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African americans and tv production
African americans and tv production
Representation of african americans in media
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African Americans role of Television
The roles African Americans play on television are not satisfactory. Though the roles have changed during the development of television, the current relationship is not representative of true African American people or their lifestyles. The question is how do the past roles African Americans play in television sitcoms compare to the current roles? How does this affect society’s perception of the African American in American culture? Throughout the history of television the roles and the representation of African Americans has developed with the changing cultural conditions. However, the representation of African American’s has not fully simulated into today’s society. What the average citizen views on his or her television does not accurately portray the African American’s influence on America.
The early days of television held great optimism and hope for this new form of media as an avenue for African Americans to assimilate into white American culture. However, a pattern became evident, a pattern of type casting African Americans in roles which did not accurately and wholly portray the individual. A misrepresentation of African Americans became the common image on television. Variety shows initially promoted the new media as an opportunity for equal representation and communication between the races. However, a trend developed with African Americans often being “portrayed as custodians, maids, servants, clowns, or buffoons” (Crenshaw). The negative image, which was developed by these stereotypes, was perpetuated in the Amos and Andy Show. This television show began as a radio show featuring two white men
portraying two comedic black men. When the show was transferred to television, two African American men were cast in the roles, acting as buffoons. The popularity of the show was overwhelming. This was the initial image of African Americans in television, which reached mainstreams Caucasian America and was the foundation for which future stereotypes were created. A new image of African American families was presented in the eighty’s with the Cosby Show. The Huxtable’s were a successful African American family with a life similar to the accepted and established Caucasian mainstream. This show was not accepted fully because it failed to represent the full cultural scope of African Americans. The current...
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...After giving the presentation there were many different views coming from the audience which were not expected. The audience did not hold the same views presented to them. The point addressed was about how Will Smith was the buffoon on The Fresh Prince of Bel Air. They did not feel Will Smith was acting buffoonish, they thought he just brought comedy to the show. The audience seemed to focus on black people acting white rather than black people acting ignorant. They brought up the character Carlton, and how he acted white. When asked the question how they knew he was acting white they said he went to an all white school and was influenced by the way they acted. The audience also said Will criticized Carlton for acting white. They excused Will's buffoonish actions by saying white people were also made fun of through Carlton's character. This brings up the question how do we know what is characterized as acting "black" or acting "white", and what makes a show a "black" show or a "white" show. Again these questions revert back to the fact television shows have embedded stereotypes in our society. This makes people believe there must be a typical "black" person and "white" person.
The Beulah Show, airing on ABC in the early 1950s, is the first sitcom to star an African American actress who plays as a maid to the Henderson family (Bronstein). In the episode “Beulah goes Gardening”, the Henderson discuss Beulah’s demanding workload―housework and gardening―after realizing Beulah did all of their gardening. Beulah tells Oriole, her friend, about her rosebush problem, and the next morning, Beulah sasses Bill, her boyfriend, into helping her. While the show may seem revolutionary with an African American actress and an innocent representation of a 1950s family, this show in reality demonstrates the harmfulness of the lack of diversity and misrepresentation on television. Tropes like “Mammy” and the “sassy black woman” are
“Leave it to Beaver” was a popular sitcom about a traditional nuclear family played out through the perspective of an adolescent boy whose curiosity and antics often got him into trouble (TV.com). Despite the show promoting positive family values, it also inadvertently shed light on a historically dark period of time in American history. One such instance was the lack of diversity on the show. Nearly 100% of the show’s characters were white throughout the six-season, 234 episode series. In the single episode that depicted an African-American, the character was a servant, further a reflection of the times when African-Americans where predominantly seen and treated as second-class citizens (Leaveittobeaver.org). However, this 1950’s ideal serves as a reference point to what typical families looked like and how vastly different they look now.
The movie 'Ethnic Notions' describes different ways in which African-Americans were presented during the 19th and 20th centuries. It traces and presents the evolution of the rooted stereotypes which have created prejudice towards African-Americans. This documentary movie is narrated to take the spectator back to the antebellum roots of African-American stereotypical names such as boy, girl, auntie, uncle, Sprinkling Sambo, Mammy Yams, the Salt and Pepper Shakers, etc. It does so by presenting us with multiple dehumanized characters and cartons portraying African-Americans as carefree Sambos, faithful Mammies, savage Brutes, and wide-eyed Pickaninnies. These representations of African-Americans roll across the screen in popular songs, children's rhymes, household artifacts and advertisements. These various ways to depict the African ?American society through countless decades rooted stereotypes in the American society. I think that many of these still prevail in the contemporary society, decades after the civil rights movement occurred.
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
Modern culture, especially that perpetuated on MTV, has given many suburban white kids the idea that they are oppressed by some business-like aristocracy. That may be true in a way, but in another, it is puzzling that the reaction has been for many middle-class Caucasian youth to adopt black culture as their own. And as far as media perception of black people, I really don't fit that mold. I am very in touch with my culture, heritage and race. And I take a great deal of pride in it. But because I don't fit the stereotype that even white kids are now trying to emulate, it sometimes puts me at odds with my own perception of my race.
Network news appears to convey more stereotyped impressions, a narrower range of positive roles for blacks than for whites. Representations of whites in network news are more varied and more positive than of blacks, not because of conscious bias, but because of the way conventional journalistic norms and practices interact with political and social reality. The findings raise questions about the journalist ability to represent the reality of black America while adhering to the professional practices that currently shape network news. Mainstream news portrayed African American as criminals, homeless beggars, welfare queens, ghetto-dwelling gang members, or drug addicts in American Society. Perpetuation of young black men as dangerous has been planted in the mind of American society not only by words and images projected by journalists but also in the mainstream news especially. Television particularly the news has the least positive representation of African Americans especially young males. When television became a house-hold item in the early 1950, this was a dark time in American History because there were huge racial tensions brewing in the south. The news show African American mostly young males getting abuse, hosed by police and attack by police dogs during a peaceful protest. It gives the negative images that African American was unlawful people and need to be dealt with swift action. Most of the time African Americans weren’t resisting but the news media depicted the images that they were and police were just doing their job to keep the peace.
Besides, in cultivation theory, George Gerbner proposes that heavy users of media treat the content of media as a primary source to perceive the world and assert what they see in media is very similar to the reality (Bryant, Thompson and Finklea, 2013), so there is a high possibility that audience will bring the perception of stereotyped portrayals of African-American from media into the real world. Based on the above unhealthy situations, this paper is going to illustrate how the racial stereotypes in media negatively affect people’s perception, attitude and behavior toward African American in the reality....
Woll, Allen L and Randall M Miller. Ethnic and Racial Images in American Film and Television: Historical Essays and Bibliography. n.d. Print.
... model for how the entertainment and media industries depict black people must change. Despite the progress that blacks have worked toward since the days of slavery, society continues to give in to the monetary benefits of producing self-disparaging entertainment and media. It is not only up to the directors, editors, producers and writers to establish this change, but it should also be the demand of the people, or the consumer. If the images of black people in the media are improved the outlook within the community will improve as well. Not only will positive goals and achievements become more realistic for black people if the media outlets discontinue their practice of equating blacks with aggression, lawlessness and violence, but a greater good will also result for whites, which would be represented by a true autonomy and equality in American society.
Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were the only way for African-Americans to express the deep pain that the white population placed in front of them. Singing, dancing and acting took many African-Americans to a place that no oppressor could reach; considering the exploitation of their character during the 1930's-1960's acting' was an essential technique to African American survival.
I gave several examples where Asian Americans were used to play very simple characters. These roles were defined by stereotypes that exist in America. I also researched instances on counter actions taken by Asian Americans to protest against these negative images. My research also has examples of Asians that have succeeded in breaking through the racial barriers in the media.
Considering that the Palestinians and Israelis both had Jews in their populous it is hard to understand why they did not seek to coincide and pursue a more practical unified state. This would allow them to pool their resources together and resolve issues that neither community could do on their own. Nonetheless, this was not the case, as time goes on it appears that neither side is no longer seeking out peace as the resources required to attain it seemed too hard to acquire. After the negotiations seemed to be going nowhere, it became obvious that both sides just resorted to what they know best: violence. Most of the conflicts still rage on today. While both sides still make efforts in order to finally establish peace, they are constantly impeded by radicals inciting violence, destroying what little progress they made towards ever reaching an
Child abuse is a serious issue in today's society. Many people have been victims of child abuse. There are three forms of child abuse: physical, emotional, and sexual. Many researchers believe that sexual abuse is the most detremental of the three. A middle-aged adult who is feeling depressed will probably not relate it back to his childhood, but maybe he should. The short-term effects of childhood sexual abuse have been proven valid, but now the question is, do the long-term effects of childhood sexual abuse affect middle-aged adults? Many contradicting views arise from the subject of childhood sexual abuse. Researchers and psychologists argue on this issue. Childhood sexual abuse has the potential to damage a child physically, emotionally, and behaviorally for the rest of his or her childhood, and the effects have been connected to lasting into middle-aged adulthood.
As reported in Child Maltreatment 2013, out of the estimated 905,000 victims of child abuse and neglect reported in the United States in 2013, 8.8% were victims of sexual abuse. 1 This means that in that year over 79,600 children were sexually abused in the United States. “There is general agreement among mental health and child protection professionals that child sexual abuse is not uncommon and is a serious problem in the United States.” 2