Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Blackberry eating kinnell analysis
Blackberry eating galway kinnell analysis
Blackberry eating galway kinnell analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Blackberry eating kinnell analysis
The narrator in “Blackberry Eating” has an intense love for two things: blackberries and words. In the poem, Galway Kinnell attempts to convey the similarities between words and blackberry eating through the use of sound devices such as alliteration, onomatopoeia, and rhythm. Alliteration can be found throughout the poem. “I love to go out in late September among the fat, overripe, icy, black blackberries to eat blackberries for breakfast.” “...and as I stand among them lifting the stalks to my mouth...” “...many-lettered, one-syllabled lumps, which I squeeze, squinch open...” In these sentences, various consonant sounds are repeated (bl, st, sq). What is noticeable about this alliteration is that when you pronounce the words, your tongue has to shift a lot to make the beginning consonant sounds. Herein lies the comparison between words and blackberries. Blackberries roll around your mouth much like words do, forcing your tongue to pucker with their delightful yet sour tinge of taste. The writer is showing that blackberries are more similar to words than you think. …show more content…
Another important sound device that the author uses to help the reader learn the “black language of blackberry” is onomatopoeia.
“...many-lettered, one-syllabled lumps, which I squeeze, squinch open, and splurge well...” The author mimics the process of blackberry eating with words like “squinch” and “splurge” which attempt to give the reader an idea of the sounds of blackberry eating. By giving a reader an insight into the sounds of blackberry eating, they are able to feel the blackberries rolling around their mouth. This is also accomplished by the complex consonant sounds the beginning of the words (sq and spl). Much like the words used for alliteration, these consonant sounds force the tongue to move around and feel the “splurge” a blackberry would make in the
mouth. A final device that the author uses is rhythm. “I love to go out in late September among the fat, overripe, icy, black blackberries to eat blackberries for breakfast...” The numerous commas in the poem and this sentence for example, create a very slow rhythm. The reason he wants to create a slow rhythm is to mimic the process of eating blackberries. When you eat something delicious, you want to eat it slowly and savor the flavors. The narrator wants to savor the blackberry which he accomplishes by setting the slow pace. This shows the comparison between words and blackberries well. When you slow down eating a blackberry or reading a poem, you are able to savor it more and treasure the different flavors and words that might get thrown at you. Through the use of musical devices, Kinnell is able to paint a picture of the similarities between words and blackberries. Both do the same thing to your tongue, even though they are very different at face value. Literature is truly compatible with everyone and everything, even blackberries.
Examining the literary terms used in this poem, one should mention alliteration first. It is used in the following line: “There are those who suffer in plain sight, / there are those who suffer in private” (line 1-2). Another literary device,
At the beginning of the poem, the speaker starts by telling the reader the place, time and activity he is doing, stating that he saw something that he will always remember. His description of his view is explained through simile for example “Ripe apples were caught like red fish in the nets of their branches” (Updike), captivating the reader’s attention
The use of phrases like ‘notice how the oldest girl…’ gives a feeling that the narrator is pointing out to the responder the family members, as if the narrator and the responder are both present at the scene when the family’s moving at the time. The blackberries were used as an indicator of time, showing us how long the family has stayed in this place for, and the changes of the blackberries from when they had first arrived to when they were leaving also used as a symbol to create mood of sadness and the lost of hope. We know from several lines of the poem that the family only stayed at the house that they’ll soon be leaving for a very short while. From the lines: ‘and she’ll go out to the vegetable patch and pick up all the green tomatoes from the vines,’ – The green tomatoes tell us that the tomato plant has not been planted long, not long enough to produce ripe fruits by the time they’re going to leave. ‘
The alliteration used is to emphasize rhythm in the poem. On the other hand, the poet also depicts a certain rhyme scheme across each stanza. For example, the first stanza has a rhyme scheme of this manner a, b, c, d, e, a. With this, the rhyme scheme depicted is an irregular manner. Hence, the poem does not have a regular rhythm. Moreover, the poet uses a specific deign of consonance, which is present in the poem (Ahmed & Ayesha, p. 11). The poet also uses the assonance style depicted in the seventh stanza, “Seven whole days I have not seen my beloved.” The letter ‘o’ has been repeated to create rhythm and to show despair in the poem. On the second last line of the seventh stanza, the poet uses the style of consonance, “If I hug her, she’ll drive illness from me. By this, the letter ‘l’ is repeated across the line. The poet’s aim of using this style of Consonance is to establish rhythm in the poem and add aural
The poem opens upon comparisons, with lines 3 through 8 reading, “Ripe apples were caught like red fish in the nets/ of their branches. The maples/ were colored like apples,/part orange and red, part green./ The elms, already transparent trees,/ seemed swaying vases full of sky.” The narrator’s surroundings in this poem illustrate him; and the similes suggest that he is not himself, and instead he acts like others. Just as the maples are colored like apples, he
In this poem called “Creatures” by the author Billy Collins there is a literary device called a metaphor when the reader is reading this poem. A metaphor is a comparison of two unlike things without using the words like or as. In lines one (1) through...
Alliteration is used to stress the importance of love. “Stevenson’s exercise of word craft [is] devoted to emphasizing her characters and ideas” (White 382). Her continual use of words beginning with ‘b’ does just this. They describe the brute Eros with Stevenson’s “instinct for the click of words against each other” (White 382). The poem has alliteration in both the opening and closing stanzas. Eros is seen as a “bully boy,” “battered,” and “bruised” (5-22). These phrases describe a beaten and broken god who would rather personally feel the pangs of love than not have love exist. This illustrates Stevenson’s portrayal of Eros, giving him “insight, wisdom, and strength” (Mills 2753). The alliteration of this poem helps give life to the author’s view of the god.
The play has many poetic effects, which are mostly used by the Voices, Alliteration is used often to add depth to Thomas’s descriptions. An example of alliteration in the play is when the first voice is talking about Bessie Bighead when she’s asleep, the voice says “sleep until the night sucks out her soul and spits it into the sky” Thomas seems to be using wet sucking sounds for the lonely old lady.
Use of Diction, Imagery and Metaphor in Seamus Heaney’s Poem, Blackberry-Picking Seamus Heaney’s poem “Blackberry-Picking” does not merely describe a child’s summer activity of collecting berries for amusement. Rather, it details a stronger motivation, ruled by a more primal urge, guised as a fanciful experience of childhood and its many lessons. This is shown through Heaney’s use of language in the poem, including vibrant diction, intense imagery and powerful metaphor—an uncommon mix coming from a child’s perspective. Heaney emphasizes the importance of the experience of Blackberry picking by using diction that relates to sensory imagery and human urges.
In the article, “The Pleasure of Eating” by Wendell Berry, Berry was right about the fact that there should be a “Food Politics”. This article talks about “eating responsibly” and “eating agriculturally”. If you haven’t heard of these terms, they vary in Berry’s article. So “Eating responsibly” and “Eating agriculturally” basically means that everyone is expected to see and know about what they are eating. Nonetheless, not all fruits and vegetables are healthy. You might need to spend some time to take a look at the brand, price, and the facts about the products. Imagine, if Berry came to your dinner table? How do you get or purchase your food? What will you serve him? If Berry were to show up to my dinner, the best
Not only the words, but the figures of speech and other such elements are important to analyzing the poem. Alliteration is seen throughout the entire poem, as in lines one through four, and seven through eight. The alliteration in one through four (whisky, waltzing, was) flows nicely, contrasting to the negativity of the first stanza, while seven through eight (countenance, could) sound unpleasing to the ear, emphasizing the mother’s disapproval. The imagery of the father beating time on the child’s head with his palm sounds harmful, as well as the image of the father’s bruised hands holding the child’s wrists. It portrays the dad as having an ultimate power over the child, instead of holding his hands, he grabs his wrists.
The use of the metaphor strange fruit has been applied to represent the bodies who had been hanged. This not only creates imagery, but also acts to dehumanize the victims, something which continues onto the third line. Here the line reads “Black bodies swinging in the southern breeze” and is the only reference to race within the whole poem, yet it remains a central theme for the reader to reflect on. Meerpol has also harnessed sound techniques throughout the poem in order to create rhythm. An example of this technique is seen at the end of each line, where the final word of each line rhymes with the following. Similarly, the first stanza also uses assonance, thus creating a musical effect which can be seen at the end of the first and second lines where “fruit” and “root” have been used. The meaning of the poem has been highlighted in the second line which reads “Blood on the leaves and blood at the root.” The blood on the leaves represents that which was shed recently, while the blood on the root suggests a deeply rooted issue that has been present for
This foreshadows what is to come. The berries begin to spoil because more were picked than could be eaten in time. The “rat-grey fungus, glutting on our cache” (line 19) got to them. The berries would have lasted longer if they had been left in the bush, but desire and greed overwhelmed the speaker when picking the luscious berries. Because he lost the berries due to rotting, the speaker says, “I always felt like crying.
Edgar Allen Poe’s alliteration and repetition of words support the poem’s flow and musicality. Poe begins with the alliteration of the m sound in “merriment” and “melody” (3). The soft m sound, also known as a liquid consonant, helps to keep a quick and continuous pace for the poem. Similarly, the alliteration of the s sounds in sledges, silver, stars, and seem, emphasize the calming sounds of the bells (1-2, 6-7). The s sound helps express the soothing and comforting effects of the bells, essentially contributing to the merry tone of the poem. Furthermore, the alliteration of t...
“This Is Just To Say” by William Carlos Williams, a twenty-niece word poem that uses simple, clear and precise language to express author’s true though and feeling of actual eating the plums, gives the readers an illusion that the author puts some deeper meaning and metaphor into the poem. The words: “plums”, “Forgive me” and “So sweet and so cold”, in which somehow the readers misread those words and link to the biblical tale. Instead of focusing on the rhythm, rule and restriction of the poetry, In “This Is Just To Say” William demonstrates that a poem can be written about what ought to be, feel and think on a single pleasure of life.