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Racial Tensions in 1920s America
Racial Tensions in 1920s America
Racial Tensions in 1920s America
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The Beulah Show, airing on ABC in the early 1950s, is the first sitcom to star an African American actress who plays as a maid to the Henderson family (Bronstein). In the episode “Beulah goes Gardening”, the Henderson discuss Beulah’s demanding workload―housework and gardening―after realizing Beulah did all of their gardening. Beulah tells Oriole, her friend, about her rosebush problem, and the next morning, Beulah sasses Bill, her boyfriend, into helping her. While the show may seem revolutionary with an African American actress and an innocent representation of a 1950s family, this show in reality demonstrates the harmfulness of the lack of diversity and misrepresentation on television. Tropes like “Mammy” and the “sassy black woman” are …show more content…
unknowingly used to marginalize African American women. As a result, this representation of African American women on television illustrates the racial and gender inequality ingrained in American culture. Television shows like The Beulah Show and Amos ‘n’ Andy kept African Americans trapped in these stereotypical roles, causing many African Americans and white Americans believe in these stereotypes. However, these depictions are the from the white male’s perspective. These depictions offer no insight to the diversity and complexity within African American culture and African Americans. Television shows need “to have deep minority representation within individual shows” in order to bring light to “racial controversies” and bring attention to the problems minority groups face (Poniewozik). Television establishes norms and can accurately represent all groups of humans. In contrast, it can show there is only a diverse group of white people and everyone else is just part of the background. Beulah is depicted as a large, independent, unattractive woman who is happy to serve the Hendersons―the Mammy is an uneducated African American woman with a lot of common sense who happily serves her white family―with many characteristics of a “sassy black woman” to show that she was not being oppressed by the Hendersons (Bronstein).
The Mammy stereotype however comes from the Deep South to make slavery appear as beneficial for blacks and demonstrate that blacks enjoy being subservient to whites (Bronstein). Not only does this stereotype have racist connotations, it further shows how deeply ingrained slavery was in American culture and the inequality that existed during this …show more content…
time. As the “Sassy Black Woman”, Beulah is able to make sarcastic and rude comments to appear as if she is equal to Harry Henderson and his family. However, Beulah is given lines like “This was prepared by a field hand not a cook” and “I’m not gonna serve my family no cold cuts...” to add comedic effect and reinforce her stereotype. These lines do not show any positive development for Beulah. Beulah will not be anything more than the housekeeper in this show. This becomes apparent while Beulah is talking with Oriole, another maid. Beulah complains about the garden and not being able to go out. However, she never mentions wanting to quit or leave the Hendersons; she never says anything bad about them despite the Hendersons never directly apologizing to Beulah. She only discusses the need to solve this problem. Beulah’s character is harmful to African American women because she reinforces the false notion that African American women can be content with being inferior to the ideal white American housewife. Similarly, this demonstrates the reinforcement of “the dominant order… [or] white supremacy” in the United States (Bronstein). While Beulah may be happy serving the Hendersons, the relationship between the Henderson and Beulah supports the underlying racism these stereotypes were created under. Furthermore, Beulah is used to highlight the perfect housewife: Alice Henderson. Beulah does everything a housewife should do, and all Alice has to do is shopping and social engagement. This reinforces the ideal American housewife image as a female who is “healthy, beautiful, educated, [and] concerned only about her husband, her children, [and] her home” (Friedan, 4-5). In contrast, Beulah is neither beautiful or education; she is made to be unappealing. When women are portrayed in these roles, the ideal housewife and the mammy, the sexism that existed during the 1950s becomes apparent. This also makes African American women appear less appealing, further supporting the racial order in America. Even though Beulah lives in the Henderson’s home, she does not get the same treatment as the Hendersons nor does she fit the typical white American family.
To further show the injustice African Americans experience, African Americans and several other minority groups were barred from buying houses in desirable neighborhoods because African Americans, single white women, and elderly couples did not fit the ideal white middle class suburban family image (Haralovich, 76). The Hendersons are nicely dressed up for dinner―Alice is wearing a fancy dress and Harry is in a suit― in the pleasantly decorated dining room. Meanwhile, Beulah and Bill are less put together and less perfect; they are depicted eating in the plain kitchen wearing ordinary clothes. In addition, this recreates the slave and slave owner relationship from the Antebellum period. Indirectly supporting segregation, this shows the discrimination African Americans faced despite the massive efforts by various organizations to fight for equality. Beulah will never be shown eating with the Hendersons because her role is to be the maid: she is their employee, not their friend. However, because she is the Mammy, she will never pose a threat to the father’s masculinity or the family’s authority over
her. In conclusion, The Beulah Show can be viewed in a positive light and hide the negative aspects of the show. However, it can also be used to discuss the stereotypes that are oppressive and do not accurately represent people. Beulah and the Hendersons are all static characters with Beulah happy to serve them while being underappreciated. This show illustrates the lack of awareness of the discrimination many African Americans experience, but it can demonstrate that there is a greater knowledge of these problems in the twenty-first century.
To depict the unfair daily lives of African Americans, Martin Luther King begins with an allegory, a boy and a girl representing faultless African Americans in the nation. The readers are able to visualize and smell the vermin-infested apartment houses and the “stench” of garbage in a place where African American kids live. The stench and vermin infested houses metaphorically portray our nation being infested with social injustice. Even the roofs of the houses are “patched-up” of bandages that were placed repeatedly in order to cover a damage. However, these roofs are not fixed completely since America has been pushing racial equality aside as seen in the Plessy v. Ferguson court case in which it ruled that African Americans were “separate but equal”. Ever since the introduction of African Americans into the nation for slavery purposes, the society
Students were assigned this essay as an inside look at oppression and racism from the last one hundred years, told by two elderly ladies in the book, Having Our Say. 100 Years of Degradation There are several books that have to be read in English 095. Having Our Say is one of them. My advice is to read this book while you are still in 090 or 094, just to get the advantage. These are some things that you will discover in this extraordinary biography. This book is tough to take as humorous, because it’s heart-wrenching to look at racism in America, but Having Our Say, manages to pull off the feat. Having Our Say really makes you think and tries to somehow reflect on the past as if you were actually there. As a white male, I am amazed at how these two African American sisters were able to live through over one hundred years of racism and discrimination, and then be able to write about their experience in a humorous, yet very interesting way. Having Our Say chronicles the lives of Sadie and Bessie Delany, two elderly colored sisters (they prefer the term colored to African-American, black, and negro), who are finally having their say. Now that everyone who ever kept them down is long dead, Sadie and Bessie tell the stories of their intriguing lives, from their Southern Methodist school upbringing to their involvement in the civil rights movement in New York City. Sadie is the older, 103 years old, and sweeter of the sisters. The first colored high school teacher in the New York Public School System, Sadie considers herself to be the Booker T. Washington of the sisters, always shying away from conflict and looking at both sides of the issue. Bessie is the younger sister, 101 years old, and is much more aggressive. A self-made dentist who was the only colored female at Columbia University when she attended dentistry school there, Bessie is the W.E.B. Dubois of the sisters, never backing down from any type of confrontation. As the sisters tell the stories of their ancestors and then of themselves, and how they have endured over 150 years of racism in America, they tend to focus mainly on the struggles that they encountered as colored women. Bessie brings laughter to the book with her honest, frank, and sometimes, confrontational take on life.
They lived there because they were poor and black, and they stayed there because they believed they were ugly.” (1.2.1) consistently focusing on that the Breedloves ' property is not simply momentary; she highlights that it is involved. Their race as well as their self-loathing and mental issues hold them down. Dunbar underlined in his piece the seriousness of the agony and enduring that these covers attempt to conceal. When he says “ And mouth with myriad subtleties” There 's an entire host of “subtleties” that play into the distinctive classifications of society and class, particularly when you 're managing the unstable world of racial prejudices. This family is facing hardships due to social class and race Morrison addresses the misfortunes which African Americans experienced in their movement from the country South to the urban North from 1930 to 1950. They lost their feeling of group, their association with their past, and their way of
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
Lillian Smith provides a description of the typical black woman and the typical white woman "of the pre-1960's American South" (Gladney 1) in her autobiographical critique of southern culture, Killers of the Dream. The typical black woman in the South is a cook, housekeeper, nursemaid, or all three wrapped up in one for at least one white family. Therefore, she is the double matriarch of the South, raising her own family and the families of her white employers: "It was not a rare sight in my generation to see a black woman with a dark baby at one breast and a white one at the other, rocking them both in her wide lap" (Smith 130). The southern black woman's duties extend far beyond rearing children, as she also serves as a family counselor, confidant, and nurse for the entire white family (Smith 129) and her own if time permits. She can do all this and more because she is strong, wise, and insightful in all areas of life (Smith 119). In short, the southern black woman is the cornerstone of the southern, domestic life. The white woman in the South has an equally important role. The southern white woman is responsible for maintaining southern social order, better known as Southern Tradition.
Elizabeth Montgomery was an American actress who lived from 1933 to 1995. Of her five decades of work in the entertainment industry, her most renowned role was as Samantha in the comedic-fantasy TV series Bewitched which aired from 1964 to 1972. During the period when Americans were experiencing trying events such as the assassination of President John Kennedy and the civil rights movements, Samantha’s magical powers and almost perfect life served as a means for the stressed public to periodically dismiss reality. In real life, Elizabeth Montgomery was an empowered activist. However, this paper will explore the influence of social and cultural aspects in regards to gender and women’s leadership roles as observed through the character Samantha, which Elizabeth Montgomery developed and brought to life.
After getting the apartment on 116th Street Lutie didn’t know what her next step would be. She didn’t know how long she would stay there. They had just enough money to pay rent, buy food and clothes. Being locked into poverty enables Lutie from seeing a future. “She couldn’t see anything but 116th Street and a job that paid barely enough for food and rent and a handful of clothes. “(147). This world she was living contrasts with places that were “filled with sunlight and good food and where children were safe was fenced off to African-Americans so people like Lutie could only look at it with no expectation of ever being able to have it.”(147). Lutie came to the realization as to why white people hate black people so much. It is because they are entitled to white privilege at birth. Take McIntosh’s “White Privilege-Unpacking the Invisible Knapsack” into account. McIntosh describes white privilege as invisible things that we are taught not to see. For example Mrs. Chandler, who employs Lutie as her maid. Mrs. Chandler has an advantage over Lutie, which puts Lutie at a disadvantage. People of the dominant society like The Chandlers have a “pattern running through the matrix of white privilege” (McIntosh), a pattern of assumptions that were passed on to them as a white person. “[The Chandlers] are taught to think of their lives as morally neutral, normative, and also ideal.”(McIntosh). In proportion as The
Alice Walkers “Everyday Use”, is a story about a family of African Americans that are faced with moral issues involving what true inheritance is and who deserves it. Two sisters and two hand stitched quilts become the center of focus for this short story. Walker paints for us the most vivid representation through a third person perspective of family values and how people from the same environment and upbringing can become different types of people.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
The mammy role can be attributed to Hattie McDaniel’s character in Gone with the Wind (1939) that shares the same name. This role shows a black woman whose only purpose was to “appease the racial sensibilities of whites” (Boyd, pg. 70). She was “the faithful servant to the white family”(Boyd, pg. 71), always willing to service without compliant. It was a direct relation to what was happening in life at the time; not many jobs were available to African American women besides being a nanny or maid. In fact McDaniels once stated, after getting much backlash from the black community over the Mammy roles she constantly took, “Why should I complain about making seven thousand dollars week playing a maid? If I didn’t, I’d be making seven
This novel also looks at social norms overseeing gender in the southern states around the 1960's. White women in the book are valued by the amount of children they can reproduce for the black women to raise. Even though getting a job is difficult for these black woman, the white women have a hard time seeking out a job as well. But these black women sacrifice their lives to be major workhorses surrendering their own families to work for white employers. Aibileen, Minny, and Skeeter confront the roles put upon them by society and receive fulfillmen...
The author distinguishes white people as privileged and respectful compare to mulattos and blacks. In the racial society, white people have the right to get any high-class position in job or live any places. In the story, all white characters are noble such as Judge Straight lawyer, Doctor Green, business-man George, and former slaveholder Mrs. Tryon. Moreover, the author also states the racial distinction of whites on mulattos. For example, when Dr. Green talks to Tryon, “‘The niggers,’…, ‘are getting mighty trifling since they’ve been freed. Before the war, that boy would have been around there and back before you could say Jack Robinson; now, the lazy rascal takes his time just like a white man.’ ” (73) Additionally, in the old society, most white people often disdained and looked down on mulattos. Even though there were some whites respected colored people friendly, there were no way for colored people to stand parallel with whites’ high class positions. The story has demonstrations that Judge Straight accepted John as his assistant, Mrs. Tryon honor interviewed Rena, and George finally changed and decided to marry Rena; however, the discrimination is inevitable. For example, when Mrs. Tryon heard Rena was colored, she was disappointed. “The lady, who had been studying her as closely as good manners would permit, sighed regretfully.” (161) There, Mrs. Tryon might have a good plan for Rena, but the racial society would not accept; since Rena was a mulatto, Mrs. Tryon could not do anything to help Rena in white social life. The racial circumstance does not only apply on mulattos, but it also expresses the suffering of black people.
Many black men have to deal with a systematic racism that effects their role in society. The frustrations that a black man has to deal with can affect the family a great deal. For example, if Walter gets upset at work or has a bad day, he can't get irate with his boss and risk loosing his job; instead he takes it out on his wife Ruth. Also, the job that he holds can only provide so much to the family. He's not even capable of providing his son Travis with some pocket change without becoming broke himself. What type of "breadwinner" can a black man be in America? Walter Younger is thirty-five years old and all he is, is a limousine driver. He is unhappy with his job and he desperately seeks for an opportunity to improve his family standing. He tells his mother how he feels about his job when she wouldn't give him the ten thousand dollars; I open and close car doors all day long. I drive a man around in his limousine and I say,"Yes sir;no sir,very good sir; shall I take the drive, sir?" Mama, that ain't no kind of job... that ain't nothing at all.
Racism and discrimination are problems many African Americans had to face in the 1940s; Hughes uses this aspect as the major theme in his poem “Ballad of the Landlord.” It is apparent that the tenant is discriminated against by the landlord, the police and the newspaper. For example, the newspaper shows only one side of the issue especially in the headline: “MAN THREATENS LANDLORD” (31). The tenant’s reasons for threatening the landlord were valid, although not legal, because the landlord treated the tenant unfairly by not fixing the house the tenant was renting. The tenant was angry, as expected, because the landlord was being prejudice against the tenant and refusing to fix his living conditions. The landlord would possibly have fixed the house if the tenant were white, and all problems could have been avoided had race issues not be...
The first of the contentions is that of race. As New York Times Book Review correspondent John Irving aptly puts it: "Miss Morrison uncovers all the stereotypical racial fears felt by whites and blacks alike." Prejudice exists between the white and black people in the house; between the black people of the house; the black people and the local populace. Sydney and Ondine Childs, the Cook and Butler in the house of Valerian Street, feel superior to the local black populace. Sydney remarks twice on how he is "A genuine Philadelphia Negro mentioned in the book of that name" (284). Part of this feeling of superiority might be class-related. The Childs' are very proud of their positions in the Street house-they are industrious and hardworking. The Dominique blacks are to them "swamp women" or "horsemen"--depersonalized figures. This is most apparent in their ignorance of their help's names--they dub Gideon, Thérèse, and Alma Estée "Yardman" and "the Marys." At Christmas dinner Valerian adds epithets calling them "Thérèse the Thief and Gideon the Get Away Man." (201). But as Judylyn Ryan points out, "Both the superordinate and the subordinate exercise this prerogative of nam...