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A documentaries intention is to educate and inform their audience on a certain topic or social change. Blackfish (2014) directed by Gabriela Cowperthwaite scrutinizes the treatment of killer whales in captivity and highlights SeaWorld cruel treatment of them. It has a focus on portraying how killer whales are highly intelligent, social and emotional animals that should be kept in the wild. The Cove (2009), directed by Louie Psihoyos, explores the town of Taiji which from the outside looks like a Japanese town with a love of dolphins but showcases the horrible truth of the slaughter of thousands of dolphins yearly which they are trying to hide. The Cove main agenda is to demonstrate that dolphins are highly intelligent, social and emotional …show more content…
animals that should be kept in the wild. The creators of these documentaries use a variety of film techniques to persuade the opinion of the audience, by including heart wrenching interviews, live footage of their chosen animals in the wild and how they are inhumanely treated and poignant music to accompany this all. Psihoyos and Cowperthwaite use emotional interviews in a variety of ways to generate empathy for animal rights. The Cove uses Ric O’Barry former trainer of flipper; the TV show that made the world love dolphins as a huge persuasive technique. With him changing sides from the commercialisation of dolphins to the conservation of dolphins. Psihoyos use to showcase if he can change sides then so can the viewer. Likewise, Blackfish uses this same technique with numerous interviews with former SeaWorld trainers to show us that people who worked so closely with the animal in captivity loathe SeaWorld then so should we. Cowperthwaite use interviews to evoke emotion with John Jett one of the formal trainers saying in an interview “When you look into their eyes, you know someone is home. Someone is looking back” He has tried to make the viewer no longer see the whales as animals but to try and humanise them. When the interviews are with the protagonist the interviewee has had time to plan their answers, which gives the impression of well-informed, truthful and educated answers which we should side with. When the interview is with the differing interviewee they are given questions on the spot and they have to scramble to answer portraying them as less credible. These examples show how documentary filmmakers are very deliberate in how they choose to interview others to further their agenda. Psihoyos and Cowperthwaite use of live and archival footage to persuade the opinion of the viewer.
One of The Cove main arguments is highlighting how difficult it is to see what really is happening with the dolphins, and how it is blocked from the public. We the viewers are instinctively drawn into this idea with the first line of the documentary being “I want to tell you, we tried to do the story legally”. We feel as if we are going undercover and exposing the truth. Juxtaposition is used with a woman eating dolphin at a Taiji theme park as she watches a dolphin show while Ric O’Barry narrates: “Here in Taiji, you can go to the Whale Museum and watch the dolphin show and eat a dolphin at the same time. They sell dolphin and whale meat right in the dolphinarium. It's the captivity industry that keeps this slaughter going by rewarding the fishermen for their bad behaviour.” Psihoyos intent is to shock the audience and persuade them to question Taiji methods. Blackfish pushes it agenda using archival footage with John Crowe a former orca capturer. Along with archival footage shown of the babies being captured while the rest of the family “communicate back and forth”. “You understand then what you’re doing. I lost it. I started crying…it’s like kidnapping a little kid away from its mother…it’s the worst thing I can think of.” These examples show how documentary filmmakers are very deliberate in how they of live and archival footage showcases how these video are deliberately chosen to further their
agenda. Psihoyos and Cowperthwaite used music in their films to manipulate the audience emotionally. Psihoyos uses music as an extremely influential technique with a scene of dolphins shown swimming free in the wild. “You have to see them in the wild to understand why captivity doesn’t work” Wondrous music (harp, piano). Psihoyos uses this technique to showcases that dolphins belong in the wild. Even when Ric the protagonist of the documentary takes on the IWC triumphant music is played in the background to further their agenda. Cowperthwaite uses music throughout the documentary is suspenseful, portraying the whales in captivity as “ticking time bombs”. Anything could happen, any time. It keeps you on edge. These examples show how documentary filmmakers can use music to manipulate their audience to feel a certain way about the content and therefore persuade the opinion of viewers. Psihoyos and Cowperthwaite use many different persuasive techniques to sway the viewers’ opinion on particular issues. Both films use similar film techniques to convey their truths in interviews, and live and archival footage. However, the films differ in their use of music– Psihoyos choosing music to pull at the heart strings; Cowperthwaite using music to set the tone although both prove to be persuasive in the end.
The documentary Blackfish by Gabriela Cowperthwaite is a gripping documentary about orca whales in captivity at SeaWorld and other sea parks around the world that shows the disturbing effects that can be caused from having these animals in a place where they shouldn’t be.
Blackfish is a well-known film about how whales were kept in captivity while being mistreated. This film explained the situation in more of a sequential order stating each event one after another from occurrence. This film was made to inform people of all the cruel and monstrous things that Sea Land and Sea World were doing to the whales.
This appeals to surprised and saddened emotions of the audience by stating “whales are stored for 2/3 of their life in a small dark area”. The trainers “would deprive them food to make them go into the box” and this resulted in “whales covered in rakes and blood”. The music slows to a wistful tune as the former trainers discuss how “it didn’t feel right to store them there” in order to draw the audience in to empathize with them. The use of these heartbreaking scenes exhibits a sympathetic tone that proves to the audience that whales should not be kept in captivity. Blackfish uses reasoning to explain that an orca is a very intelligent creature and aware of its environment and interactions. “Whales have a part in their brain humans don’t have, they can process emotions. They live emotional lives”. The film uses this claim in order to emphasize that orcas in captivity suffer mentally. Blackfish confirms this statement by explaining that orcas have a limbic system that is more complex compared to humans. It then displays a scene reviewing an MRI that proves that researchers found a development in the brain of an orca that cannot be fully explained. By examining the brain first hand it is proof for the audience that allows them to understand this concept. The film states that mental stress and irritation can occur when
Blackfish is a 2013 documentary attempting to elevate public awareness regarding the orca that are being kept in maritime amusement parks, specifically SeaWorld, and the inherent danger of their captivity. The film is effective because it raises a set of important ethical questions for the viewer while presenting with a necessary fact-based style of documentation that does not evoke gratuitous scenes of abuse in order to inspire sympathy, unlike some of the other films that are intended to raise awareness about animal abuse. The film focuses on one orca, commonly referred to as a killer whale, in particular by the name of Tilikum. The documentary begins as a group of contract fishermen hunt a family of killer whales off the coast of Iceland.
The first genetically modified animal has been given the green light to reach dinner plates.
In 1893, Queen Lili’uokalani of Hawaii gave up her throne to the United States of America. About five years after in 1898, Hawaii was officially annexed and became a part of the U.S.A. During this time, the Hawaiian people were bitter and mournful as they watched the foreigners slowly take over their kingdom. Many foreigners came to Hawaii to achieve one goal, to increase the power of foreigners and decrease the power of Native Hawaiians. The kingdom of Hawaii was overthrown with the use of force and was unethically taken. Although Hawaii received benefits that were mainly in their economy, it still does not make up for the wrongful taking of the Hawaiian kingdom.
A large problem today is the incidental exploitation of the bottlenose dolphins in the Black sea. The dolphins suffer from entanglement in gillnets, shark nets, shrimp trawls, and purse seine nets in the eastern pacific tropical tuna fishery.
... In the debate over the ethics of whaling and its regulation since the formation of the IWC, widely diverse arguments have been made concerning the legitimacy of the whaling enterprise and the economic, ethical, and practical aspects of international regulation. Different views of ecology, culture, and legitimacy as they pertain to a valued resource and its exploitation for human purposes. While it is safe to say one must preserve the historical and cultural value of whaling nations and nations around the world, it can also be said of animals. While many nations continue to cling to their cultural ancestry, background of whaling, and the right for scientific research, it is proven that such human endeavors must be carefully and faithfully regulated.
"Blackfish" might not make an airtight case against training wild animals for our enjoyment, but it very convincingly argues that those animals remain what they are, no matter how SeaWorld or any other corporation invested in presenting them as cuddly attractions tries to say otherwise.
In some ways this documentary is bias because it is not showing different points of views, all it’s showing and talking about is why we shouldn’t kill sharks. But for some people especially the Japanese and Chinese eating shark is a delicacy and it their country it’s normality. In a way it’s hypocritical to ban shark meat and not to ban other meat such as chicken and cow.
Have you ever wondered how a lobster reacts to pain? The most accepted belief is that they don’t, but they have ways to feel, and they are not human, so their senses are different. Lobsters have complex nervous systems and exquisite tactile sense, and they lack forms of pain mitigation that other animals possess; therefore; humans need to reconsider how they treat these ancient sea creatures.
The film’s subjects are the dolphins, in the town of Taiji, Japan, fishermen, who slaughter them and try to hide the cove from being filmed and try to get the crew of Louie Psihoyos, which consists of dolphin activists, divers, surfers, film producers, scientists, and other crew members, who help Louie and O’Barry with the stopping mass killing of dolphins on their cove. The main subject are the dolphins. The other class is the team to help the subjects be free from captivity, but still play as helping protagonists of the film, and the fishermen are the ones against their belief because they make a hefty dime, which makes them the antagonists. The Dolphins have no choice in what to do except to try to swim for their lives to get away from the fishermen.
The Cove is a beautiful movie which reflects the horrors of the Japanese dolphin fishing and capturing in Taiji and argues that it is sadistic and unwarranted. The argument of this eco-activitist documentary is impeccable. Each minute of it, it's footage, lighting, music, and narration, is carefully calculated to empower people to step up and stop the heinous crime.
The show’s uniqueness, however, lies in its deep sea exploration into not only the job of a fisherman, but their philosophies. Meanwhile, even the film crew is put in situations where their own lives are in danger.