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Pride and prejudice and social class
Short note on dramatic monologue
Short note on dramatic monologue
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The act takes place in the dining room in a new Birling’s’ house in Sheiffied, in the North Midlands. It is an evening in spring, 1922. The baronial, high-rise house, built by the Scottish workers in the 1560s, that was bought and furnished by Mrs Birling, after her husband’s death, has an enormous amount of rooms and a spacious dining room with a large, wooden table. At the rise of the curtain, all the characters are seated at the table, as the tea has just started and everyone is talking.
Shiela: (nervously laughing) At least I don’t have that handcuff any more.
Sybil: (cutting in) Your daughter is here! And what about a new expression you picked up for an engagement ring? Stop it! Remember Gerald! You loved him…
Shiela: I am a thirty-one-year-old
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Minnie, a daughter of Shiela and Gerald, is leaving the dining room after kissing her mother.
Sybil: (to Elina) My dear daughter-in-law, now you are married with Eric, and you are pregnant, so you are a part of our family, I think it’s the time for you to know everything… (after a pause) Every year, the same day, we’re gathering all together to remember, what happened, considering today- ten years ago.
Eric: An inspector arrived and blamed us on the suicide of a young woman, Eva. We all participated in her life, and our participation made her commit suicide.
Shiela: (watching the fire, in the fireplace) But, the man wasn’t a real inspector. We still do not know who was that. He talked to us, showed us all of our mistakes and disappeared. No one knew him or heard about him.
Eric: Do you still believe it was a ghost?
Shiela: (angrily) Ah, says you!
Sybil: You two, please, stop it!
Eric: Whatever, when a real inspector arrived, my father, Arthur Birling, who was shot by accident, while coming home from the work, paid an enormous amount of money to the real inspector, in order to avoid the
…show more content…
Sybil: (with a quiet voice) He was your husband…
Shiela: (angrily) Our marriage was for avoiding the scandal. He left me and his daughter and went to the army to show off. Do not encourage me. I am an independent
woman with a lovely daughter. I am the owner of the “Milwards” shop. And I am delighted with that. Mother has her own company, and…
Eric: (cutting in) That is enough. We understood everything.
Shiela: (to Eric with a hysterical laugh) Don’t be an ass, Eric. I told you the same phrase ten years ago, but never mind. You have a fabulous young wife, who is pregnant. You had several dinners with the Royal Family, you and George V know each other quite well. You are a well-known man…
Minnie: Mummy…
Shiela: (surprisingly) My dear, what are you doing here?
Minnie: The lady, who comes to me each year… The white lady came again. Her name is Eva, she asked me to call her Daisy, because she was so fragile, as a flower, when she was alive. She told me that. I’m a bit afraid of her.
As everyone frightened and looks pale, the curtain
...being held accountable, the city officials themselves were also held accountable because of improper safety regulations. Showing that the city itself should be at fault for not enforcing safety regulations for such things as fire escapes, that were not in working order. These unprecedented circumstances just lay down the blueprint for what is now the correct way to set regulations for industrial factory conditions.
Not many people in this world truly go out "kicking and screaming". How often have you heard of people talking a stand for what they believe in? How many times have you heard of a minority sticking up for themselves against the majority? How many times have you actually heard tell of it working? Osceola, the son of a Creek-Indian and speculated offspring of white trader, William Powell, was a cocky, spit-fire of a young man.
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
In the beginning, Priestley describes the Birlings’ house as ‘a fairly large suburban house’ with ‘good solid furniture of the period’, showing they are upper-middle class and that they have money. They also have servants such as a maid and a cook. Priestley wants to give us an idea that the Birlings are upper class both in possessions and attitudes.
A ‘sharp ring is heard of the front door bell’ interrupting Mr. Birling’s dialogue that explicates “that a man has to make his own way- has to look after himself” as though the ‘sharpness’ of the ring is opposing Birling’s ‘solemnity’ in his words. The stage direction instantly demonstrates juxtaposition between the Birling and the other anonymous individual; this also generates tension because of the fact that the individual is yet to be introduced. Eric felt very ‘uneasy’ after Edna said to Birling that an Inspector has arrived which gives the audience clues of Eric being involved in a crime, Eric’s uneasiness also makes Birling ‘sharply’ stare at Eric- this creates suspense for the audience.
Lipking, Lawrence I, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume 1c. New York: W.W. Norton & Co, 2006. Print.
Mr Birling in J.B. Priestley's An Inspector Calls Works Cited Missing Written in 1946,by J.B.Priestley, "An Inspector Calls" leads us into
Byrne, Muriel St. Clare. Elizabethan life in Town and Country. London: George Allen & Unwin Ltd, 1954.
Each mother had high expectations for their lives as they came towards America, and especially their daughter’s lives. “In America I will have...
The history of the time the play was written helps us to understand the views and the feelings expressed by Priestley in the play. The inspector transfers Priestley’s views and he shows the difference in social classes at the time. A gap which he wants to diminish. He illustrates the reason for this in the play, via the inspector, where he outlines the ways each of the Birlings have influenced someone from a completely different background and social class. This is the way Priestley viewed pre-war England.
It is a serious and quiet event. She sees the boys as "short men" gathering in the living room, not as children having fun. The children seem subdued to us, with "hands in pockets". It is almost as if they are waiting, as the readers are, for something of importance to take place.... ... middle of paper ...
In “An Inspector Calls” all of the characters are led to believe that they are all partly responsible for the suicide of a young working class woman. ”An Inspector Calls” is a ...
Through his play Priestley endeavoured to convey a message to the audiences, that we could not go on being self obsessed and that we had to change our political views. He used the Birling family as an example of the Capitalist family that was common amongst the higher classes in 1912, who took no responsibility for other people and he showed this with the power of Socialism, represented by the inspector; the uneasy facade put on by the Birling family to cover up their real flaws and how they have treated those whom they considered to be lower class could not stand up to any scrutiny without shame for what had happened, showing that they know they have been wrong.
Blaming Someone for the Death of Eva Smith in An Inspector Calls by J.B. Priestley
“The children have been a wonderful gift to me, and I’m thankful to have once again seen our world through their eyes. They restore my faith in the family’s future” (Anderson, 176). Her children were her world; everything she did was for them. She tried her best to be the perfect mother.