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Military tactics in the civil war
The american civil war
American civil war
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When the general public thinks about the Civil War they usually think about an army of Union soldiers fighting an army of Confederate soldiers, each side commanded by men up upper rank using military tactics to win the battle. What most people don’t think about is the guerrilla warfare that went on between rival citizens in the boarder states. Instead of formal militias, this fighting involved small groups of men hunting down enemies and getting in to savage skirmishes. Kansas Jayhawkers and Missouri Bushwhackers fought this informal, bloody, and guerrilla war. While being on either side was dangerous, being caught in the middle of it was even more so. Ride With the Devil, a 1999 film directed by Ang Lee follows this savage conflict from the perspective of some Bushwhackers played by Tobey Maguire, Skeet Ulrich, and Simon Baker-Denny. Through its realistic portrayal of the Bushwhackers and Jayhawkers, William Quantrill, and the style of fighting that went on in Missouri, Ride With the Devil is a historically accurate film that can be enjoyed for its history as well as its superb entertainment.
Ride With The Devil takes place in neutral Missouri in 1863 where Tobey Maguire stars as Jake Roedel, the son of a German immigrant and a pro-unionist. Roedel’s closest friend, Jack Bull Chiles (Skeet Ulrich), is the son of a prosperous family in their hometown in Missouri. One day, mayhem is brought upon them when a group of murderous Kansas Union Jayhawkers conducts a raid on the citizens of their hometown, killing Jack Bull’s father and setting fire to his home. Taken by revenge, Roedel and Jack Bull join a band of Bushwhackers in order to seek vengeance against these Jayhawkers, who murder innocent citizens for sport, or any no...
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Berardinelli, James. "Review: Ride With the Devil." Reelviews Movie Reviews. 1999. Web. 28 Nov. 2011. .
"Bushwhackers, Bushwackers, Civil War Bushwhackers." Civil War, American Civil War, Reconstruction. 2007. Web. 12 Jan. 2012. .
Caggiano, Greg. "Movie Review: Ride with the Devil (1999) « From New York to San Francisco." From New York to San Francisco. 10 May 2011. Web. 28 Nov. 2011. .
Rule, G.E. "Jayhawkers & Bushwhackers." Civil War St Louis. 25 Jan. 2011. Web. 12 Jan. 2012. .
"William Clarke Quantrill." Millers Paranormal Research. Web. 12 Jan. 2012. .
Tom Walker’s devil is a dark-skinned man with red eyes, red sash, and an axe. Tom was a malicious, greedy person who dealt with the devil in order to gain some wealth. He and his wife would fight constantly day after day. Tom was not a wealthy person
Urrea, Luis Alberto. The Devil’s Highway: A True Story. New York: Little, Brown, 2004. Print.
Both “The Devil and Tom Walker” and “The Devil and Daniel Webster” are exemplary specimens of Faustian myths, and as such have very many similarities and concurrences. But, they also emphasize different aspects of the characters and their respective personalities. These two commendable stories serve as excellent chronicles of literature and as worthy examples of moral lessons for all ages.
Brumwell, Stephen. White Devil: A True Story of War, Savagery, and Vengeance in Colonial America. Da Capo Press Inc. March, 2005.
We see that good vs. evil has been a theme that is ubiquitous in many writings. The story "The Devil and Tom Walker" is a story about a man who lives an immoral life of greed. Walker lives in a wooded area, where it is solemn, and quiet area of New England. Walker runs into the devil and sees that the devil is cutting down someone else's timber.
People attending schools before 1960’s were learning about certain “unscrupulous carpetbaggers”, “traitorous scalawags”, and the “Radical Republicans”(223). According to the historians before the event of 1960’s revision, these people are the reason that the “white community of South banded together to overthrow these “black” governments and restore home rule”(223). While this might have been true if it was not for the fact that the “carpetbaggers were former Union soldiers”, “Scalawags… emerged as “Old Line” Whig Unionists”(227). Eric Foner wrote the lines in his thesis “The New View of Reconstruction” to show us how completely of target the historians before the 1960’s revision were in their beliefs.
The Devil in the White City by Erik Larson tells the story of Daniel Burnham’s World Fair and H.H. Holmes’ murder spree. The tale focuses much on the conflict between good and evil, light and dark. However, the book also goes deeper, utilizing contrast to demonstrate the greed, exclusiveness, and exploitation ever present in the Gilded Age of America.
The plot of this movie is about the struggle between the farmers and the cowboys. The farmers all want to start up crops, but the cowboys want to run their cattle through the open space so they can feed. Obviously, the two sides don’t agree. The cowboys end up attempting to use strong-arm tactics to get their way. They even try to scare the farmers off the land by burning down one of the homes of the farmers. Eventually, Shane, a former gunfight, realizes what he must do. He rides into town and kills all of the cowboys, including Wilson, the hired gun.
How would one feel if one came face to face with the Devil himself? Would one run away screaming or would one let the Devil change their views of the world? Gary and Goodman Brown both had different experiences with the Devil resulting in some of the best works of fiction ever wrote. Gary met the Devil as a young boy who feared him unrelentingly, but Goodman Brown talked to the Devil and let the Devil change his life and the viewpoints of people he knows. I plan to discuss on how Gary, from the short story “The Man in the Black Suit”, and Goodman Brown, from “Young Goodman Brown”, dealt with the Devil and compare their encounters together.
Classic stories remain a classic because they convey a message which appeals to people of multiple generations despite changes in society. King Kong was released in print in 1932, a year prior to its release in Hollywood, as a part of the film’s advance marketing. The public of this generation easily accepted the story’s racist, colonialist, and sexist themes. Today, literary critics such as Cynthia Erb view the novel and film as representation of the early 30s and thus a resource to understand the cultural context of the times. In particular, King Kong provides a window through which a modern audience can understand and interpret racism of the 1930s.
They walk amongst us, silent and unseen until the ghastly moment of their horrid crime takes root. These are the killers, spawned from the Devil’s own seed, while others are nurtured in the squalid ruins of their environment. Devil In The White City, authored by Erik Larson, is a story that takes a close look at the World's Columbian Exposition, the world's fair that Chicago hosted in 1893 in celebration of the 400th anniversary of Columbus' discovery of America. The fair was tainted by deaths, a serial killer, and an assassination. The lead architect, Daniel Burnham, and the serial killer, Henry Howard Holmes, play pivotal roles in the events that unfolded before, during, and after the fair. Throughout this novel, we are informed of many possible
Connelly and Burrows provide a valuable perspective which highlights the paradox and irony which essentially defined the southern mindset before, during, and after the Civil War. This text offers the reader with an in depth look into the mindset of southerners throughout the Civil War and beyond, which enables one to better understand the actions of these rebels within such a decisive period in our Nation's history.
Goodman Brown heads down a “dreary road...” (311). He is then approached by his fellow traveler, who happens to be the devil. The devil had with him “a staff that bore the likeness of a great black snake" (312). The devil tries to convince Goodman
In the story “Where are you Going, Where Have you been?” Joyce Carol Oates tells us about a fifteen year old girl named Connie. Connie is confronted by a young man who is trying to persuade her to take a ride with him. He introduces himself as Arnold Friend and kindly asks her to come with him but she refused. He then threatens Connie and her family. She is then forced outside and leaves with Arnold Friend. Arnold Friend clearly symbolizes the devil through his physical traits, his knowledge of Connie, and his power over her kind of like he was hypnotizing her to go with him.
Heidler, David Stephen, and Jeanne T. Heidler, eds. Encyclopedia of the American Civil War: a