Section 1: Identification and Evaluation of Sources
The investigation will explore the question: What was the impact of Black minstrel shows on Black reality television? The years that will be the focus of this investigation is 2000- 2017, to understand the mockery, mind control, and repetition of history that is being took place in this current period.
The first source that will be evaluated is Kia Speaks article “Reality Television: The Modern-Day Minstrel Show”, written in 2012. The origin of where the author has gotten her information is unknown; however, she has had this blog since 2011, when the era of most successful reality television shows came to focus, so that tells the let the reader know the author has been up to date with pop
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This is valuable because it indicates that both programs are derogatory stereotypes of Black people, mostly the Black woman. Although, the author having notice the comparison within the short period given limits to those who notice the comparison today.
The second source that will be evaluated is Justin Simien article “Dear White People: Reality TV Is the New Blackface”, written in 2014. The origin of where the author has gotten his information from is unsure, however the author released this article after the release of the motion picture “Dear White People”, which he was the wrote and produce. The author is also African American; however, he is a male and a producer, so, which would make his information more liable due to him actually working in the field that constructs most of the reality series.
The purpose of this article was to visualize the foreshadowing of minstrel shows into todays “most favored” television genres, reality television. This is valuable because it indicates that racism or stereotypes are still visible to this day, and as stated before Black women fall victim towards these stereotypes. However, the author of the article understood the problem and has created projects to end
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Young women view that simply acting in that manner will get them fame and fortune, instead of seeking responsibility and humility to gain long term lasting effects of a career. Even though, these women of reality television have other careers, they still have this promised role that they play on television, which a lot of young girl won’t ever have, instead of aiming to become a doctor or lawyer, most young women will go out of their ways to imitate something that is scripted rather than something that is
The shows portrays a melting pot of each character lives with money, sex, social media, and relationships unfiltered and toxic, yet irrelevant to the real –world. Another key point is the exploitation of the television world and the millions of viewers, that it’s okay sociably to exemplify deviant behaviors in real –life. Also, culturally and sociably, the reality show creates a bigger problem as the platform provided for the cast is characterized in a negative state. On the negative side, this creates the illusion to act in like manner, from the deviant behavior portrayed on
The minstrel show is considered by many as the first American form of musical theatre (Bordman, 2010). However, the tradition of minstrelsy, in various forms, dates back to well before Thomas Dartmouth Rice first jumped Jim Crow. In the sixteenth and seventeenth century, it was common for actors to darken their faces for dramatic effect, as illustrated by Shakespeare’s Othello (Strausbaugh, 2010). It could be said that minstrelsy continues to be alive and well today, in the form of reality television and hip-hop culture. While opinions on what may be considered minstrelsy today may differ, there is no denying that Rice revolutionized how the centuries old tradition of blackface was used to create a new art form, the minstrel show.
Portrayal of African Americans on television is frequently a controversial topic. Throughout its rather brief history, television, in its programming, has skewed predominantly white, (Pringozy, 2007). This was clearer in the 1950s and early 1960s, and it even remained true throughout the 1970s, when television shows with mainly all African American casts became hits, (Strausbaugh, 2006). The success of The Cosby Show in the 1980s helped to improve race relations somewhat, or at least on television, (McNeil, 1996). Still, controversy continued, and still does to this day, as to which shows present negative stereotypes of African Americans and which ones do not, (Strausbaugh, 2006). Therefore, when talking about the history of African Americans on television, it is best to begin with the show that is widely considered to be the epitome of negative stereotypes of African Americans on television: The Amos and Andy Show, (McNeil, 1996). This paper will examine the portrayal of African Americans through two shows from two generations and the impacts both shows had on Black America; The Amos and Andy Show (1928) and The Cosby Show (1984).
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
One pop culture that had a great influence on me was ‘The Cosby Show’. ‘The Cosby Show’ aired for eight seasons on NBC from September 20, 1984 until April 30, 1992. Although it was based on comedy, the sitcom focused on real life family events. The Huxtable Family symbolized a typical African-American family who was financial stable and socially acceptable; which during that time was not the reality in the everyday life of an African American family. Nevertheless, I was inspired by ‘The Cosby Show’ every day. ‘The Cosby Show’ depicted an appealing African American household that helped me to realize the importance of family, respect for others, and self-pride. Unquestionably I must confess, ‘The Cosby Show’
I chose this video because it raised my awareness by questioning the difference between positive role models, such as The Cosby Show, and positive images for all African-Americans. The issues discussed and comments made by the cast piqued my interest and helped change my perspective on the history of African-American representation in the media, especially in the realm of television. Color Adjustment contains more than just endless ‘talking heads’ – it has elements of fact, history, and professional opinion all blended together in an engaging format. It was extremely exciting to hear the TV producers like Hal Kanter and David Wolper talk about their own productions in retrospect. Most importantly to me, Color Adjustment changed my perspective on African-American representation in the media by challenging me to think about images...
The roles African Americans play on television are not satisfactory. Though the roles have changed during the development of television, the current relationship is not representative of true African American people or their lifestyles. The question is how do the past roles African Americans play in television sitcoms compare to the current roles? How does this affect society’s perception of the African American in American culture? Throughout the history of television the roles and the representation of African Americans has developed with the changing cultural conditions. However, the representation of African American’s has not fully simulated into today’s society. What the average citizen views on his or her television does not accurately portray the African American’s influence on America.
Reality based television has a broad landscape ranging from competitive game-like shows to programs following the daily lives of a group of people. Every major network now has some form of reality programming because the genre’s shows are high in viewership and require low costs for production. The genre is appealing to viewers because it provides them with a first-hand look into the lives of everyday people, which allows them to observe social behavior that helps them determine what is appropriate or not (Tyree, 2011, p. 397). Since the majority of modern reality stars start out as unknowns, frequent viewers of reality programming believed that fame is obtainable if they appear on a popular show (Mendible, 2004). According to Mendible’s evaluation of the genre in the article Humiliation, Subjectivity, and Reality TV, people enjoy reality programs beca...
...ssed the people of the black diaspora, Black Entertainment Television and the pop-media in general are not liberating the black people from the chains of poverty and they aren’t promoting the progression of African American culture but quite the opposite.
For example, the show Everybody Hates Chris portrays an African-American family living in Bed-Sty, Brooklyn. The family is shown as living from paycheck to paycheck and trying to better their lives. Yet, the neighborhood around them influences many of their decisions. Many of the minor characters are portrayed as African-American people who will do anything in order to survive, such as murder or steal. It also shows the Caucasian persons as being superior and “better”.
... model for how the entertainment and media industries depict black people must change. Despite the progress that blacks have worked toward since the days of slavery, society continues to give in to the monetary benefits of producing self-disparaging entertainment and media. It is not only up to the directors, editors, producers and writers to establish this change, but it should also be the demand of the people, or the consumer. If the images of black people in the media are improved the outlook within the community will improve as well. Not only will positive goals and achievements become more realistic for black people if the media outlets discontinue their practice of equating blacks with aggression, lawlessness and violence, but a greater good will also result for whites, which would be represented by a true autonomy and equality in American society.
The collapse of slavery after the Civil War sent social and political shockwaves throughout America. Within four bloody years the cemented concept of slavery was suddenly destroyed, but the ideology of white superiority over blacks remained throughout the country. The minstrel shows were a direct result of this surviving ideology and it reinvigorated the discrimination towards blacks. The shows were comedic acts starring blacks that slandered their demeanor and behavior through satirization. These shows saw the most prominence in America during the mid 19th century and were performed across the nation. The minstrel shows and entertainment industry reflected the widely accepted the social differences of the time between blacks and whites and
Hollywood’s diversity problem is well-known; however, the extent might be surprising to most Americans. According to a 2014 report by the Center for the Study of Women in Television, Film & New Media, found that females comprised only 30% of all speaking characters among the top grossing films of 2013. (Lauzen, 2014) However, minority women faired far worse than their Caucasian counterparts. As a matter of fact, if one looks at the numbers even female characters from other world’s were as better represented in film than some minority women; the numbers are as follow for women: Caucasian (73%), African American (14%), Latina (5%), Asian and other world tied (3%). (Lauzen, 2014) If the lack of representation were not enough consider a 2009 study which found that when minority groups are portrayed on television the portrayal tends to be negative. (Alexandrin, 2009) A study by Busselle and Crandall (2009) found that the manner in which African-Americans are portrayed, often as unemployed criminals, tends to have an influence on the way the public perceives African-American’s lack of economic success. Furthermore, the news media does an equally poor job in the ways that African-American’s are presented; according to the same study while 27% of Americans were considered “poor” in 1996 the images of America’s “poor” being presented by news media was heavily Black (63%). (Busselle & Crandall, 2002) Today, this can be seen in the way that African-American victims of police brutality are depicted in the media. Even when African-Americans are murdered at the hands of police for minor and non-violent offenses (e.g. Mike Brown, Eric Gardner, and Tamir Rice) they are often portrayed as thugs, criminals, and vandals. What’s more, seve...
Reality Television has changed television in a way that no one could have imagined. Being the one of the most talked about genre in history, it is seen by millions of viewers. It has more ratings than any other kind of show (Breyer 16). From its start, there have been many Reality Television shows. Shows like The Real World, Survivor, Big Brother, and Jersey Shore. All of these give off a negative portrayal of reality. While Americans watch these shows, it seems that the show is real life, but in reality, no pun intended, before the show is even filmed, it’s written, edited, and produced (Breyer 21). Writers humiliate and degrade people just for the plot of the show, making their private lives public (Breyer 16).
Lehmann, Carolin. “Reality TV: A Blessing or a Curse? An Analysis of the Influence of Reality TV on U.S. Society.” Academia. Edu 5 Nov. 2012. 29 Nov. 2013.