On November 11, I attended the “Bands for Hands” charity concert featuring the local bands Baked Goods and Shakedown Street. The band Baked Goods is typically known as a garage-style rock band, while Shakedown Street is a “Grateful Dead” cover band. The concert was held in the Forest Theatre here in Chapel Hill, and drew in a moderate crowd. Although the tone of the concert was not overtly energetic, it was well put together and enjoyable. Both Baked Goods and Shakedown Street made use of the same three basic instruments: guitars, keyboard, and drums. Baked Goods featured both acoustic guitar and bass guitar. The acoustic guitar often played the main melody along with the lead vocals while the bass guitar kept the beat in the background. …show more content…
While most of the audience members seemed to enjoy the show, the atmosphere was not outwardly energetic or lively. Most songs attracted polite applause but no raucous cheering. This could potentially be due to the demographics of the audience; most attendees either seemed to be college students somehow connected to the charity cause or families seeking some entertainment for the evening. There seemed to be very few devoted fans of either band in attendance. Very few people were dancing, even though both bands encouraged the audience to get up and move around. The venue did feature colorful, flashing lights but they were nothing extraordinary, and would occasionally shine uncomfortably into my eyes. While the Forest Theater is a picturesque location, the venue being outdoors had both pros and cons. By being outdoors, the venue felt very open and never too enclosed or “stuffy,” but the attendees were subject to hard rock seats and the chilly weather. These factors led to several guests leaving early due to the cold. Perhaps holding the concert in September or October would increase the enjoyment of the concert, due to the more temperate weather. While I do not think that the Forest Theater was a bad choice for the venue, improvements could be made to the both the atmosphere and level of comfort of the
Ringing in the New Year, we’ve chosen an individual who has created his own music and created interesting remixes of other songs over the course of (now) 16 years. We enjoy the twists he plays on his music and admire his efforts to take his music to live performance stage. Local to Brick Township, NJ, Brian Stewart (DJversion666) started out, born and raised, in Evansville Indiana, playing in a multitude of bands, playing bass and/or singing various genres of music. Upon moving to Nashville, he has done studio work, laying down bass tracks for commercials and advertisements. Continuing down the path of music Stewart attended Berklee College of Music in Boston, Massachusetts. He combines various genres and ties them all together with an industrial sound.
Overall, I was very impressed by the concert and I feel that the rest of the audience was also. The expectations for the members of the Chamber Orchestra are high and those were met but I feel that the expectations for the choral group were not as high. My expectations for the choir were not very high and they were immensely exceeded. The level of talent in that group was something that I was really not expecting at all. Emotionally, I was brought in by The Lord Nelson Mass and it was an interesting experience. Technically, I feel that everyone was flawless though I do not have a lot of experience in music. The type of music performed will never be my favorite; however, it is something that I can really appreciate.
The first piece presented in this concert was Robert Strauss’ Metamorphosen, Study for 23 Solo Strings a piece was composed during the last months of World War II, from August 1944 to March 1945, dedicated it to Paul Sacher. It was first performed in January 1946 with ten violins, five violas, five cellos, and three double basses, this was immolated in the performance by the Atlanta Symphony orchestra on April 13th that I attended. It is widely believed that Strauss wrote the work as a statement of mourning for Germany's destruction during the war, in particular as an elegy for devastating bombing of Munich during the second World War.
Placed in the genre of jam bands, Keller is able to create a solo jamming experience with the use of his arsenal of various instruments. Keller was “introduced to looping techniques by ‘Flecktones’ bassist Victor Wooten,” which he now uses “to build a full-band sound with only one man on stage” (“Keller Williams Brings”). A typical song will begin by Williams playing a guitar riff which he will then “loop” so that it repeats continuously. Next, he might pick up another guitar, of which he has collection numbering eight or so, and record another riff which he will loop on top of the original riff.
The overall interpretation of the performance has a lot to do with examining the uses and functions music in the performance. During halftime the band is trying the lift the spirits of the crowd and team playing, but the result is at halftime everyone leaves. Whether or not the performance was great much of the audience will never know because they leave. For those who stayed and listened to the performance it was delightful and intriguing but others did not give the band a chance. The musical sound was there. The performance involvement was present for those who stayed and listened and the music was very easy to interpret.
Another rare occurrence; real songwriters and musicians playing their own music! The five-piece band is led by vocalist, Karin Barquist, and her husband Linford Detweiler, keyboardist and collaborator. The rest of the band consists of Paul Moak who played the sitar during the opening song and lead guitar during most of the others, Will Seyles on drums, and Rick Plant on bass guitar. But Barquist seems to be the key member in the band. She has all the qualities a good lead singer should have; great voice, good-looking, poised, mature and confident. She really runs the show up there, and makes it look effortless in the process.
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
While the musician?s were playing, I was surprised how the audience was. Most of the audience was talking loud, drinking alcohol and eating snacks. Some audience was even clapping hands and humming along with the song. This was quite an opposite environment compared to the concerts I went to. Sometimes the audience was so loud that I could barely hear the songs. It was interesting that even though the crowd was so loud, the musicians seemed very comfortable with it. They played the song as if the audience?s voice was also part of their song. When audience was loud, they would play loud and when audience became quite, they played very soft and tender. It might be to get audience?s attention. But, it seemed the m...
The band played together in such harmony and joy, and they exchanged looks as if they're talking to each other and understood by looks. As it turns out the guest go the nigh George Gazone was the professor who taught the band members music. Garzone Played the Saxophone like no other, he’s solos were magical it was fascinating watching him and the admiration his student have for him. The music sounded beautiful, yet seems the band are not well prepared for the evening. There was a lot of improvisation and as if every band member wanted to show off his skills which was really good. Improvisation is an element of jazz I was looking for, also, there were a lot of call and response between the band members different ones at each piece they played.
Every performance was presented with charm. The flashing, changing colors seem to go along with the performances. The director was humorous. The performers outfits were on point too. I liked the color coding of the vocalists, Jeremy, Jordan, and Rowan. Also, Julie wore a pretty suede dress and had a great voice. It was nice to see her come out for the 2nd time to sing. When Spencer kept playing his saxophone in some of the performances, it was just amazing. Some of my favorite performances were Sittin on the Dock of the Bay, Ain’t too Proud to Beg, In a Sentimental Mood, and more. It really made me feel like I was in New Orleans all over again. I absolutely love Otis Redding and The Temptations music, so I wasn’t new to these songs they played. I was sitting in the back (R-125) where I felt comfortable to bob my head to the music. If I ever come back to see another concert, I will make sure to get a seat in the back again. I adore Jordan that did sung the Temptations song. I thought it was exciting to see his enthusiasm while on stage keeping us engaged, but everyone did great in their own way. The song by Duke Ellington made me feel melancholy, the piece was soft. I just couldn’t believe how well everyone contributed and gave an outstanding
In all, I think the choir concert went very well I thought that the performers did a great job and worked very hard to get where they are today.
After 15 minutes people were starting to get frustrated because nothing was happening. It is a good thing. Suddenly there was activity onstage and the lights dimmed. the first support band, Slam Cartel, came on. The mosh pit went wild.
It was on September 9th at the Austin360 Amphitheater and it had started a seven that night. At this concert was a mixture of artist such as Chris Brown, Omarion, Kid Ink, Fetty Wap, French Montana, and Teyana Taylor. The concert was called One Hell of a Nite Tour. From the many different topics we have learned in Sociology I noticed that there was only a specific group of people at this concert. When I had looked around I noticed that it was only people within the age range of about 18-25. Most of the people I talked to there were college students. It was a mixture of all races but it was diverse. You could easily tell who the wealthy was and who did not have much money. The wealthy people sat up close to the performers, while the ones with not much money was on the
Then audience members who were perfect strangers who were screaming loudest would turn to each other with knowing glances and smile because they were sharing the same excitement and connecting with one another over their love of this man’s music. There was no pushing or shoving to get closer to the stage – it wasn’t that kind of crowd. Instead, there was mutual respect for one another’s space within the confines of the too-small venue. Nobody wanted to be the person who ruined it for someone else. It was this respect that made the audience members’ connections with one another that much stronger – we were all here to listen to this wonderful man’s music and see his performance – and, of course, we were here to enjoy it.
The audience and I, sat down at tables with food and some sort of beverage, chatting with our friends and family during the performance. When every song was over, we clapped and after a few songs there was a little bit of cheering! Since, I have only been to a concert I will compare it to this. At a concert, I would rate the audience’s interaction with the performance as very involved. I feel this way because the audience tends to cheer before and after every song and sing along to every song played. The main focus of a concert is the concert, whereas here at the Portage Crossing Market District, the performance felt like background music and the main focus was hanging out with your family and