are unclear in their origin and factuality, such as the widel...
Song lyrics have set off a great generation of our leisure time than reading poetic devices, therefore song lyrics are better than poetic devices. Song lyrics have dropped numerous lines that attach to us now a days and make us listen to the line over and over unlike poetic devices. Song Lyrics have so much meaning by word choice and by relations.”Mr. Rager” by Kid Cudi, is about people fed up with society and plan on taking a journey. “Dreams” by Edgar Allen Poe, is about a man who dreams of a greater life. Mr. Rager, the song by Scott Cudi, has a better meaning than Dreaming, the poem by Edgar Allen Poe, by personification, allusion, and symbolism.
Music is regarded as a method of passing a message. Though some songs do not intend to do that, the message in them is still perceived. The song, “Get up, ...
Wilson, S. A Song Flung Up to Heaven: Lyricism, liberty and a lesson in hope. Scotland on Sunday, Jun 16, 2002: 5.
In Bram Stoker's Dracula, the most blatant and powerful symbol is blood. He takes the blood that means so much to the believers of this legend and has it represent more than even they could imagine. Blood is the main object associated with vampires and vampirism. From a mythical standpoint, it is the basis of life for the vampires as they feed off of the blood of young, vibrant souls. From a more scientific standpoint blood is what would drip out of the corpse's mouth when family members would dig up their dead kin to check for the dreaded disease. Stoker takes the significance of this symbol and puts his own unique twist to the meaning of blood. He combines the traditional folklore of vampirism and the immense sexual undertones of the Victorian era to create a simply horrific tale which completely confuses the emotions of his readers. Stoker knew bloods importance in vampire history and used the overwhelming symbolism to convey his own personal lust and sexual obsessions. The scenes where Lucy is receiving transfusions; first from Holmwood, then from Seward, and the unforgettable vampire baptism between Dracula and Mina all have these very erotic, sexual feelings associated with them. What makes these so powerful is the combination of violence and sex. As a reader, you know that what Dracula is doing are horrific and wrong, but because they are so sexually described and associated you think you should enjoy them, but you can't. This is the confusion which stoker implements into his readers minds, especially ones of the Victorian era. This is why stoker used blood as the most important symbol in the novel; to create an intense horror that was not just in the words of the book, but in the minds of the reader.
Nwoye was greatly confused about his religion and his society. He was not greatly connected with his tribal religion due to the conflicting ideas between his tribal religion and his view. However, with the arrival of the Christian faith brought by the missionaries Nwoye felt deeply connected with the foreign religion and seeks its guidance. Stated on page 128, “He felt a relief within as the hymn poured into his parched soul.” From this quote it states that Nwoye suddenly feels captivated by the song that the Christians sing; however, it has a deeper meaning because the song provides Nwoye with the...
Today, these lyrics have crossed barriers and are sung in many churches across America as spirituals. However, such songs as Wade in the Water, Swing Low, Sweet Chariot, and Follow the Drinking Gourd, were once used as an important tool of survival by the slaves of the antebellum era. The content of many Negro spirituals consisted of a religious theme. However, Negro spirituals were not intended to be religious. The primary purpose of Negro spirituals was to mislead an overseer or the plantation owner.
One famous example of this is the misinterpretation of the song is Hallelujah, by Leonard Cohen. The controversy in this song resides in the these various aspects of human life that reoccurs throughout the song, sex, religion, and love. “Hallelujah means "praise God" and has been used widely in religious hymns and prayers. The main images of the song are biblical. There are references to the story of Samson and Delilah ("She broke your throne, and she cut your hair") and to that of King David and Bathsheba ("Your faith was strong but you needed proof, you saw her bathing on the roof, her beauty and the moonlight overthrew you"). Both stories are connected to sensual relationships and betrayals, which might also be the main theme of the song” (Botta, 2010). The part of this song that has people curious is the sexual references. Some think it was more than just biblical ideals that he was referring to in the song. Multiple covers of this song have since been created, and some of the verses have been altered to give either more biblical, religious feelings or more sensual feelings, such as relationships. One could infer that this song has so much controversy or room for interpretation because of the various performances and revisions of the
There are many examples of which European religious music have been borrowed by black Americans, the key characteristics of their African-heritage were never forgotten such as improvisation, vocal slides and shouts, call-and-response style singing can all be found even in modern day gospel. Many of the lyrics and texts are performed in a half sung, half spoken manner which became a signature vocal technique. Vowel sounds like “ah”, “oh”, “yeah” etc. are mixed within the melodies as prolongations and or ornamentations to the music. Some words could form an entire melody with such elongations on its own. (Roach 24) Musicians can often alter the melodies and improvised vocal riffs in addition to the main melody which is an extension of the purpose
Contemporary, as well as older, Gospel music originated from the “Spirituals.” The spirituals, also known as the “Negro Spirituals or African-American folk songs,” were religious songs sung by the African Americans slaves in Southern America. The spirituals spawned from teachings of Christianity from slave owners, the church and even hymns. The songs were usually about love, hope, peace, oppression, freedom and even used as a secret code. The African American slaves would sing while working so much so that slave o...
During the late 1800’s, men working driving steel would sing John Henry’s ballad as a reminder of John Henry’s struggles and to not overwork. However, many interpretations use the song to praise him as a prideful man for being able to out-work machines. This interpretation erases the history of the black men singing ballads as a tool to keep pace and not work too fast; otherwise, they would die, as said by Scott Nelson:
it comes to the melody of a song, melodies of a worship song are catchy and have a memorable