Ludwig van Beethoven is one of the most widely known musicians from any time period in history. His music has influenced countless artists, from both art music and popular music. He created some of the most recognizable music to the ears of today’s people and shown the world his remarkable talent despite tremendous loss and obstacles. His music embodies a time and a feel that is entirely his own, and the impacts of what he was able to do for music will continue to live on, as it has, for generations. Beethoven was born sometime in mid-December of the year 1770 in Bonn, Germany. The day of the month remains unknown because of a lack of record-keeping, but he was baptized as an infant on the 17th (“Ludwig Van Beethoven Biography”). Beethoven …show more content…
Beethoven and his wonderful masterpieces served as the perfect bridge between the two, as he used complex and elegant music to evoke real emotion out of his listeners. The tool Beethoven used most to accomplish this was the piano. Although Beethoven grew up playing the organ and similar instruments, he is most known for his tremendous work with the piano. Beethoven tried for many years to play ordinary pianos that were far beneath the standard of excellence, but they would not do. On multiple occasions, it is reported that Beethoven actually broke pianos by playing them with so much passion and force. Therefore, Beethoven was in need of the best that he could get that would serve its purpose for years by giving the beautiful and exact pitch he was looking for and by being able to last under all the pressure of Beethoven’s playing. In 1818, Beethoven’s search was over. He was sent a grand piano from the Broadman & Sons makers as a gift. This was everything Beethoven needed. Although other, more common pianos during that time were light and high-pitched, “the Broadwood piano's tone was characterized by a transparent bass, an almost chime-like treble, and a greater sound-volume” (Dane). The British piano gave more potential and range for Beethoven to work with than other pianos, and its bracing kept it from buckling under pressure. The Broadwood piano would serve as Beethoven’s go-to instrument as he would write innumerable pieces of music that would stun audiences for years. It would open up new possibilities of music Beethoven could now perform and allowed his imagination to run
It was not only until the spring of that year that he for first time left Hamburg professionally. He undertook a tour with the Hungarian violinist Eduard Remenyi for the purpose of introducing himself and his works. At Gottingen they gave a concert in which the young pianist made a deep impression upon the musicians present. He and Remenyi were to play Beethoven?s Kreutzer sonata, but at the last moment it was discovered that the piano was half a tone too low.
Johannes Brahms, a striking individual of unmistakable character, is defined by his compositions as meticulous and enlightened. His comprehensive grasp on classical and baroque form, with his familiarity of counterpoint and musical development, allowed him to effortlessly traverse and cultivate upon the musical architecture laid out by the likes of Bach and Beethoven. Born in Hamburg in 1833, he was the son of Johann Jacob Brahms, who travelled from North Germany, in which the family name “Brahms(t)” propagated (Musgrave 4). His father being a musician by profession instigated Brahms into his own domain of music. With Brahms’ first instruments being the violin, cello and the natural horn (predecessor of the French horn), it was discovered that the genius possessed absolute pitch and had also developed a system of notation on his own even before formal introductions into music (Musgrave 9). His astonishing understanding of musical rudiments was further cemented at age seven by his first teacher Otto Friedrich Willibald Cossel, with piano literature ranging from Bach to Schubert to Clementi (Musgrave 10). The young gifted talent quickly matured, with his compositions being sedulously characterized in craft similar to the seasoned taste of aged liquor. Following in the wake of Beethoven, his style of romanticism seemed restrained, and viewed as being confined to classical forms. With his preference towards absolute music, his works demonstrated “as [Ian] McEwan/ [Clive] Linley would have it, at the intersection of emotion and reason” and of “powerful intellect and of passionate expressivity” (Platt and Smith 4). However, being the headstrong romantic that he is, he manipulated the limiting factor into an area of expanse, in which he...
Beethoven’s early life was one out of a sad story book. For being one of the most well-known musicians one would think that sometime during Beethovens childhood he was influenced and inspired to play music; This was not the case. His father was indeed a musician but he was more interested in drinking than he was playing music. When his father saw the smallest sliver of music interest in Beethoven he immediately put him into vigorous musical training in hopes he would be the next Mozart; his training included organ, viola, and piano. This tainted how young Beethoven saw music and the memories that music brought. Nevertheless Beethoven continued to do what he knew and by thirteen he was composing his own music and assisting his teacher, Christian Neefe. Connections began to form during this time with different aristocrats and families who stuck with him and became lifelong friends. At 17 Beethoven, with the help of his friends, traveled to Vienna, the music capitol of the world, to further his knowledge and connection...
Beethoven was a pioneer of his time. During the classical period most composers were at the hands of monarchs. Composers had to create whatever the monarchs wanted, they really did it have a choice in what they wrote. Beethoven on the other hand was not reliant on patrons of the arts. Beethoven created and sold what he made, not what some aristocrat told him to make. These traits of Beethoven make it possible for him to be classified in both the classical and romantic music periods.
Luke 6:45 states, “For out of the abundance of the heart the mouth speaks.” This is very true of Ludwig van Beethoven because what he believed affected his music. Beethoven was an extremely famous composer who helped transition the Classical era into the Romantic era. Composing from age 12 until his death in 1827, his music reflected his character. Although he is often considered a musical genius, which he is, his lack of God, and his lack of a spiritual life centered in Christ, affected his music, his view of life, and how he was remembered.
Beethoven, I believe, was ahead of his time. To me, he is the greatest composer of all time. His music is not just sounds of music played together in harmony, but a way of life. The music he created for the world is not just to listen to it, but grabs onto the emotion he was setting up. Beethoven's unordinary style cannot ever be copied by any composer or music artist.
It is clear that Beethoven’s stands as being significant in development of the string quartet to a massive extent in creativity and innovation. His early quartets show great influence of those from the Classical period and with his own, has influenced his contemporaries and later composers. The quartets published later in his life show even greater imagination and use of expression. It is also through similar uses of texture, harmony, rhythm and counterpoint that composers of the Romantic period and the 20th century wrote their own string quartets. Beethoven’s however prove a huge advancement in how string quartets are written and the intensity of emotions that they portray.
Joseph Haydn and Ludwig van Beethoven. Two composers who marked the beginning and the end of the Classical Period respectively. By analysing the last piano sonata of Haydn (Piano Sonata No. 62 in E-flat major (Hob. XVI:52)) and the first and last piano sonatas of Beethoven (Piano Sonata No. 1 in F minor Op. 2, No.1, Piano Sonata No. 32 in C minor Op. 111), this essay will study the development of Beethoven’s composition style and how this conformed or didn’t conform to the Classical style. The concepts of pitch and expressive techniques will be focused on, with a broader breakdown on how these two concepts affect many of the other concepts of music. To make things simpler, this essay will analyse only the first movements of each of the sonatas mentioned.
Ludwig van Beethoven was born in Bonn, Germany in 1770. His works are traditionally divided into three periods. In his early period, he focused on imitating classical style, although his personal characteristics of darker pieces, motivic development, and larger forms are already evident or foreshadowed. In his middle period, he is beginning to go deaf, and has realized that he cannot reverse the trend. His works express struggle and triumph. He stretches forms, with development sections becoming the bulk of his works. He is breaking from tradition and laying the groundwork for the romantic style period. In his late period, he breaks almost completely with classical forms, but ironically starts to study and use baroque forms and counterpoint. He is almost completely deaf, and his works become much more introspective with massive amounts of contrast between sections, ideas, and movements. He dies in Vienna in 1827.
Beethoven is viewed as a transitional figure between the classical and romantic eras and from 1800 to 1809 he write some of the most revolutionary compositions in the history of western music. This essay therefore will aim to discuss the numerous ways in which Ludwig Van Beethoven expanded the formal and expressive content of the high classical style he inherited.
Therefore, Beethoven combined traditional music, personal experience, and music innovation together successfully to compose his own interpretation, which has a huge influence for the future
Beethoven slowly began showing his emotions, and feelings, but very subtly. His work began to have a very sublime feeling to it, very deep and not knowing what to expect. It was after those first two that Beethoven had a big life crisis. (Sayre 407) He then began seeing life as a shorter journey than previously sought, and stopped caring about what consequences would arise from what he wanted to do. Which was to show strong emotion in his music. It was his escape from his impending doom, which was becoming deaf. He released music very quickly over the next decade. This shows how Beethoven’s own life experiences changed the direction of his
He used to say “Music comes to me more readily than words” (biography.com). In 1781, when he was 10 years old he withdrew from school to study music full time. He studied with Christian Gottlob Neefe, the newly appointed Court Organist. Beethoven published his first composition, a set of piano variations on a theme named Dressler at the age of twelve. In 1784, Beethoven formally requested an official appointment as Assistant Court Organist because his father was no longer there to support his family due to his alcoholism being worse and the decay of his voice.
Ludwig van Beethoven was an extraordinary music composer, especially considering he was deaf most of his life and career. He was born in Germany on December 16, 1770. Many obstacles were hurled at him, but he triumphed over them, and even deafness didn’t stop him from composing some of the worlds greatest, and most recognized music compositions (Rosenwald 167). His life, music, and his musical styles and techniques all contribute to his life story.