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Now and then character analysis
Now and then character analysis
Now and then character analysis
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Blanche’s Ranting This is Blanche Dubois’ monologue is self-revealing. After the previous night’s poker game, drunken Stanley cruelly abused Stella in public. However, Stanley’s sweet words and frank actions promote Stella to forgive him. She returns home and spends the night with him in the end. Blanche does not understand why Stella decides to tolerate Stanley’s brutal behaviors and continue to live with him. She exhorts Stella to leave her beastly brother-in-law Stanley but Stella does not care much when Blanche ranting. Through this ranting, Blanche articulates her dissatisfaction, discomfort, and fear due to Stanley’s propensity for violence. In terms of Structure, this remark is placed in the early stage of her stay in Stella’s apartment. …show more content…
Blanche seeks peace and security after being expelled from the school. Being an old southern lady she does not forget about her well-kept manner cultivated in her family. She looks down upon Stanley for his low class, ungentlemanly conduct. She is hard to bear with Stanley’s “brutish” behavior. Having seen his violent act toward Stella, she desperately needs to seek a way out of it. But Stella laughs it out and disregards her. Stella thinks Stanley’s violence is just a bad form to express his love to her. Stella does not accept Blanche’s accusation. Blanche continues to rant about Stanley’s violence and thinks it is a big issue. It is not merely his bad habit for her. Here lies the basic difference between Blanche and Stella. She feels she is only an outsider in her sister’s life. Her past noble status is in the thing of the past. She dies not have the power of control and her suggestion is unheeded. Stella does not realize that violence and lack of respect are problems. In her remark, she tries to alienate Stanley from Stella and expresses her anxiety. Furthermore, Blanche is emotionally unstable.
She turns from soft persuasion to sharp denunciation. Part with anger and confusion. Blanche presses hard to make Stella take action. Worse, she is financially striated: she is destitute and helpless. Thus, she can only use the power of language to divert her inner discomfort is fear. Blanche is intended to avoid naming Stanley. She points her finger at a direction to refer to this ‘hateful’ man with anger and contempt. She thought Stanley was not at home. She loses composure and needs to release of emotional outburst. She hugs Stella in the end of her remark. After all, Stella is her only hope. The hugging clams Blanche down. But a sense of fragility and vulnerabilities is still visible. Stella’s love is her last resort. With twists, Blanche sees Stanley as a savage and a brute animal. She remembers what happened last night and Stanley’s brutal behavior makes her feel contemptuous forward Stanley. She rants: “Eats like one, moves like one, talks like one!” For Blanche, Stanley’s essential nature is common, bestial, and vulgar. Blanche feels that she is different from him. Meanwhile, she emphasizes, exaggerates, and ridicules Stanley’s physical actions. Blanche sees Stanley as a survivor of the Stone Age. She says emphatically, “thousands and thousands of years” and what he does is “bearing the raw
meat”. Interesting, Blanche uses the evolution of humankind to explain that Stanley is not at the same level as she is. She blames herself for nowhere to go and endure it all. She claims that Stanley’s behavior is not a human but an ape. Blanche keep reminds her that she has accepted civilized world knowledge and she belongs to the advanced level in the world. She does not want to relegate herself to the status like Stanley. Ultimately, she cries, “Don’t—don’t hang back with the brutes!” In a word, Blanche remark reveals her inner angst and mental instability. It is also having something to do with the plot and the theme of the play. It is a length speech by a single person to express his or her private thought (Abrams 188). Blanche’s ranting shows her tense relations with doomed fate for Blanche. Blanche is an antiquated relic of tradition of the old Southern society. Stanley stands for the generation of the new immigrant. He lacks in formal education, in social manners. Blanche’s remark suggests that the end of South’s agrarian culture and the emergence of the different type of people and different value systems. After all, Blanche’s ranting sows two of confrontation between Blanche and Stanley that bear the ill product later. But the invisible divide and conflict between class and social values are brewing or in the making. Blanche’s early ranting foretells her later tragedy.
In this passage, Williams’ emphasises the nature of Blanche’s demise through the contrapuntal mode of the scene juxtaposing Blanche’s bathing with Stanley and Stella’s conversation. Williams wrote in a letter to Elia Kazan, who was to direct the film production of the play, that ‘It is a thing (misunderstanding) not a person (Stanley) that destroys (Blanche) in the ends’. This passage is significant as it shows the extent of Stanley’s misunderstanding of Blanche and his stubbornness to ascertain his condemnations to Stella. Furthermore, the use of colloquial lexis shows the true feebleness of Stanley’s claim because his judicial façade is diminished and shows the dangerous influence of claims as he sways Mitch away from Blanche. Stella’s character
He wants her to be truthful and "lay her cards on the table" but simultaneously would "get ideas" about Blanche if she wasn't Stella's sister (Williams, Street 40-41). Their relationship overflows with sexual tension as they battle for Stella. Stanley, the new south, defeated Blanche, the old south. After destroying her chance for security, his sexual assault erases her last traces of sanity. Similarly opposites are found in "Cat on a Hot Tin Roof."
When Stanley beats Stella in Scene 3, the abusive side becomes noticed and readers come to the conclusion that it was not the first time that this act of violence has occurred. (Williams 40). But Stella ends up coming back to him after he cries out to her, and their relationship resumes as it did in the times prior. He is also the one who investigates the protagonists’ (Blanche’s) past; as he knows there are things she is hiding. This need to know about Blanche’s history is driven by his hatred for her aristocratic ways. Furthermore, Stanley makes his dominance apparent through the expression of his sexuality. At the end of the play, he rapes Blanche as a way to regain his dominance in the household. Throughout the play, Blanche slowly gains some control over Stella, and causes disruption to Stanley’s
Nicolas and De Vegas explain, “In the tension-building phase, there is minor battering whereby the woman allows herself to be abused for abuse which she considers minor. She thus tries to pacify the batterer through a kind and nurturing behavior or by simply staying out of his way to prevent the escalation of violence” (Article 1). This phase is magnified early in the play with the unexpected arrival of Blanche Dubois, Stella’s older sister, causing immense tension between Stanley and Stella. Stanley immediately shows aggression and intense verbal distaste for Blanche in many instances that Stella brushes off as a way to prevent further conflict. This is only the beginning of the abusive cycle. Furthermore, Vegas reveals, “The second phase acute battering incident is characterized by brutality and destructiveness whereby the woman has no control and it is only the batterer that may put an end to the violence” (Article 1). The victim is powerless in the face of violence and can only rely on the abuser to stop. Stanley emotionally and physically abuses Stela reinforcing the idea that she deserves it for upsetting him. This ideology is displayed when one night Stanley is blinded by rage and Stella cries, “You lay your hands on me and I'll-- [She backs out of sight. He advances and disappears. There is the sound of a blow. Stella cries out.]” (Williams 57).
As Stanley continues torturing Blanche and draws Stella and Mitch away from her, Blanche’s sanity slowly dwindles. Even though she lied throughout the play, her dishonesty becomes more noticeable and irrational due to Stanley's torment about her horrible past. After dealing with the deaths of her whole family, she loses Belle Reve, the estate on which her and her sister grew up. This is too much for Blanche to handle causing her moral vision to be blurred by “her desperate need to be with someone, with ancestors for models who indulged in “epic fornications” with impunity, [Blanche] moves through the world filling the void in her life with lust” (Kataria 2). She also loses a young husband who killed himself after she found out he was gay when she caught him with another man. After that traumatic experience she needed “a cosy nook to squirm herself into because ...
Blanche’s developmental history or character development points to her diagnosis. Blanche comes to New Orleans to stay with her sister Stella after being fired from her job as a schoolteacher due to having an inappropriate affair with a teenage student. When she arrives to see her sister, she is consumed with insecurities regarding her appearance and is condescending to her sister’s humble lifestyle. Stella’s husband Stanley immediately has distrust and dislike for Blanche and treats her
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
Stanley’s treatment of Blanche leaves her alone once again, with what little dreams of returning to her previous status destroyed like the paper lampshade that once gave her the shield from the real her she desperately craved. Stella, the one person Blanche believed she could rely on, sides against her husband after Blanche’s ordeal, leading Blanche to be taken away, relying on the “kindness of strangers”. This final image that Williams leaves us with fully demonstrates that Blanche has been cruelly and finally forced away from her “chosen image of what and who” she is, leaving an empty woman, once full of hope for her future.
Blanche uses her dilutions and tries to sway Stella away from Stanley, yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
Blanche DuBois, the protagonist of the play, is introduced to the readers in the first scene, where she makes a surprise visit to her sister and her sister’s husband, Stella and Stanley. She is introduced as a fragile woman who the readers begin to feel sympathy for her. She had been asked to leave her job, and she lost the family estate. The readers ...
Blanche DuBois is a character full of life tragedies and struggles with her internal conflicts throughout the play. The first introduction of Blanche portrays her as a more cultured and highly sophisticated individual, than the average local in Elysian Fields. Dubois was quick to claim to be from an upper class of society, by daintily dressing in white suite with a fluffy bodice, necklace and earnings of pearl, white gloves and hat (Williams 95). The color white usually signified something that was pure and blameless, which was the total opposite with Blanche, all this was part of an image she was trying to portray. She tried covering up the truths of her life like; her sexual deviants, the loss of her job, and her alcoholism. All these events foreshadows the downfall of Blanche’s character which eventually led her to the insane asylum. She is an extremely complicated character who seems to be out of her element both physically and mentally, and seems to be stuck in her youthful years. Blanche’s mind is all disarrayed leaving her so lost and confused about life allowing her to lash out in ways that are sexual in nature. Her sexual tendencies are exceedingly inappropriate do to the nature of her actions. Balance tries to avoid the true reality of what was going on in her life, it was as if it was problematic for her to differentiate between reality and the desires of her heart. She just wanted a better future for herself, by trying to submerge herself in a life that was constructed off lies and deception. She captivated herself in romantic fantasies that begun as something that was harmless, then escalates into something that is morally unacceptable.
From the moment Stanley and Blanche met the contrast between the two characters was apparent, Stanley even points out ‘The Kowalskis and the DuBois have different notions’ (S2:pg.135*). Williams uses the dramatic device of colors to symbolize a distinction between Stanley and Blanche; Stanley wears vivid colors ‘roughly dressed in blue denim’(S1:pg.116*) representing his masculinity and authority he possesses in the Kowalski household, before Blanche arrived, in contrast to Blanche who ‘is daintily dressed in a white suit’ (S1:pg.117*) representing purity and femininity. Blanche wears white at the beginning of the play thinking she will be able to hide her impure behaviour but Stanley saw right her act and knew she would be a threat to his marriage with Stella. The reason being is that Blanche constantly criticizes Stanley making derogatory comments about him calling him a ‘common’ and ‘bestial’(S4:pg.163*) along with conde...
This gradual fall and loss of her sense of reality is truly tragic. Blanche is a person largely driven by the part of her that wants to be liked and be accepted. She cares greatly about how she is viewed and how she looks which is seen throughout the play. Even at the end when she’s living almost completely in the imaginations of her mind she asks Stella and Eunice how she looks before being taken away to an insane asylum. Tennessee Williams, the author of the play, uses all the conflict between Blanche and others, specifically Stanley, to show that fantasy is unable to overcome reality. Stanley and Blanche are both the epitomes of fantasy and reality. Stanley is a man focused on sexual drive, work, and fighting. He is exhibited as animalistic and strongly driven by his desires which is shown when he says, “Be comfortable. That's my motto up where I come from.” Stanley loves and searches after reality which is why he is so set on breaking down the facade he sees in Blanche. Blanche on the other hand is running from her reality and her past. Her fantasy of being high class and chaste is the exact opposite of her reality which is why she wants a life like that so badly. She wants marriage and stability, two things she was jealous of Stella having after arriving in New Orleans. Her fantasy she was building in her new life is shattered when Stanley is able to learn of her past and bring reality crashing down on her. Williams
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...
The conflict between Stanley and Stella climaxes in scene ten. In this scene Stanley openly takes Blanche apart piece by piece he begins with unenthusiastic comments such as "Swine huh?