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Analyze the elements of romanticism in the poem She Walks in Beauty by Lord Byron
Analyze the elements of romanticism in the poem She Walks in Beauty by Lord Byron
Lord George Gordon Byron - She Walks in Beauty - analysis
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Beauty of the Night
He moved along the beach, his long graceful strides kicking sand behind him. His
movement was so quick, that in combination with his white coat, he was nothing more
then a streak of lightening on a perfectly clear day. Many times, in order to emphasize a
feature, poets compare objects to nature. In Lord Byron’s “She Walks in Beauty,” the
poet is enraptured by woman’s beauty and compares her to the beauty of the dark and
light.
Lord Byron was inspired by his cousin by marriage, Lady Wilmot Horton. She
arrived at a party wearing a black mourning dress strewn with sparkling materials on it.
The sparkle and darkness of the dress must have caught his eyes, for in lines one and two
he describes the lady in the poem “like the night/Of cloudless climes and starry skies.”
The sparkle of the dress reminded him of the stars in the sky and the beauty of it. Not
only did he see the beauty of dark in her but also light as described in line three and four.
Also in line one he states “She walks in beauty like the night” meaning she is elegant,
graceful, and has poise. This lady is “all that’s best of dark and bright/Meet in her aspect
and her eyes.” She is “mellowed to that tender light/Which heaven to gaudy day denies,”
(5,6) therefore in the light of the night she has no glare. During the day the sun shine a
glare on objects blinding your vision, but when Byron looked at her no glare existed.
A perfect balance between light and dark is said in lines seven and eight, “One
shade the more, one ray the less,/Had half impaired the nameless grace.” No matter if
she is in the light or in the shade, or the mood she is in she will always be graceful,
beautiful, and elegant. Her hair is black as a “raven” (9) with gentle waves in every
strand that “softly lightens o’er her face” (10). “Where thoughts serenely sweet
express/How pure, how dear their dwelling place.” That is the essence of purity and
innocent of her mind, heart, body, and soul. Corruption and evil has never crossed her
path. Not only is she gorgeous on the outside but also on the inside.
On her cheek a natural glow occurs so “eloquent(ly)” (14). “The smiles the win”
(15) she has. “But tell the days in goodness spent,/A mind a peace with all below,/A
4. “Yet even upon this shadowed terrain sunlight had very lately sparkled.” (page 7, paragraph 2)
Yet as we journey from the dark to the light in Aeschylus, we cannot leave the dark behind – the darkness breeds the light.
Darkness is one of the main themes in this scene. She said, and brought in cloudy night. immediately. I will be able to do so. Spread thy curtains, love performing night', this.
to the powerful imagery she weaves throughout the first half of the poem. In addition, Olds
Here is an observation of the body of the hazel-eyed lady, compared to that of the tide rising over moonlight.
“Her face was fair and pretty, with eyes like two bits of night-sky, each with a star dissolved in the blue.” This elaborate simile creates a mental image of the natural beauty of the young princess, Irene, by comparing her eyes to the night sky. The simile also parallels the depth of Irene’s soul to the dark, endless night sky.
As a morality tale, the darkness is the ugliness of inner mind, such as jealousy and vanity, and the light would be the kindness and the
However, in act two, scene two, the mood is altogether more optimistic and Shakespeare uses a lot of light imagery particularly when Romeo is describing Juliet. When he first sees her on the balcony, he compares her to the sun. This clearly conveys Romeo's passion for Juliet as the sun is a giver of life, a brilliant source of light and has connotations of happiness and cheer, which contrasts greatly with Romeo's previous melancholy. Furthermore, Romeo exclaims that Juliet's eyes and cheeks are 'bright and later call her a 'bright angel' which suggests the strength of his admiration for her - to him, she is more of a divine, or spiritual light; a beacon of hope.
These lines may seem confusing if not read properly. At first look, these might not make sense because the night is acquainted with darkness, but when the lines are read together as intended, one can see that the night is “cloudless” and filled with “starry skies” (1, 1-2). The remaining lines of the first stanza tell the reader that the woman's face and eyes combine all the greatness of dark and light:
...heerfulness attitude. One person recalls, “ She was very pallid at first, but there was something so intensely attractive about her frailty and her expressive face.”
Although readers dive into this poem in the middle of the story, the author still manages to establishes Judith’s character in clear manner through their choice of words. In using words such as “radiant lady” (Judith 14), “bright maiden” (Judith 44), and “brilliant maid” (Judith 124), the author makes it clear
Virginia Woolf, English novelist, essayist, and critic has beautifully portrayed the natural phenomenon of eclipse. She has also enlightened the importance of the sun. She has narrated the essay dramatically and has regarded sun as an actor that was going to come on the stage to perform as if a drama was going on. The sky served as a stage. She has made the scene vivid and ravishing by the usage of colors, images and similes. The way she has described it is so highly coloured and realistic that the readers visualize the eclipse to be occurring before their eyes. People were anxiously going towards a hilltop from where all would view the sun with reverence. People had gathered on the hilltop and stood in a straight line that it seemed they were statues standing on the edge of the world. As the sun rose, clouds glowed up. Light gleamed and peered over the rim of the clouds. The sun raced towards the point where eclipse had to take place. But the clouds were impeding it. The sun with a tremendous speed endeavoured to escape the mist. At some point it came forth then again was shrouded by the fleecy clouds. The sun then appeared hollow as the moon had come in front of it. A substantial proportion of the Sun was covered and the loss of daylight became noticeable. The writer has efficaciously described the sun’s efforts to break free from the cloudy hurdle. She has continuously personified sun as it was putting its best efforts to make its face appear before the world. The clouds were stifling the sun’s speed. The sanctified twenty-four seconds had begun but still the sun was entrapped and was striving to disencumber itself from the clump of clouds. “Of the twenty-four seconds only five remained, and still he was obscured.” The time of the eclipse was passing and it seemed that the sun was losing. It was continuously obliterated by the clouds. The colours of the valleys seemed to disappear. Everything was fading as ‘All the colour began to go from the moor.’ The colours were changing, “The blue turned to purple, the white became livid as at the approach of a violent but windless storm. Pink faces went green, and it became colder than ever.” The light and warmth were vanishing.
Her eyes shined like a glossy pearl just washing on a shore of black sand with the warm rays of the sun shining down on it. Lips of bright cherry red went well with the tight black dress she was wearing. The light hit her just right so you could see every luscious curve of her body. She smelled like an ocean breeze coming in to the shore. Just try to imagine the perfect most beautiful woman you have ever seen in your life and times that by ten fold. Absolute perfection on high heals.