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Recommended: Global impact of the media and environmental awareness. 2. What are the benefits of using a digital camera
Louis Psihoyos first premiered his documentary The Cove at the Sundance Film Festival in 2009. The audience was shocked. Very few people had even heard of the dolphin hunt in Taiji, Japan, let alone see it with their own eyes. Psihoyos and his team of experts wanted to uncover the secret of a small town in Japan for the world to see on the big screen. In order to convince his audience that the killing of dolphins needed to be stopped, Psihoyos used appeals to logos, ethos, and pathos throughout the film. As the director of The Cove, it was up to Psihoyos to establish strong logos, appeal to reason. The documentary aims to provide logistical evidence against the events in Taiji. The Cove argues that whether dolphins are sold into captivity …show more content…
Because of the strong stance of the film, it became expected that there would be an equally as strong opposition denying all claims the movie made. Psihoyos discussed the Oceanic Preservation Society, and organization that he founded, and a few of their past projects. He also gains the help of many world famous ocean and marine activists including O’Barry. While introducing O’Barry, video clips of him releasing dolphins around the world and protesting captivity are flashed across the screen. This proves to the audience that O’Barry is a force to be reckoned with in the activist community. To make the film connect to a person with less knowledge of O’Barry’s work, Psihoyos involves more household names. People like cofounder of Greenpeace International Paul Watson and actress/activist Hayden Panettiere. These familiar faces make a skeptical audience more likely to consider a strong argument. The film also touches on O’Barry’s life as a dolphin trainer. He explains that while working with captive dolphins he only considered the paycheck he would receive and not the wellbeing of the animals. This slight consideration of the opposition strengthens the connection between the audience and the filmmakers and intensifies the movie’s
The documentary Blackfish by Gabriela Cowperthwaite is a gripping documentary about orca whales in captivity at SeaWorld and other sea parks around the world that shows the disturbing effects that can be caused from having these animals in a place where they shouldn’t be.
In Blackfish, Director, Gabriela Cowperthwaite, addresses the accidents that occurred at SeaWorld involving trainers and whales. Cowperthwaite’s purpose is to educate the audience on the cruel treatment and rough conditions of whales that occur in SeaWorld. The film maintains a shocking tone in order to persuade the audience and appeal to feelings of sadness and anger.
“You hear her just scream out, ‘somebody help me!’ It was such a bloodcurdling scream. She knew she was going to die,” commented John Hargrove, a former SeaWorld trainer. There has been 21 attacks on humans by killer whales in the last 10 years. SeaWorld was associated with 12 of them. In 2013 SeaWorld was worth $2.5 billion, they would do anything to protect their business. They target adults and teenagers; or anyone who can pay. The purpose of the Blackfish documentary was made to inform people how wrong it is what SeaWorld is doing. Animals in captivity do not live as long and depending on the animal there is more complications. Seaworld is an unacceptable place to live, for orcas and any other animal. They do not have animals’ best interests in mind.
Currently, live whale performances have become well liked for tourists to visit. When they are there, they only see what they want to see and do not care or want to know all about the complications the whales go through just to make people smile. The documentary “Blackfish” exposes the truth about the whales, their habits, and why they act the manner they do when in captivity. The inhumane treatment of whales in captivity causes negative effects on the animals which, in turn, affects the humans who care for them.
Blackfish is a 2013 documentary attempting to elevate public awareness regarding the orca that are being kept in maritime amusement parks, specifically SeaWorld, and the inherent danger of their captivity. The film is effective because it raises a set of important ethical questions for the viewer while presenting with a necessary fact-based style of documentation that does not evoke gratuitous scenes of abuse in order to inspire sympathy, unlike some of the other films that are intended to raise awareness about animal abuse. The film focuses on one orca, commonly referred to as a killer whale, in particular by the name of Tilikum. The documentary begins as a group of contract fishermen hunt a family of killer whales off the coast of Iceland.
In the past twenty years a large amount of bottlenose dolphin have been killed due to the tuna fishery. In the Eastern Pacific swim large schools of tuna, these shoals tend to be under herds of dolphins, for some unexplained reason. Because of this, fishermen can easily find schools of tuna. The tuna are being caught under purse seine nets, which encircles the shoals of tuna and then is pulled back on board the fishing vessel, catching both tuna and dolphin. Initially the mortality rate was 500,000 each year for dolphins alone. Although some efforts are made to encourage the dolphins to leave the net by backing down part of the net, which allows the dolphins to escape, there are still a large number of mortalities (Bryant). On the other hand, in the last few years there has been dramatic progress in stopping the fishing industries from using purse sine nets. It has been found that dolphins are in immediate danger of extinction if these fishing techniques don’t stop.
... In the debate over the ethics of whaling and its regulation since the formation of the IWC, widely diverse arguments have been made concerning the legitimacy of the whaling enterprise and the economic, ethical, and practical aspects of international regulation. Different views of ecology, culture, and legitimacy as they pertain to a valued resource and its exploitation for human purposes. While it is safe to say one must preserve the historical and cultural value of whaling nations and nations around the world, it can also be said of animals. While many nations continue to cling to their cultural ancestry, background of whaling, and the right for scientific research, it is proven that such human endeavors must be carefully and faithfully regulated.
"Pro and Con Captivity for Orcas in Sea World." Teen Ink. N.p., n.d. Web. 14 Mar. 2014. .
Khoury, Yvette K. "To Be or Not to Be in the Belly of the Whale; a Reading of Joseph Campbell a Modern Hero." Literature-Film Quarterly (n.d.): n. pag. 2006. Web.
Guests leave parks believing that killer whales enjoy being in captivity. How can humans be so selfish to enjoy the presence of these animals, if the animals aren’t enjoying themselves? After the gates are close and the lights turned off, the whales spend hours alone, floating lifelessly. It’s hard to postulate that they receive world-class care. “Orcas are too large, too intelligent, and too behaviorally and socially complex to adequately provide for in concrete enclosures” (Rose).
Gabriela Cowperthwaite directed Blackfish to illustrate the mental and physical struggles orca whales face in captivity and highlight its negative effects on the death of SeaWorld trainer Dawn Brancheau. Cowperthwaite’s intertwined usage of logos and pathos throughout this film allows the viewer to comprehend this scenario in a new light to expose the truth behind the deaths of the three individuals murdered by SeaWorld killer whale, Tilikum.
At Six Flags Marine World in Vallejo, CA a new exhibit was opened to provide an interactive experience with the parks residents. These “Ocean Discovery” exhibits now include a 200,000 gallon tank containing three to five of the parks 14 Atlantic Bottlenose Dolphins. The dolphins have been removed from their natural habitats deprived from an annexed refuge and placed in petting pools poorly located and smaller than that of an average living room.
..."Not a Real Fish: The Ethnographer as Insider-Outsider." In P. R. DeVita (Ed.), The Naked Anthropologist: Tales from Around the World (pp. 73-8). Belmont: Wadsworth Publishing Co.
There are many important media sources that need to be analyzed, in regard to this debate. The first source that I chose to analyze is the documentary Blackfish. In order to gather an idea of the public representation of Seaworld, I also chose to consider tweets posted by SeaWorld on Twitter. In addition to these tweets, I’ve chosen to review various articles that were published on Seaword’s website. Finally, an article published by the Humane Society offers a counter narrative to the statements by Seaworld. These four sources are a good variety for my paper because they contain many contrasting point of views. These views include two in favor of marine life in captivity and two opposed to marine life in captivity. I have chosen to analyze
In the past fifty years or so orcas have been taken from the wild and kept in captivity to breed, perform, and entertain the public. Despite the increased popularity of captive killer whales, there are very few laws set in place to protect these large, intelligent creatures. Society as a whole needs to decide the level of responsibility and consideration we owe orcas that we keep captive. The decision whether to continue to capture wild orcas and contain them for our benefits lies with the public. The argument of keeping killer whales in captivity has two well-supported sides will valid cases. Public opinion on the captivity of orcas has shifted, especially in the last five years. Recently, many new modifications and changes have been made