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Modern day connection of the civil war
The civil war and its social significance
Portrayal of race in the media
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Nothing has changed: A Demonstration of Blacks in Media during Civil War and Modern era Introduction Media have played an effective role in demonstrating social issues in the light of facts and events. It is one of the functions of media that have been fulfilled by media enterprises over the years. Significant issues such as the civil war have been covered by media in the best possible manner. There are many mediums including radio broadcasts, on-record broadcast, books, newspaper and films that portray a complete timeline of civil war. It was due to such coverage that readers in the modern era can understand different dimensions of the issues of black during the civil war. This paper illustrates the manner in which blacks were portrayed in Media during civil war era and in the modern era. In order to understand the aspect of media coverage and its way of demonstrating the issues of blacks, a comparison has been included in the paper of movies during the civil era and modern times that demonstrated blacks. Historic Account of Media Demonstration of Black Americans …show more content…
However, different features of black slavery have hidden in the movie that gives the improper image of the slavery of that period, time, term but the main extract of slavery is remain constant in the same different movies regarding the same subject. Different consequences of slavery have depicted in a movie such as whites use to keep the black family members apart from each other and sell their children away from their parents. The certain violation of blacks can be seen in the movie in which the masters of the slaves use to set up the fights that always end up with the death of one fighter who use to kill brutally with hammer. The movie has showed the major aspect of the era that black have no importance in the eyes of whites as they use to treat them even worse than
Though slightly frivolous to mention merely because of its obviousness but still notably, all the slaves came from the Southern states including and not limited to Georgia, Texas, Alabama, Virginia, South Carolina, and Arkansas. Economically, the United States’ main cash crops—tobacco, rice, sugarcane, and cotton—were cultivated by the slaves who the rich Southerners heavily depended upon. From this perspective establishes a degree of understanding about the unwillingness to abolish slavery and contributes to the reality of the clear division between the agriculturally based South and industrially based North. Having watched the film, I wished the Northern people were more aware of the abuses and dehumanization of the slaves though the saddening reality is that the truth of the slaves’ conditions couldn’t be revealed till much later on because the fear of retaliation and prosecution of the slave owners and white people was very much present. That the slaves’ mistreatment would be considered repulsive and repugnant to the Quakers and abolitionists is made evident the narratives of the slaves read by the different former slaves who elucidated the countless
In his documentary Classified X, Martin Van Peebles describes three areas where African-Americans could be receive some sanctuary from the racism that pervaded almost all Hollywood films. These three places were: the Hollywood version of an all-Black film, the church, and entertainment. Black culture and music is prominent in mainstream society, but the people behind this culture don’t always receive recognition and respect for their creations. Mainstream White pop culture excitedly consumes and appropriates Black culture, but disrespects the source.
The killings made by the slaves are saddening, too. Mutilating the whites and leaving their bodies lying is inhumane. It is such a shocking story. This book was meant to teach the reader on the inhumanity of slavery. It also gives us the image of what happened during the past years when slavery was practised.
During the process of reading this compilation of works, Portrait of America, many different point of views were aired. The opinion or attitude on the subject was too tainted. The authors were very biased to their perception of the "story". This book could have been much more beneficial if the facts would have stayed to the straight and narrow. Only the detrimental facts needed to be applied to these chapters. For a history class, as broad as this, this book opened too many doors that could not be explained in as much detail as would be liked. Many of the authors enjoyed mentioning the most scandalous moments of the people's lives then dropped the fact without much support or follow through as to what happened to cause or end these events. Brief summaries only tease the mind, and with the course load of most students, there is hardly extra time to investigate the matter further in detail. For a class such as History 152, biographies and/or documentary style books are more worth the while of the student. For instance make a list of a selection of novels that could be read for the class, so that every student can then explore in depth what that student thinks is interesting. Although the book was teasing in nature the chapters did flow well and were easy to read. The procession of the chapters had wonderful transition as to not loose the student. While proceeding through this book there were several different reoccurring topics that appeared. This paper will discuss these two reoccurring topics: the civil rights movement and former presidents.
For the beginning, in the middle and in the ending of the Civil War in the United States, the Black Americans were central as soldier and civilian. At first, people tried hard to get around this fact. Even President Abraham Lincoln administration sent Black volunteers home with an understanding that the war was a ''White man's war". The policy was eventually changed not because of humanitarianism but because of the Confederation's battlefield brilliance. The South brought the North to a realization that it was in a real brawl that it needed all the weapons it could lay hands on.
Although an effort is made in connecting with the blacks, the idea behind it is not in understanding the blacks and their culture but rather is an exploitative one. It had an adverse impact on the black community by degrading their esteem and status in the community. For many years, the political process also had been influenced by the same ideas and had ignored the black population in the political process (Belk, 1990). America loves appropriating black culture — even when black people themselves, at times, don’t receive much love from America.
The article, “The Negro’s Civil War in Tennessee, 1861-1865” by Bobby L. Lovett, can be found in "The Journal of Negro History. Lovett's article relates the importance of the contributions the black soldiers of Tennessee made during the Civil War. He portraits to the reader the determination of these black Tennesseans fight to gain their freedom under some extremely violent and racial conditions.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
The Civil War is often thought of as white northerners and southerners fighting over the freedom of African American’s. African American soldiers would fight on both sides of the war. The eventual acceptance of African American’s and their contributions to the Union Army would be pivotal in the Unions success. African Americans were banned from joining the Union Army in the early part of the Civil War. President Lincoln feared that African Americans in the Army would persuade certain states, such as Missouri, to join the Confederacy. Once African American soldiers could join the Union Army they would contribute to almost every major battle of the Civil War. 180,000 African Americans served in the Union Army in 163 different units, and 9,000 served as seamen in the Union Navy.1 President Lincoln stated, “Without the military help of the black freedmen, the war against the South could not have been won.”2
The Birth of a Nation (1915) is one of the most controversial movies ever made in Hollywood, some people even consider it the most controversial movie in the long history of Hollywood. Birth of a Nation focuses on the Stoneman family and their friendship with the Cameron’s, which is put into question due to the Civil War, and both families being on different sides. The whole dysfunction between the families is carried out through important political events such as: Lincoln’s assassination, and the birth of the Ku Klux Kan. D.W. Griffith is the director of the movie, and him being born into a confederate family in the South, the movie portrays the South as noble and righteous men, who are fighting against the evil Yankees from the North, who have black union soldiers among them, whom overtake the town of Piedmont, which leads the KKK to take action and according to the movie become the savior of white During this essay, I will focus on the themes of racial inequality, racism, and the archetypical portrayal of black people in the movie, which are significant, especially during the era when the film was released. Black face in Hollywood was very common, especially during the time the film Birth of a Nation was released.
Woll, Allen L and Randall M Miller. Ethnic and Racial Images in American Film and Television: Historical Essays and Bibliography. n.d. Print.
... model for how the entertainment and media industries depict black people must change. Despite the progress that blacks have worked toward since the days of slavery, society continues to give in to the monetary benefits of producing self-disparaging entertainment and media. It is not only up to the directors, editors, producers and writers to establish this change, but it should also be the demand of the people, or the consumer. If the images of black people in the media are improved the outlook within the community will improve as well. Not only will positive goals and achievements become more realistic for black people if the media outlets discontinue their practice of equating blacks with aggression, lawlessness and violence, but a greater good will also result for whites, which would be represented by a true autonomy and equality in American society.
Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were the only way for African-Americans to express the deep pain that the white population placed in front of them. Singing, dancing and acting took many African-Americans to a place that no oppressor could reach; considering the exploitation of their character during the 1930's-1960's acting' was an essential technique to African American survival.
In many ways, the media must be involved in ethnic and racial issues. The media is to provide the public with information useful to them. The media is on the public’s side. Racial stereotyping is a problem that is out in the public. Drugs, teen pregnancy, child abuse and rape are also problems that affect the people of the world everyday. The media has a job to make these issues aware to the people and possibly put together a form of solutions. Some ways of addressing issues are blunt and harsh but so are the problems. I don’t think the media can address the issue of racism without stepping into a stereotype somewhere but I also believe the media is obligated to address the obvious false stereotypes and offer ways to terminate them as well. American History X is a movie that directly addresses the issue of race and deals with some very serious issues in a small town. There are a group of white kids that have been influenced by Adolf Hitler’s beliefs and they are very hateful toward blacks, Jews, and any other race that is different than theirs. They all have Nazi signs tattooed on their bodies and their heads are completely shaved. There are very negative viewpoints in the first half of the movie toward blacks and Jews. The “N” word is used very freely and many of the actions of each group is quite accurate. Although this movie is very harsh and straight forward, their is a great amount of truth in all of the actions of each cultural group. One of the young white men witness a black man breaking into his truck and the black man ends up murdered in a very cruel manner. The movie is a lesson. A lesson about reality but also about how wrong reality can be. After spending years in prison, the attitude of this man is different toward black people and he has a hard time relaying this new attitude to his little brother back home and to the friends he had before going to prison.
This essay will explore a selected media text using techniques of semiotic analysis, in order to establish an argument that racial identities and portrayal are essentially stereotyped by media representation. This essay will analyse the controversial edition of Time magazine featuring O.J Simpson on its cover to present a discourse of how signs convey meaning and connotations to the audience, then present an argument for conveying a predominantly negative impression on Simpson’s racial identity. Interpretation of a media text is highly influenced cultural, social, and racial identities, therefore it is inevitable that each iconic and symbolic signs will bring forward manipulated message to the viewer. This essay will conclude with the discourse