Nathanial Hawthorne’s short story, “The Minister’s Black Veil”, touches on the issues of social norms and how people often take too much precedence on questioning odd behaviors instead of accepting one’s personal choices. By constantly striving to demand answers, people often forget to appreciate the world’s complexity, and fail to realize it is impossible to have life’s answers readily available for personal consumption on a silver platter. The general public places too much emphasis on critically analyzing human nature, rather than briefly pausing to enjoy life’s greatest mysteries. The main character Mr. Hooper was the only ideal example of one who chose not to abide by the conventional social norms compared to the Puritan towns’ people. Nathanial Hawthorne’s cryptic tale revolves around Mr. Hooper’s black veil that symbolizes sins and guilt that were once committed; however, the truth behind the veil remains elusive as it closely resembles a human mask, which society is constantly hiding behind rather than exposing the truth to the surface. As the town’s minister, Mr. Hooper was viewed as a well-respected man who held a high position at the community church, where he preached his ideals to his fellow Puritans. Hawthorne’s interpretation of the ordain minister, “Mr. Hooper had the reputation of a good preacher, but not an energetic one: he strove to win his people heaven-ward, by mild persuasive influences, rather than to drive them thither, by the thunders of the Word” (998). This quote suggests that Mr. Hooper lacked vitality and urgency to engage the Puritans to connect with their inner spiritual sides. His lackluster performance did not promote the vision to think beyond one’s self to a higher power, but also avoided to to... ... middle of paper ... ...one is moss-grown, and good Mr. Hooper’s face is dust; but awful is the thought, that it mouldered beneath the black veil” (1006). The message behind the black veil was meant to remain a secret, which Mr. Hooper never revealed with anyone, not even himself. It is possible to consider that Mr. Hooper felt the public did not deserve to know the truth because his society was too judgmental. They chose to spread lies and failed to respect one’s personal wishes. Perhaps the black veil’s meaning was misconstrued and it symbolically represented the ugliness his society placed upon himself. He chose to standout rather than blend in with the conventional social norms. The truth of the matter is Mr. Hooper considered himself normal, while he felt the towns’ people would not dare to step outside of their own religion and experience life in a different way.
In Nathaniel Hawthorne’s short story “The Minister’s Black Veil”, the reader is introduced to Parson Hooper, the reverend of a small Puritan village. One Sunday morning, Hooper arrived to mass with a black veil over his impassive face. The townspeople began to feel uneasy due to their minister’s unusual behavior. When Parson appeared, “Few could refrain from twisting their heads towards the door; many stood upright….” (Monteiro 2). Throughout the story Hooper does not take off the black veil and the townspeople, including Reverend Clark from a nearby village, treat him as if he were contagious disease. A veil typically is used to represent sorrow, but in this story it is used to represent hidden sins. No one exactly knows why he
In the short story “The Minister’s Black Veil”, fear of the unknown is used by the main character, Mr. Hooper, to draw attention to what he believed was a necessary in order to achieve salvation. He believed people should be honest and forward with God, and should avoid wearing a “veil” to hide their true faces when speaking with God. He wore the veil to symbolize the indirectness most people use to cover themselves when speaking to God. Hooper refused to remove his veil, saying he would cast aside his veil once everyone else did, Unfortunately, Hooper never explained why he choose to wear his veil, which led to an uproar of confusion in the community. The community members looked for a simple explanation for his actions. For instance, some believed he had relations with a young girl who recently died, and he was in mourning, or committed a sin so severe he refused to show his face. The community began to avoid Hooper and fear the Reverend they once respected, just because of his one unexplained action. The community began to fear him in such a way that he losses almost all the respect he held within the community, and dies without his betrothed by his side. Even upon his deathbed he refuses to share, with the community, why he chose to wear his veil. Hawthorne reveals in this short story how people crave an explanation for the abnormal, and when they fail to find a satisfactory answer, they will reject and fear the
Throughout Hawthorne’s short stories which examine secret sin based in Puritan societies, the protagonist, Mr. Hooper, a preacher in Milford, describes to his wife “Do not desert me though this veil must be between us here on earth” (32). Hooper who has arrived at a point where his community and wife have abandoned him while on his deathbed realizes that he is deserted because of his secret sin. This description of utter loneliness is in contrast with Hawthorne’s portrayal of Hooper, who once was a prominent priest in the Milford area. Hawthorne’s depiction of Mr. Hooper’s secret sin, taking form in the black veil alters his life indefinetely. In Nathaniel Hawthorne’s short stories, the author identifies secret sin as the cause of isolation, relationship struggles, and the community’s behavior.
This short story reflects the Puritans’ lifestyle in the early colonial stage by using the black veil of Reverend Hooper to guide people through the sinful and struggling life of the Puritans. “The Minister’s Black Veil” is only one of the great stories written by Nathanial Hawthorne, and there are more Romanticism books like The Scarlet Letter and The House of the Seven Gables, and they also talk about the changes and struggles of human
The story “The Minister’s Black Veil” is symbolic of the hidden sins that we hide and separate ourselves from the ones we love most. In wearing the veil Hooper presents the isolation that everybody experiences when they are chained down by their own sins. He has realized that everybody symbolically can be found in the shadow of their own veil. By Hooper wearing this shroud across his face is only showing the dark side of people and the truth of human existence and nature.
The gothic characteristics that are found in Edgar Allan Poe’s “The Fall of the House of Usher” and Nathaniel Hawthorne’s “The Minister’s Black Veil” delve into the dark side of the human mind where secret sin shrouds the main characters in self anguish and insanity. Both Poe and Hawthorne focus on how much of a burden hiding sins from people can be, and how the human mind grows weak and tired from carrying such a burden. Poe illustrates that with his perturbed character Roderick Usher who was rotting from the inside like his “mansion of gloom” (Poe 323). Hawthorne dives deep into the mind of one Mr. Hooper, a minister, a man admired by all, until he starts wearing a black veil to conceal his face because “ The subject had reference to secret sin” (Hawthorne 311) . An analysis of both Mr. Hooper and Roderick Usher show through their speech, actions, behaviors, and interaction with other humans, the daily strain of hiding sin from one another.
In “The minister’s black veil” The black veil Mr.hooper puts on is to prevent people from spying on his private life. The veil symbolized that human nature is blinded by sins and they way the town treated him after he started wearing the veil shows that there faith is blind they couldn't understand where he was coming from. “ Mr. Hooper's conscience tortured him for some great crime too horrible to be entirely concealed, or otherwise than so obscurely intimated. Thus, from beneath the black veil, there rolled a cloud into the sunshine, an ambiguity of sin or sorrow, which
Hooper delivers his sermon, which is about how everyone has a secret sin that acts as a barrier between themselves and the others around them, with a black veil covering his face, “each member of the congregation, the most innocent girl, and the man of hardened breast, felt as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought.” (106). The message of his sermon, paired with the veil, causes the townspeople to feel as if Mr. Hooper can see their individual secret sins and expose them to the public, which, in a Puritanical society, makes one vulnerable to public punishment or ostracism by the community. Due to their fears of having their Christian facades shattered and their subsequent sinful natures revealed, the townspeople alienate the minister. This reflects hypocrisy in the sense that their fears come from knowing they are essentially living double lives, which causes more hypocritical behavior to arise in the form of treating their minister in quite the opposite way one should treat a human being, especially one who serves the church in such a high position. Furthermore, on his deathbed, Mr. Hooper points out the townspeople’s hypocrisy when he exclaims, “Why do you tremble at me alone? Tremble also at each other. . . .I look around me, and, lo! on every visage a Black Veil!” (118). Through this exclamation, he is trying to urge the townspeople to reveal their secret sins and stop hiding under a
“Mr. Hooper had the reputation of a good preacher, but not an energetic one: he strove to win his people heavenward, rather than to drive them thither,” states Hawthorne. The sermon he gives with the black veil on his face, is the same style and manner he gave the last sermons. Although, this one was dark, and Mr. Hooper had a gloom temperament. The subject for that sermon was about secret sin. When Mr. Hooper greeted people, they returned with strange and bewildered looks.
Nathaniel Hawthorne in “The Minister’s Black Veil” is able to show the hypocrisy and the overemphasis of the Puritan people and their beliefs by engaging the reader in this short story by using “a gentlemanly person” (409) who decides to start wearing a black veil over his face. As Milford’s finest gather on “the porch of [the] meeting house” (409) and enjoy the hope of another Sunday service, the townspeople’s sunny disposition and picturesque setting soon changes as Parson Hooper emerges with a “simple piece of crape” covering his face. This unusual appearance of the Reverend to the townspeople even has some of them feeling faint and forcing some women “of delicate nerves to leave the service” (410). Even though Parson Hooper’s demeanor and his polite and gracious behavior is the same as always, and his preaching is much more interesting and entertaining, the townspeople perceive their minister far differently. As Parson Hooper continues to don the veil, people start to stare at him and rumors begin to fly, especially since his sermon dealt with the topic of secret sin. As the people make him a social pariah, Parson Hooper becomes a representation of hidden sin and an object of dread. Even as death knocks on his door, Parson Hooper still will not allow himself to be unveiled, in fact, Hooper finally reveals that no one should be afraid of him, but of one another because “men avoided me, and women shown no pity, and children screamed and fled” (417) all because of a simple black veil. Through the use of symbols, Hawthorne is able to use this short story to prove that the community people and the Puritan’s religion and their beliefs are hypocritical and over zealous.
The Minister’s Black Veil, written by Nathaniel Hawthorne in 1836, is a parable about a minister, Mr. Hooper, who constantly wears a mysterious black veil over his face. The people in the town of Milford, are perplexed by the minister’s veil and cannot figure out why he insists on wearing it all of the time. The veil tends to create a dark atmosphere where ever the minister goes, and the minister cannot even stand to look at his own reflection. In Nathaniel Hawthorne 's literary work, The Minister 's Black Veil, the ambiance of the veil, separation from happiness that it creates, and the permanency of the black veil symbolize sin in people’s lives.
In the short story, “The Minister’s Black Veil,” Nathaniel Hawthorne tells the Mr. Hooper’s black veil and the words that can describe between him and the veil. Hawthorne demonstrates how a black veil can describe as many words. Through the story, Hawthorne introduces the reader to Mr. Hooper, a parson in Milford meeting-house and a gentlemanly person, who wears a black veil. Therefore, Mr. Hooper rejects from his finance and his people, because they ask him to move the veil, but he does not want to do it. In Nathaniel Hawthorne’s “The Minister’s Black Veil”, Mr. Hooper’s black veil symbolizes sins, darkness, and secrecy in order to determine sins that he cannot tell to anyone, darkness around his face and neighbors, and secrecy about the black veil.
Nathaniel Hawthorne's The Minister’s Black Veil is a story of guilt, humility, sin, hypocrisy, love, compounded emotional stability and trials of life. It is a work of gothic literary art that describes the complexity of emotions and the psychological give and take that takes place when processing and dealing with any human emotion. The gothic writing style Hawthorne uses in The Minister's Black Veil makes it easy for him to focus on one main emotion: guilt. Hawthorne is no stranger to guilt, a huge reason why he discusses its nature so much. The Hawthorne families, formally known as Hathorne, were involved in the Salem Witch Trials and have carried the shame and guilt of their families decisions through generations. Throughout this story, guilt is a prominent concern for all the characters involved: the minister, the minster's fiancé, and the towns people. Hawthorne uses gothic tones and descriptions to define and describe the natural human emotion of guilt.
416), while it gave Hooper a more intimidating, enigmatic and somewhat inhuman demeanor that isolated him from the community his services were still available for his community. The book even says that it “enabled him to sympathize with all dark affections” (pg. 416) as many people, particularly the ones who were guilty of ‘secret sin’ felt comfortable and/or compelled by Hooper into confessing their sins. The people felt that they could tell him everything they kept secret, because the veil’s “gloom” and foreboding aura gave him the same aura of mystery. The black veil kind of symbolizes a cover-up that humans use every day to hide their real feelings and thoughts, as many people are never truly honest with others and each convey some sort of secret. It appears that the idea in this story is that humans by nature are sinful and are all guilty of some hidden sin that they try to keep in the dark because having sins is not considered human or moral. It’s not a very positive outlook on humans, but the book does seem to convey that idea, as Reverend Hooper himself is a flawed man guilty of secret sin as revealed in the end, making him no different from the rest of the townsfolk who have their own sins that they hide. However, it also shows that humans are hypocritical by nature because they are so flawed as in the end Hooper proved that he did exactly practice what he
He knows that everyone else should be wearing a black veil because they are all hiding their secret sin as well. Mr. Hooper feels that his secret sin is a very evil thing and he doesn't want anyone else to know about it. The people in his congregation don't understand why he has to cover his face like that and they treat him a lot differently now just because he has the veil over his face. Mr. Hooper doesn't understand why his people would treat him any differently because he hasn't changed at all as a person, he has just changed his appearance somewhat and people shouldn't judge one another on their appearance, they should be judged on their inward qualities. Mr. Hooper feels that he is doing what is good by shielding the world of his sin and part of the problem his congregation has is that they too have a secret sin and they don't want to own up to the fact that they do and admit it.