Ballet 422 Analysis

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We recently watched the movie Ballet 422 and were required to take some simple notes on it. We were given no special instruction for these notes, except to simply write down things, or events, that stuck out to us in the movie. I am now aware that these notes were made to aid us in comparing color guard with these ballet performers. I realized that we both are always aiming to perform better, are able to adjust to overcome obstacles, and we all make mistakes, no matter how professional we are.
One of the main things I noticed in this movie was that the movie never stopped. It was always about ballet and working to improve things related to ballet the entire movie. The point I am trying to make is that even when the dancers and the choreographers …show more content…

Therefore, it is always great to work towards perfetion, but it is fine to make mistakes as long as you learn from them. In Ballet 422, at some point a soloist is performing her solo for the choreographer to judge. After she finishes, she is informed that her arms were not correct, so she tries again with the correction. Yet, she continues to mess up her arms. The instructor had to actually slowly go over it with her until she finally got it right after five tries. The fact was, she did not give up and was willing to keep trying until she got it. With color guard, we are always learning new choreography, and therefore are rarely perfect with it the first time around. We, as a group, always go back to old stuff and review to make sure we did not forget it. An example of that would be our flag warm-up. Yes, it is an important aspect to warming up our hands on flag, but it is also important for other reasons. The flag warm-up should also be treated as a performance warm-up, as well as a teamwork warm-up. We should not be expressing bored faces and looking down when doing it, and should be tossing and counting together as a team.
This movie opened my eyes to how our two worlds, both ballet and color guard, are not so different after all. We are always willing to improve, even if we consider ourselves “professionals,” we are willing to adjust choreography without argument, as well as speak-up when

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