Bless Me Ultima Figurative Language Essay

Rudolfo Anaya’s novel bless me, Ultima ignites theory to a community, comprised of goodness and necessary evil. These contrasting existences are described through ghosts of alienation and ostracization from immediate society, evident according to the solitary and lonesome physical appearance of Rosie's house.

Anaya depicts Rosie’s house as malevolent through sketchy figurative language (personification, simile, and imagery), that suggests through the home’s masquerade and brisk warnings the picket fence is unable to conceal her absence of morality, and production of sin. Likewise, the house “stood away from the street,” Anaya personifies Rosie’s house to be a defiant, nonconforming creature, bearing solitude like fanged smiles as it remained consciously away from the world. As the house

is enveloped with severance Anaya also suggests that this ostracization was repelled, as opposing forces of social standards or code are met with her actions, and due to the apparent snubbing the house is painted in connotated negativity. Furthermore, the house “seemed to turn towards the Main Street of town, except one.” the building is personified in order to provide contrast between abnormality and general adherence to moral code.

The quotation not only indicates the growing idealization of aberrations but imparts explanation to how these behaviors are a reflection of immorality. Deviating from the moors of society enlist connotations of negativity at the evasion of rules. Comparatively, Rosie’s house has a picket fence surrounding the weedy grounds.” The imagery is then supported through the parallel idea of a thin, positive coating of generality at Rosie’s personal masquerade. The struggle to identify what is intrigued as the association of normality with picket fences is unclosing unkemptness, demonstrating Rosie’s absence of general care of her weeds, or symbolized troubles feeding from her surroundings like a weed, and other’s implied wrong doings occupying her schedule. Furthermore, the children “knew that Rosie was evil, not evil like a witch, but evil in other ways.” Through simile Anaya conveys that children’s elementary vision of sin and which creatures are deviants of so and it's relationship of the public’s perception of Rosie’s house. A

witch is typically associated with satanic evil as well performance of the dark arts, this is one of the few defined evils plaguing the people, and is not considered timely; however, the village's apprehension of Rosie’s home is reflected through that Rosie’s unhappiness has yet to reach such intolerable extent.