Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Violence in the movies studysync
Does violence in films influence society
The Influence of Media and Film on Violence
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Violence in the movies studysync
Netflix’s first foray into feature films looks to be a wise, wise choice; there’s been talk of Beasts of No Nation becoming a major Oscar contender by the end of the year, and it’s not hard to see why. The film follows Agu, a West-African child that, after being separated in vicious circumstances from his endearing family, is forcibly enlisted and raised by a ruthless yet engaging ‘Commandant’, to become a child soldier. It’s harrowing, relevant subject matter, and the film doesn’t shy away from the tragedies and awful consequences that arise with the recruitment of youngsters to fight in a savage, territorial war. The film starts off harmlessly enough, with a smiling Agu (played terrifically by first-timer Abraham Attah) cheekily attempting to sell an ‘imagination-TV’ with his friends. The comedy and joy is quickly diminished, and the descent into ferocious, troubling war is cleverly contrasted by its jubilant epilogue. Director Cary Fukunaga, of True Detective fame, excels in crafting sequences of intense, tragic warzones; encapsulating Beast of No Nation as a whole, they’re brave, visually mesmerising and unafraid to detail the immense bloodshed. These scenes are shot by Fukunaga himself, where the camerawork is used wonderfully – particularly in an overwhelmingly powerful tracking shot – to capture both the sorrow and the survivalist instinct of the men shown on screen. It’s kinetic and stylistically superb, but doesn’t burden the terrifyingly realistic action. …show more content…
Abraham Attah is a revelation as Agu – emotionally astounding and maturely performed.
It’s testament to Attah that he matches – and often goes beyond – the more showy, brutal performance by Idris Elba as Agu’s commandant. Elba adds complexity to a character that wisely avoids becoming melodramatic, completely transforming into his taxing
role. Due to its subject matter, the film is unavoidably emotional and upsetting to watch, with many scenes difficult to sit through without covering your eyes at the horror of it all. Aided by Dan Romer’s unusual, effective synthetic score, there are many tearjerking moments that beautifully evoke anguish of Agu’s situation, yet it never feels like the film is manipulative or overly preachy. One scene, around halfway into the film, shows white tourists indifferently snapping photos of the war-stricken battalion as they pass by; Beasts of No Nation’s message is clear. Something needs to change.
When the general public thinks about the Civil War they usually think about an army of Union soldiers fighting an army of Confederate soldiers, each side commanded by men up upper rank using military tactics to win the battle. What most people don’t think about is the guerrilla warfare that went on between rival citizens in the boarder states. Instead of formal militias, this fighting involved small groups of men hunting down enemies and getting in to savage skirmishes. Kansas Jayhawkers and Missouri Bushwhackers fought this informal, bloody, and guerrilla war. While being on either side was dangerous, being caught in the middle of it was even more so. Ride With the Devil, a 1999 film directed by Ang Lee follows this savage conflict from the perspective of some Bushwhackers played by Tobey Maguire, Skeet Ulrich, and Simon Baker-Denny. Through its realistic portrayal of the Bushwhackers and Jayhawkers, William Quantrill, and the style of fighting that went on in Missouri, Ride With the Devil is a historically accurate film that can be enjoyed for its history as well as its superb entertainment.
...rman company encounters impoverished conditions, only further adding to their pain. As a result of battling unmanageable forces and dealing with shoddy trenches, the young German armed forces are no longer able to see the real world.
As the good prince of Arragon, Denzel Washington did a superb job, and as Claudio, the love-struck innocent, Robert Sean Leonard performed great just as he has done in any other theatrical movies that I have seen him in.
This fictional story, Lusus Laturae, is written by Margaret Atwood. According to Merriam-Webster dictionary, the origin of the Lusus Naturae is from Latin and the meaning is “freak of nature.” That is direct enough to assume the story is about a monster figure that will be a symbol of the story. According to the book “Freak of Nature,” the history of freak of nature to scientists and philosophers is an unfortunate, grotesque creature because it is odd or abnormal such as a conjoined twin which has two heads and shared a body (Blumberg 5). The criterion of being odd or abnormal starts from the visual difference seen by people. In the story, through the narration and point of view, character, symbol and figurative language, plot, and setting, it is revealed that the society and even the family ostracizes the protagonist who is defined as a monster due to her different appearance from others.
...ths, but it lasted years. Owen betrays the men of the young generation being brutally slaughtered, like cattle, and were fated to death. Owen recognizes the feelings of the family and friends of the victims of war, the people mourning over the loss of their loved ones. Owen also uses personification in the poem, “monstrous anger of the guns” which reinforces the concept of the senseless slaughter of the soldiers. This makes the audience think about the war, and the image of heavy machine guns can be pictured in their minds, bringing them into the poet’s world of poetry.
The chosen sequence I will analyze is the Production/Editing of the film No Country for Old Men. This film which came out in 2007 was based on the novel written by Cormac MaCarthy of the same name. The movie was written/adapted, and directed by Joel and Ethan Coen (a.k.a. the Coen brothers). The film is often referred to as a neo-western thriller due to its degree of genre mixing as it tells the story of an ordinary man whom by chance stumbles on a fortune that is not his, and the ensuing cat-and-mouse drama as the paths of three men are brought together into the desert landscape of 1980s Texas.
In the movie Birth of a Nation, the first half of the story is based off the Civil War, and the rise of the Ku Klux Klan. The movie is divided into two parts, Pre-Civil War America and Reconstruction. After covering the Civil War, the story starts to introduce the Southern Camerons and Northern Stonemans. Birth of a Nation is told from the perspectives of these two families. The rise of the Ku Klux Klan, and Reconstruction is introduced in the second half. In the second half of the movie, racism becomes more apparent.
“Apocalypse Now” is a legendary war film directed by Francis Ford Coppola. The film’s main theme is devastation, violence, and horror. In this film Coppola thoroughly scrutinized the main characters ideas, behavior, and emotions to depict the darkness and the horror of war. His goal was to make the audience part of the horror. He wanted the audience to have a tremendous impact on this film and he succeeded with the perfect use of sound and editing in the ending sequence of his film. I will demonstrate how Coppola exploits a wide array of sound and editing to create suspense, intensity, and anxiety in the sequence to affect the audience’s emotions, using diegetic ambient sound effects, non-diegetic music, voice over and four editing types.
In the film adaptation of Cormac McCarthy’s No Country For Old Men, Joel and Ethan Coen assert that society has lost the moral on which it was built. The Coen brothers develop this claim by manipulating the traditional characteristics of a Western film in order to create an anti-Western through which they depict the hopelessness of humanity within the current state of society. Through their use of mechanics such as innovative camera angles, sound manipulation and editing the film adaptation successfully portrays the immorality of society as an abyss of depraved humanity.
Due to the film’s quality and interest it became an award winning film. The film had excellent sound effects such as the battle scenes. The image quality was also outstanding; it used many different angles to depict the actor to make you feel involved in the scenes. In the action scenes the most common viewpoint used was a close up shot which allows the audience to see and feel the intensity of the scene. The second viewpoint mostly used was a tracking shot due to the actors c...
With one of the most memorable transitions in the film (the Silent Scream performed by a Japanese Butoh dancer), Baraka makes clear the consequences of modern human life. When increasing production and profit takes priority over valuing human life, civilization eventually destroys itself; the film walks us through scenes of systemic poverty, exploitation, war, and genocide to illustrate this point. Paired with stirring, ominous music, this sequence is the most effective sequence of the film and can stand alone as an indictment of modern civilization. Finally, the story of modern civilization ends with images of the ruins of great ancient civilizations. The takeaway message is clear: just as those civilizations rose and fell, so too will the great civilizations of
Although Dylan blames her for letting Daniel go, Dylan knows Alma was probably the only person not fooled by the Four Horsemen into running in the wrong direction. Finally more receptive to her opinions, Alma tells him about the rumors of a magicians' secret society called "The Eye". They were a group of magicians similar to Robin Hood; stealing from the rich, giving to the poor, often dependent on illusions and great leaps of faith or even blind obedience. Dylan is skeptical, but then Alma starts drawing comparisons to a particular magician, one who Thaddeus exposed. That man was so humiliated he attempted a complex underwater stunt that went awry, yet a body was never found. The heists might have been a mere distraction in the bigger picture, something that Thaddeus understands when an infuriated Tressler speaks to him. Arthur hires Thaddeus to expose and humiliate the Four Horsemen in their next performance.
I recently had the opportunity to view your documentary concerning your division “A Company of Soldiers” with my English 12 writing class. Words can not depict the heroic actions portrayed and emotions generated from within as each second passed before me. I would just like to state how grateful this heart is for the efforts exhausted, they are not taken for granite. The phrase has been given that we don’t relate with the war until it effects us personally and I guarantee that Frontline awoke the soul of every viewer it reached, leaving them with a new perspective.
Unlike any other movie, Gasper Noe’s Irreversible (2002), with his own unusual but unique way of telling a story, shows how violence roots from love, how pain roots from pleasure, how imagination roots from reality and how death roots from life. This movie focuses Marcus and Pierre’s battle with the illusion of justice to avenge Marcus’ girlfriend, Alex, from her atrocious fate. And beginning this with the ending, Gasper Noe has created not just a realistic and powerful movie but has explained, as well, what it means
Although admittedly some scenes have a comical side to them, Besson's fast paced action and gruesome images hold the tension and suspense brilliantly. His use of close-ups and camera movements, especially the subjective stance used by the victim, convey the feelings felt by the characters and the way in which they behave. Sound plays a crucial role in the opening sequence because, in my view, it is used to control the level of suspense and intrigue.