Batik
Elaborately decorated fabrics and patterns can be seen almost everywhere in the world today. Batiking is a type of decorated fabric, which usually depicts motifs of flowers, birds, butterflies and other natural objects, or simple geometric forms. These designs are rich in symbolic heritage and variety; to date there are over three thousand recorded batik patterns. To perform the art of batiking, one must know a little about its origin, the necessary materials, and the method of creating a batik.
The technique of “batik” itself is Indonesian in origin; the word “batik” is an Indonesian-Malay word that means “to dot.” The art of batiking is more than a millennium old. There are evidences that cloth decorated through a form of resistant technique was used early AD in West African, Middle-Eastern, and Asian communities. Over the past two or three centuries, batik has become one of the best means of expression, spiritually and culturally, in the values of Southeast Asia. This means of coloring and decorating textiles has even reached a higher degree of excellence in the island of Java. From Java, batik cloth has been exported to many other islands, spreading the batiking art around, which is how it is so well known, as are most of the items used to create it.
A number of different materials are used when creating a batik. The primary requirements are cloth, wax, various colored dyes a...
The colors were often dense and laid out in vibrant arrangements on a black background. Curves and spirals are most commonly used on Kamares ware although some designs include tassels, rosettes, palms, circles, dots, ribbons, stripes and lattices. Fish and polyps appear on some Kamares ware, foreshadowing the coming Marine style. Human figures found on these wares are usually pretty abstract and appear as almost just another element of design. Some Kamares ware was decorated with handmade flowers attached to the surface of the vessels. This served as a transitional style between the Kamares ware period and the Marine Style period.
Kwakiutl religious tradition is still used as a guide, which is apparent in present day life of the Kwakiutl people, still helping to make up the meaning of the Transformation mask. This tribes rich history tells of the belief that the only difference between birds, fish, animals and humans was the skin that covered the body. It was believed that they could transform at will and that animals could become humans and humans could transform into animals. The Kwakiutl masks are intricately created and well planned before the weaving and the carving begins. The masks are made from red cedar which is a soft wood and has a clear and even grain. The Kwakiutl artists used natural pigments to create the colors used on the masks and used this form of medium until the development of manufactured colored acrylic paint. Masks were used for virtually every occasion and therefore each mask was uniquely created to the theme of a specific ceremony. Ceremonies were not only a time to gather for fellowship, but also was a time...
Hmong textiles are designed with a variety of geometric shapes and patterns. Shapes are regularly added to their dresses, headdresses, and flower cloths. During the Hmong New Year, men and women wear a traditional dress with a turban wrap or a rooster hat. The dress has a very conservative style; covering majority of the body of the man or woman. It is designed by adding embroideries and appliqués. The headdress is also a main part of the dress. Turban wrap is used as a rounded covering for the head, conversely the rooster hat is highly decorated and resembling the comb of a rooster. The flower cloth, or the Hmong word "Paj Ntaub", has been in the Hmong history for over two centuries. Flower cloths are embroideries contain mainly geometric designs and bright yarns. Hmong textiles are often embellished with bright yarns and are usually know as "story cloths." They were weaved to narrate different series of events: the villa...
I learned about many significant artwork and artist in this class. This class provided me with a better understanding of the history of the world Art, but also helped me understand the development of art style. However, among all of these precious pieces of artwork, there are two special ones that caught my attention: The Chinese Qin Terracotta Warriors and The Haniwa. Each of them represents the artist’s stylistic characteristics and cultural context. Although they represented different art of rulers, historical values, and scenes, there were visible similarities.
The wide rimmed ring of space located at the top of the lekythos was commonly decorated with a pattern called palmette. Discovering a palmette pattern is not unusual to find on a lekythos, and many other types of ancient Greek pottery. The different variations in color, design, pattern, intricacy and brushstroke can help determine the ancient painter. Because the colors were not fired directly on the white-ground, they are not necessarily as permanent as the black gloss; therefore overtime the vivid colors and detailed decoration will
A majority of southeastern art was lost when they were removed from their homes and moved onto reservations. It is through portable objects that were collected or bought by westerners that southeastern art survives. The main example this paper will be drawing from is a bandouliere bag titled only as Shoulder Bag made by the Cherokee people in the 1830s during the height of bandouliere bag production. It measures 20 x 23.5 cm and is currently held by the University of California in San Diego. A bandouliere bag is a bag that is worn crossbody with a large panel and a small pocket. The beadwork typically covers the strap as well as the front panel. Depending on the region the strap ends with different fringes and shapes. Almost universally, the beading pattern across the strap changes into a similar but distinctly different pattern when it reaches the top of the arch and travels back down. Most bag designs have a strong sense of balance but actively avoid symmetry. They also typically operate within a limited color pallet with certain colors being associated with different tribes. Although the most well known form for southeastern beadwork is the bandouliere bag, beadwork was also used in clothing such as belts and beaded panels. In some regions such as the Great Lakes bandouliere bags became objects to display artfully designed beadwork and lost their function as a
There are countless stencils of popular designs. Fruit, flowers, vines and leaves are popular among the craft set. Animals, simple shapes and geometric forms and borders are also fashionable.
Although there are many types of quilting, there are three common types identified as whole cloth, piecing, and appliqué. The whole cloth technique uses only one piece of white fabric for the top of the quilt – usually, to show off the quilter’s fine stitching (Wilson 9-10). Piecing refers to sewing pieces of cloth together to make the quilt top. At first the pieces were sewn together haphazardly, but as collections of scraps grew, quilters began piecing colorful patterns together to form an accurately perfect square. Some of these had as many as 1600 small patches in a single quilt (Hechtlinger 61-62). Appliqué is the sewing of small cutout fabric shapes onto a background of another fabric laid down in a decorative design. This technique, often used to depict stories and ideas, has been used for hundreds – if not thousands – of years (Wilson 10-11). The oldest known appliquéd piece of quilted material was discovered in Asia. The floor of a Scythian chieftain’s tomb, found between 100 B.C. – A.D. 200, contained a quilted material that included finely detailed appliquéd animals. Therefore, the techniques used today in quilting are at least 2000 years old, with some of the patterns and designs being ...
Another suggestion that may form a similar image is by heating a sculpture at a certain degree and place the cloth on it for a specific amount of time.
“Adopting one child won 't change the world: but for that child, the world will change.” (Unknown)(Buzzle.com). Adoption can take place in multiple shapes, forms, and fashions. You can adopt from a local adoption agency, or adopt from an orphanage half way around the world. You can adopt a child whose parents are no longer living, or you could adopt from a young mother who is not ready to raise a child. You can adopt one child who has touched your heart from an orphanage in Uganda, or a set of triplets being moved around from house to house in foster care. There are still further motivations and reasons for adopting. What if you and your spouse are unable to become pregnant? The desire to be parents does not diminish with the lack of
Veres 12-28 of chapter 15 of 1 Corinthians illustrates the influence Paul had on the formation of early Christianity. To Corinth, Paul rationalizes that if Corinth believes that there is no resurrection of the dead then Christ himself could not have been risen and if Christ has not been risen then their faith is in vain. Paul uses their own faith against them in a since as with his argument he forces Corinth to either reconcile with Paul’s views of resurrection or seemingly disband with Christianity altogether. As Paul himself claims in 1 Corinthians 3:6 to have founded the church in Corinth it seems most unde...
Another custom was the Kalinago used to decorate their bodies with a dye called roucou. This was made from vegetable dye and oil, which the Kalinagos felt toughened their skins and protected against insect bites.
Many assume that the craft of crocheting and knitting evolved in countries like China, Saudi Arabia, and Brazil. They have come up with this theory because of the cultural tradition of clothing used by the people living in these countries. Many experts also say that the craft of crocheting was more essential to bend the forefinger rather
To design a pattern for wood carving, do it on a piece of paper the same size as your piece of wood. Then put a piece of carbon paper under it and place the wood under the carbon paper. Then trace your design. Then pull up the sheets of paper and the design is printed on the wood surface.
The main problem which was needed to overcome was the selection of the fabric. Due to sustainable principle, I tried best to find the most sustainable fabrics; however, it was full of challenge. 100% silk organza, 100% silk taffeta and 100% Merino wool which were essential in my project were hard to discover in the fabric market in the UK. After consideration, I decided to order these expensive fabrics from China and finally sorted out the problem.