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The mill on the floss is an autobiographical novel by George Eliot
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George Eliot's The Mill on the Floss George Eliot’s The Mill on the Floss is a semi-autobiographical novel that traces the development of Maggie Tulliver, a character who finds herself caught in a web of conflict with her family and community as a result of both circumstance and her unique and spirited disposition. The narrative casts Maggie as a tragic heroin as she struggles between impulse and duty to define herself as an individual as “at one time [she] takes pleasure in a sort of perverse self-denial, and at another [she] have not solution to resist a thing that [she] knows to be wrong” (393). Maggie finds herself a member of a society in which reputation, respectability, and tradition are paramount; values which shape many of the …show more content…
For example, Mrs. Tulliver “could not help thinking that her case was a hard one, since it appeared that other people thought it hard” (96). This same concept partly influences Mr. Wakem to purchase Dorlcote Mill and hire Mr. Tulliver as his servant, actions that would not have been carried out had Wakem not been confident in his position in society. The narrator explains that if Mr. Tulliver had “seriously injured or thwarted the attorney” he would become “a special object of [Wakem’s] vindictiveness” (251). It is the public’s opinion of Wakem as “a man who had made a large fortune, had a handsome house among the trees at Tofton, and decidedly the finest stock of port-wine in the neighborhood of St. Oggs,” (251) that makes Tulliver incapable of posing such a threat to Wakem; Tulliver’s opinion is of little consequence to him as he is aware of his good standing in the community. Wakem’s knowledge of the public’s opinion of himself dictates the fact that “Tulliver…could be no obstruction to him; on the contrary, he was a poor devil whom the lawyer had defeated several times” (253). Therefore, Wakem seeks to “humiliate [Tulliver] by [his] own benevolent action” (252): the putting up of Tulliver as a servant at Dorlcote Mill. It can therefore be inferred that if Wakem had not known of his respectability in the eyes of the public and the world’s …show more content…
In fact, the narrator comments directly on this difference by stating that the world’s wife “judges others according to results; how else? – not knowing the process by which results are arrived at” (490). The novelist, on the other hand, is concerned with both the process and the end result throughout the book, a fact which enables her to fully develop the characters and craft the plot. Because of this discrepancy between the views of the world’s wife and her own, the novelist adopts a critical opinion of the world’s wife, mockingly portraying her as a fickle and judgmental creature who uses the pretense of preserving the traditional mores of society “to make [her] conscience perfectly easy in doing what satisfied [her] own egoism – thinking and speaking the worst of Maggie Tulliver, and turning [her] back on her”
In our departure and adieu, both Mrs. Whipple and Elisa cared about how the world perceived them. They were afraid if either of them peered into a crystal creek then they might see an unholy beast abhorred by man. While Elisa’s sympathy and compassion was pure, Mrs. Whipple only cared about her own ego. Mrs. Whipple even smoke ill of the doctor when it meant her ego was threatened. She didn’t want people to think her family was poor or suffering. Her desire was personal concern, while Elisa cared about the emotions of others.
... Maggie ultimately garners respect for herself and her husband- “You're a backward lad, but you know your trade and it's an honest one,”- with her will. The challenge to overcome her father’s oppression garnered her ‘good life’ alongside the respect her father and his family business (Hobson). The search for our definition of the good life is wrought with trials and tribulation, working to overcome deep seeded trends of oppression within society and family.
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
Nora and Mrs. Wright’s social standing when compared to the men in each play is inferior. Both works expose their respective male characters’ sexist view of women diminishing the women’s social standing. Each work features egotistical men who have a severely inflated view of their self-worth when compared to their female counterparts. The men’s actions and words indicate they believe women are not capable of thinking intelligently. This is demonstrated in “Trifles” when Mr. Hale makes the statement about women only worrying about mere trifles. It is also apparent in “A Dollhouse” when Torvalds thinks his wife is not capable of thinking with any complexity (Mazur 17). Another common attribute is of the women’s social standing is displayed as both women finally get tired of feeling like second class citizens and stand up to the repressive people in the women’s lives (Mulry 294). Although both women share much in common in their social standing there subtle differences. Torvald’s sexist view of Nora is more on a personal level in “A Dollhouse” while the male characters’ sexist views in “Trifles” seem to be more of a social view that women are not very smart and their opinions are of little value. This attitude is apparent in “Trifles” as Mr. Hale and Mr. Henderson’s comments about Mrs. Wright’s housekeeping (Mulry 293). As the women in both works reach their emotional
The heroine, Mrs. P, has some carries some characteristics parallel to Louise Mallard in “Hour.” The women of her time are limited by cultural convention. Yet, Mrs. P, (like Louise) begins to experience a new freedom of imagination, a zest for life , in the immediate absence of her husband. She realizes, through interior monologues, that she has been held back, that her station in life cannot and will not afford her the kind of freedom to explore freely and openly the emotions that are as much a part of her as they are not a part of Leonce. Here is a primary irony.
The contrast between how She sees herself and how the rest of the world sees Her can create extreme emotional strain; add on the fact that She hails from the early 1900s and it becomes evident that, though her mental construct is not necessarily prepared to understand the full breach against Her, She is still capable of some iota of realization. The discrimination encountered by a female during this time period is great and unceasing.
Margaret is an intelligent, articulate, and ambitious woman who desires to rise up in social status by marrying a man of higher social rank. She attends to those above her, in hopes of elevating her status as she becomes closer to the upper-class. As a minor character, she plays a small yet crucial role in advancing Don John’s plot to slander Hero and spoil her wedding. As a lower-class character, Margaret serves as a foil to the rich girls, particularly Hero, who embodies every attitude and mindset Margaret does not. But she also offers an alternative perspective on the upper-class characters in the play. Because Margaret is victimized because of her social ambitions, punished for wanting to rise above her ...
Maggie lives with a poor and dysfunctional family and a hopeless future with only the small possibility of change. The environment and setting she grows up in do not support anything more than a dull, dreary and pathetic future for her. An old woman asks Maggie's brother Jimmy: "Eh, Gawd, child, what is it this time? Is yer fader beatin yer mudder, or yer mudder beatin yer fader? (Maggie, 10)" while he runs to Maggie's apartment one night. The lack of love and support of her family hinders Maggie's ability to live a happy and fulfilling life. Without knowing that someone loves her no matter what she does or how she acts Maggie may feel desperate enough to change her situation by any means she can, and without any useful guidance. Even without any positive influences Maggie grows up different from the low-life's living with and around her. Crane explains Maggie's uniqueness in the passage "None of the dirt of Rum Alley seemed to be in her veins. The philosophers up-stairs, down-stairs and on the same floor, puzzled over it" (Maggie 16). Maggie's uniqueness gives her the chance to improve her life, but only a slim chance. Even though Maggie differs from the people around her they remain sleazy, making it harder for her to change her life because she must go outside of her community for help.
In the Eighteenth and Nineteenth centuries, the idea of patriarchy ruled the many societies all over the world. Particularly in Britain, its “overarching patriarchal model” (Marsh) had “reserved power and privilege for men” (Marsh). Also during this time period feminist literature began to arise and was invaded by, “the complex social, ethical, and economic roots of sexual politics… as testimony to gender bias and the double standard” (“Sexual Politics and Feminist Literature”). In Jane Austen’s writing, readers have been aware of her constant themes of female independence and gender equality. However, many have criticized the author for the fact that many of her “individualistic” female characters have ended up
Women roles have changed drastically in the last 50 to 80 years, women no longer have to completely conform to society’s gender roles and now enjoy the idea of being individuals. Along with the evolution of women roles in society, women presence and acceptance have drastically grown in modern literature. In early literature it was common to see women roles as simply caretakers, wives or as background; women roles and ideas were nearly non-existent and was rather seen than heard. The belief that women were more involved in the raising of children and taking care of the household was a great theme in many early literatures; women did not get much credit for being apart of the frontier and expansion of many of the nations success until much later.
Austen was raised in an unusually liberal family where her father was a part of the middle-landowning class. They had a moderate amount of luxuries, but were not considered well off. Unlike many girls of her time Austen received a fairly comprehensive education. She received this mainly through the undivided support of her family. Austen and her sisters, like most girls of their time, were homeschooled. Austen’s zealous parents encouraged the girls to play piano, read and write. Her parent’s encouragement led to her interest in writing. Austen’s father housed an extensive library filled with books which kept Austen occupied for years (“Sense and Sensibility” 119). Through her observant nature and passion to read and write, Austen was able to eloquently write of the many “hidden truths” of social and class distinction during her time. They included daily societal changes some of which foreshadowed future societal leniency. Familial support also extended societal norm of marriage. Her parents attempt...
Social and internal dialogue is representative of the enculturation process that Laura and Miss Brill have been exposed to. Both of Mansfield’s short stories represent a binary: Laura’s realizations of...
She then talks about great men such as Mussolini, Pope, Napoleon and Goethe and how they viewed women. After discovering their opinions, the narrator is bewildered at her findings. These men are praised for their philosophies and wisdom, yet they all view women as being inferior. The narrator is pointing towards the fact that these men in reality are quite ignorant. During th...
Victorian women lived according to strict social conventions, which dictated their actions, emotions, and beliefs. These conventions were often presented in antithetical pairs: private versus public spheres, the angel in the house versus the fallen woman. One of the most complex paradoxes for women to master was that of beauty versus vanity. Society’s rules required a young lady to be attractive, but not provocative; diligent about her appearance, but not overly so; aware of her beauty, and simultaneously unconscious of it. Balancing these meticulous distinctions, then, became an almost unattainable feat, but a crucial one, as success or failure directly translated into a woman’s moral status. In Adam Bede, George Eliot contrasts the idealized preacher Dinah with the fallible dairymaid Hetty by illustrating two very different examples of feminine beauty. Eliot directly addresses the complicated understanding of “moral” Victorian beauty through her physical presentation of these women and their actions throughout the story.
Feminist critics point out that female writers achieved success due to their ability to conform to a world of patriarchal literature. George Eliot did so by conforming to society through the use of her pen name, Marian Evans. Booker argues that “women…lack the typical masculine castration anxiety and can therefore be comfortable with generosity and anonymity” (92). Both George Eliot and Dorothea Brooke seek to live a life of passion, yet “neither…can see a way to realize this desire directly” (Edwards 627). The issue of female identity comes into question as Dorothea searches for a solut...