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History of colonial latin america
Colonialism and its impacts on indigenous people of america
Colonialism and its impacts on indigenous people of america
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Carlos Solórzano
Carlos Solórzano was born on May 10, 1922 in Guatemala City. He is considered to be the most significant and influential playwright from Guatemala. He earned two master’s degrees from the Faculty of Philosophy and an architectural degree from the National Autonomous University of Mexico. He taught for a short amount of time before going to France with Monterde Francisco after receiving the Rockefeller grant. He married his wife Beatrice and together they had two kids, Beatrice and Juana Inés. He continued studying in France, and when he returned back to Mexico, he was offered a job to be in charge of a large college theater project. From 1977 to 1980, the Theatre of the Nation of the Mexican Institute of Social Security was under the direction of Solórzano. During his life, Carlos also was a theater critic and a teacher. He received many awards for his work. He died on March 30, 2011.
Carlos Solórzano is important to Guatemala because he is the most significant and influential playwright from Guatemala. He wrote a large amount of plays and novels, did research, and promoted theater in general.
His play, Los Fantoches, which means Tormented Puppets, is an important piece of his work, because it is widely known. It was written in 1959.
Mario Gonzalez Chavajay
Mario works only at the Arte Maya Tz'utuhil as an artist. He is one of two younger brothers to Pedro Rafael Gonzalez Chavajay. While most artists who work at Tz’utihil learn from their family, Mario taught himself. He has been painting for about twenty years and works very hard. He usually spends about eight hours every day painting. He worked for Salvador Reanda’s gallery in Santiago Atitlán for many years as a tourist artist. He decided to quit tourist p...
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...e was a famous poet, novelist, and diplomat as well as the winner of the 1967 Nobel Prize for Literature. He received his law degree in 1923, moved to Paris and wrote his first, well-known work, Leyendas de Guatemala, which tells about the Maya culture and life before Spanish rule. When he returned to Guatemala, he edited a radio magazine and began to write poems, specifically sonnets. He also wrote in many countries in Central and South America while traveling. 1966 to 1070 he served as the Guatemalan diplomat to Paris, where he decided to live permanently. He died on June 9, 1974 in Madrid, Spain.
Asturias is important to the country because of his great writings on indigenous people, traditions, and their culture before the Spanish took over.
His most famous work is Hombres de maíz, 1930, which tells about the misery and exploitation of Indian peasant workers.
Raul Ramirez is a very confident, creative student that is in Mr.Ward’s high school english class in The Bronx,New York, who loves to paint. Raul used to paint his sister by bribing her with whatever he could scunge up,but know his girlfriend just sits for him. He knows that painting will not give him much money and tells the readers by saying “People just don’t get it.Even if I never make a dime --which,by the way,ain’t gonna happen--I’d still have to paint.” Raul is also a very shy teenager that wants to be an artist and will be the first person in his family to be a painter if he becomes one. The thing is even though his “brothers” don’t support him--by laughing at him and saying he's loco-- he still wants to paint and says it by saying
José Martí, born in Havana, Cuba in 1853, experienced many hardships throughout his lifetime. All through his adolescence, José Martí struggled against poverty. He would not have attended primary or secondary education without the support of a famous Cuban writer, Rafael María de Mendive. This education, from both school and mentor, enabled him to express his thoughts on freedom and publish his first poems at fifteen. Due to his intellectual capabilities and brilliance with words, he was jailed for six years and exiled to Spain by the Cuban go...
¡Diles que no me maten! A short story by Juan Rulfo, which depicts the reality of a peasant’s life in rural Mexico. This short story is about a farmer who had a disagreement with the landowner after asking if he would be able to share his animals’ food. Due to the refusal the farmer sneaked his animals at night to feed them; however, when the landowner found out he killed one of the farmer’s cattle. As a result, the farmer killed his landowner; consequently he had to hide for over 40 years only to be murdered later on by the landowner’s son. This paper will discuss the following ideas; themes explored in the short story such as family, death and revenge. Then, an analysis of the strong need of survival and the symbolism of corn crops. Continuing to the structure of the short story and what it adds up to the overall understanding of the story. Finally, there will be a conclusion of all the aspects and what findings are reached after reading this short story.
Rafael Leonidas Trujillo Molina came into the world on October 24, 1891. He was born in the small city of San Cristobal in the Dominican Republic. He was the son of Jose Trujillo Valdez and Altagracia Julia Molina. Trujillo’s parents were married on September 24, 1887 in San Cristobal. Trujillo’s father was a merchant and was dedicated to buy and sell items that he could make a profit from. His mother was a housewife and was considered very sweet and kind hearted by those who knew her . Not much is known about Trujillo’s childhood and family because he had records changed to not bring any shame brought onto his name. What is known is that he was...
Miguel angel Asturias (1899-1974) was a Guatemalan poet, writer, and diplomat. He won the Nobel Prize for Literature in 1967 and the Soviet Union’s Lenin Peace Prize in 1966. Asturias participated in the uprising against dictator Manuel Estrada Cabrera in 1920. He demonstrated a lifelong concern for the preservation of Mayan culture which can be seen in many of his writings including his university thesis, "the social problem of the indian". He published his first novel in 1930 and his first poem in 1936. He started his diplomatic career in 1946, and continued to write.
...l Paso, Texas with his third wife. His original residence in New Mexico was burned down in 1994. He then moved to Ciudad Juarez, Mexico and Uruapan, Michoacan where he met his third wife. His memoirs once only available in Spanish in 1978, published by Mexico’s Fondo Cultural Economico was republished in 2000.
Within the works of “Fiesta, 1980” it takes us in the lives of a Latin American family. We are described a traditional style Latino family were there is a dominate father figure, a submissive mother, and obedient children more or less. There are two boys the eldest Rafa and the youngest Yunior and their younger sister Madai. During the transgression of the story it is conveyed through the eyes of Yunior. And like any typical family it has its own story to tell.
From the foothills of Barcelona in Spain, a man came to be. Full of strength, honor, wisdom, and courage, this man was named Hernan Cortes. He, as the Spaniards would say, was a god among men. Legend says he had cat-like reflexes, and also had the mind filled with strategies. He may not have been the tallest person in the crowd, but he had the most will to achieve greatness. He is one of Spain's most influential, if not the most, conquistadors.
His effective descriptions of his struggles in life contribute to the emotional tone of compassion, “I grew up here. This is my home. Yet even though I think of myself as an American and consider America my country, my country doesn’t think of me as one of its own” (Vargas) and excite in the reader his kind nature and convince the reader to accept and understand him well, as he says, “I convinced myself that if I worked enough, if I achieved enough, I would be rewarded with citizenship. I felt I could earn it” (Vargas). All of his words are very strong that can win the reader’s,
Valle-Inclán and Lorca have both been very influential and important figures of the twentieth century Spanish theatre. During their time, the theatre was mainly made up of bourgeois theatregoers who did not enjoy thought provoking plays, but preferred a theatre that was conventional and contemporary. Both Valle and Lorca departed from convention and showed freedom in their style of writing, therefore earning their reputation of dramatists of utmost importance, respect and originality, who not only brought new trends to the Spanish theatre, but also embodied the signs of change and hope for the Spanish stage.
great reputation and he was awarded the Nobel Prize for Literature in 1983. He died of heart
The climax of the story has a few layers of drama that really bring out the problems between the characters. We see Santiago and his half brother Cheche battle about the future of the factory; this affects Santiago's relationship with his wife who doesn't know about all the debt and risks he has taken. Then there's Conchita and her husband Paloma, who are experiencing marital issues which become heightened by the seductive lector Juan Julian. Both couples have personal conflicts with one another as well as external issues that affect their lives. The play had interesting parts to it such as infidelity and abuse of sexual nature. some very sensual parts; like infidelity and sexual abuse but were carried out by the cast with immense care and genuineness. Gomez does a really good job of bringing out emotional performances from the actors. This really took me on an emotional/visual roller coaster. The characters moved from happy to angry and from night to day with great ease. Scenes were so realistic and I found myself really engrossed in the story. Gomez interpreted the script really well and I think he related to the story. The story felt natural and cohesive,like it was his
Believed by many to be one of the world’s greatest writers, Gabriel García Márquez is a Colombian-born author and journalist, winner of the 1982 Nobel Prize for Literature and a pioneer of the Latin American “Boom.” Affectionately known as “Gabo” to millions of readers, he first won international fame with his masterpiece, One Hundred Years of Solitude, a defining classic of twentieth century literature.
During my visit to the Pérez Art Museum Miami, I did more than just observing beautiful artworks. With the guidelines provided I could appreciate and study also the hidden meaning of some of the pieces I had in front of me. Some of them were easier than other ones, due to previous knowledge I had, but all of them made me examine them in a critic way that enriched my cultural heritage.
Art movement’s characteristics vary from nation to nation, but painting can be used as a critique of the socio-political reality in a given nation. It is a creative way to communicate with a population about economic, education and social issues. Therefore, The History of Cuernavaca and Morelos: Crossing the Barranca (ravine) Detail (1929-30) Fresco by Diego Rivera is a good example of how an artist uses his creativity to connect with people in relation to Mexican history. Art is an inspired way to share the complexity and challenge of a community. It can be used a way to respond to them likewise. Therefore, the concept of accessibility takes ingenuity. With his deepen knowledge of European and ancient Mexican art, it was not a documentation