Augustus Of Primaporta Analysis

285 Words1 Page
bulb-icon

Recommended: Augustus Caesar

The free-standing sculpture Aulus Metellus was built during the Republic period; this is a sculpture of a Roman senator. This piece conveyed messages about leadership and power through his outstretched and slightly raised arm, a pose expressive of rhetorical persuasiveness. He was built to look as if he were addressing a gathering, which is traditionally shown in sculptures of rulers. Lastly, he was sculpted wearing sturdy laced leather boots and a folded and draped toga, which are characteristic garments of a Roman senator.
The piece Augustus of Primaporta was built in the Early Imperial period and is a sculpture of the emperor Augustus. In this piece, Augustus was sculped in the way he wanted to be seen and remembered. This sculpture conveyed

Show More
Related

  • Similarities Between Portrait Of Augustus As General And Khafre Enthroned

    1205 Words  | 3 Pages

    In this paper I am exploring “Portrait of Augustus as general” and “Khafre enthroned”. From exploring and getting to know the Statues in my Art History Book I have compared these statues (Kleiner, 2013). The first and most obvious similarity between the two is in the artists’ idealization and immortalization of their subjects. Both Khafre and Augustus are portrayed in an idealized manner, designed to give the impression of nobility, timelessness, and divinity. The two statues were the political advertisements of their times that showed the public images of reliable leaders who one

    Read More

  • The Res Gestae Divi Augustus: The Deeds Of The Divine Augustus

    1454 Words  | 3 Pages

    The Res Gestae Divi Augustus (‘The Deeds of the Divine Augustus’), also known simply as the Res Gestae was a catalogue of the achievements Augustus had made during his life, specifically those that had an obvious positive impact on the Roman people. It was written in 13-14AD (E.S. Ramage, 1987) and presented to the Vestal Virgins alongside Augustus’ will upon his death in 14AD (M.C. Howatson, 1937). The biography, which was carved into bronze pillars outside of Augustus’ mausoleum (M.C. Howatson, 1937), is split into 35 sections; each recognizing a separate part of Augustus’ excellence. The fifteenth, which will be discussed in this commentary, describes the notable largesses donated to the Roman people by Augustus throughout his

    Read More

  • Comparison Essay

    703 Words  | 2 Pages

    In regards to subject matter, both pieces of sculpture are of leaders, Mycerinus and Kha-merer-nebty II were the pharaoh and queen of Egypt around 2500 BCE., and Caesar Augustus was the Emperor of Rome from September 23, 63 BCE to August 19, 14 CE., shown in this work as a general from Primaport, Italy.

    Read More

  • How to Read a Roman Portrait

    440 Words  | 1 Pages

    Augustus’s statue portrayed him as an individualistic faction leader and tended to be more idealistic. For example, although he did start ruling as a youth, at the age of 18, his face was, continually, throughout his life, shown with youthfulness and vibrancy. He also had an archetypal body type of a hero and is shown with the omission of his boots, a reference to the ideal heroic statue. Lastly, there is a dolphin riding Cupid at his ankle which reminded the viewer that he was of divine descent. However, there was a limit to which he could exalt himself. He could not promote his individual character and will above the Roman public which would call for distrust and resentment.

    Read More

  • Augustus And The Senate Essay

    447 Words  | 1 Pages

    It was the senate that gave Augustus his power and many titles, yet he managed to manipulate them from the outset, on 16th January, Octavian was given the title Augustus, the revered one. Augustus wanted to convince the people that he was merely the first citizen at a free community. Augustus form of government is now known as the principate. The roles and responsibilities of the senate 1have amended overtime.

    Read More

  • Decoding Ancient Structures: Insights into the Roman Empire

    701 Words  | 2 Pages

    Throughout the ages, many scholars and future-scholars have offered an explanation for the meaning of structures from the ancient years, either by their placement or construction. None has fascinated or pushed scholars for reasons than structures and art of the ancient Romans, more specifically those constructed in the years of the Pax Romana and Crisis and Decline of the Roman Empire (27 BC to 284 AD).

    Read More

  • Rome in The Age of Augustus

    2200 Words  | 5 Pages

    30 BC ~ Octavian was given the title of Imperator, which was used in the Eastern provinces. Imperium suggests unlimited imperium (or power) (Antiquity 2 Interpreting The Past) This was the first of many titles that were to be given to Octavian after his defeat of Mark Antony in 31 BC at the Battle of Actium. It indicates that the provinces thought Octavian was worthy of being honoured, and that the power he possessed at the time should remain his. Therefore this was the first factor that initiated the rise of Octavian.

    Read More

  • Titus Livius: The Early History of Rome

    1126 Words  | 3 Pages

    In Titus Livius’, The Early History of Rome, Livy takes on the task of documenting Rome’s early history and some of the famous individuals who help contribute to the ‘greatness’ of Rome. Livy dedicates an entire portion of his writing to describe the reigns of the first seven kings of Rome; all who influence the formation and governance of Rome in some way. However, of the seven kings in early Roman history, King Romulus and King Numa Pompilius achieved godlike worship and high esteem from their fellow Romans. While both highly important and respected figures in Rome’s history, the personalities and achievements of King Romulus and King Numa Pompilius are complete opposites of one another. Despite the differences found in each king and of their rule over Rome, both Romulus and Numa Pompilius have a tremendous influence in the prosperity and expansion of Rome in its early days.

    Read More

  • Imagery In Ancient Roman Art

    1689 Words  | 4 Pages

    The primary function of monumental portraits in Ancient Rome was to honor political figures of power through repeating social and political themes. The Romans expressed these themes through a form of “realism”. Relics of this era were found depicting the elderly conservative nobility that lived through civil disruptions and war, elaborately individualized through detail of the face expression. Through the features of grimacing heaviness, wrinkles, and effects of old age, the Romans were able to express the reality of their political situation felt by the people whose faces were sculptured into stone. Furthermore, Nodelman discusses the use of sculpture portraits to depict the ideology behind Roman conservative aristocracy. Artists would portray the virtues of gravitas, dignities, and fides, through the use to physical expression and symbolic meaning, rather than through words. A statue of Augustus, for instance, displays the militaristic, powerful, godly perception of the conservative ideology through the use of symbolic detail. The decorative, rich, military outfit on Augustus, represents the power of the military and Augustus’s role as imperator in it. The freely held masculine arm and pointing gesture towards the horizon are Rome’s expanding dreams, clashing with the overall powerful and sturdy stance of the body. The bare feet bring about the impression

    Read More

  • The Annals of Tacitus

    2505 Words  | 6 Pages

    Tacitus tells us in the introduction to his Annales that his intent is to “relate a little about Augustus, Tiberius, et cetera” and to in fact do so “sine ira et studio” -- without bitterness or bias.1 Experience, however, tells us that this aim is rarely executed, and that we must be all the more suspicious when it is stated outright. Throughout the Annales, Tacitus rather gives the impression that his lack of bias is evidenced by his evenhanded application of bitterness to all his subjects. But is this really the case? While Tacitus tends to apply his sarcastic wit universally – to barbarian and Roman alike – this is not necessarily evidence of lack of bias. Taking the destruction of Mona and Boudicca's revolt (roughly 14.28-37) as a case study, it is evident that through epic allusion, deliberate diction, and careful choice of episodes related, Tacitus reveals his opinion that the Roman war machine first makes rebels by unjust governance, and then punishes them.

    Read More

  • Augustus Caesar: The rise of the Roman Empire

    546 Words  | 2 Pages

    Inside the marble-plated building, paintings and an array of ancient works of art adorn the otherwise monotonous walls of this ancient Roman museum. Perfectly handcrafted stone sculptures decorate even the door frames, creating an awe-inspiring sight as visitors come from far and wide to see the history of this vast empire. In the eastern wing of the museum, A group of student photographers gather round the ancient statue of a man who made his mark on history by creating the most fearsome empire in human history, all while setting the course for its inevitable destruction. The statue is of Augustus Caesar, the founder and first emperor of the Roman Empire. A man who, with an incredible lust for power, became the world’s most formidable ruler during his reign…

    Read More

  • Roman and Islamic Art and Architecture

    527 Words  | 2 Pages

    The Romans have adopted many features from the Greek style of art and architecture during the third and second centuries B.C. During that time period the Romans discovered that they have taking a liking to Greek statues, which they placed in many different places. The Roman sculptors then decided to also start making statues alongside the Greeks. The statues that the Romans created were realistic looking with, sometime, unpleasant details of the body. The Greeks made statues with, what they thought of, ideal appearances in the statues figure. Sculpture was possibly considered the highest form of art by the Romans, but figure painting was very high considered as well. Very little of Roman painting has survived the tests of time.

    Read More

  • The Dying Gaul

    812 Words  | 2 Pages

    The Dying Gaul is an emotionally enticing marble sculpture that is thought to have been made between 230-220 BC by an unknown artist. It is believed that statue is a marble copy of its original which was sculpted in bronze. The statue was ordered to be made by Attalus I of Greek who was seen as the savior of the Greeks against the barbarian groups, such as the Gauls in Galatia. Attalus successfully defeated the Gauls in a war near River Caicus, and as a celebration and commemoration of his victory, commissioned the creation of ‘The Dying Gaul’. Surprisingly, the statue that was meant to glorify Attalus’s success as an army general and ruler, persuaded people to look beyond the superficial world of battles, kingdoms , and triumphs into a realm dominated by human emotions.

    Read More

  • Analysis Of Augustus Of Prima Porta

    1836 Words  | 4 Pages

    Here, we will be looking at a rendition of the high marble statue of Augustus Caesar known as “Augustus of Prima Porta.” Originating from 1st Century A.D., it is said that there is a possibility that the original sculpture could have been of greek descent. Upon a general overview of the sculpture, one can see that Augustus fulfils a millitarial role of some kind. From his very stance to the garments portrayed on him, Augustus is draped in a decorative cuirass and a tunic, accompanied by a figure of Cupid clutching on to his right calf. After taking the general themes of the work into account, one can then began to start unraveling the many symbolic elements embedded into the sculpture that allude to godly themes. Starting from the crown of his head, the very chiselment and structure of his face gives the work a youthful element to it, even though some say that Augustus was around 40 years old. A recurring theme within Greek and Roman culture is the matter of godliness and immortality amongst idolized figures themselves. This idea is usually depicted by displaying powerful human being in a younger light. This

    Read More

  • Roman Atriums Essay

    578 Words  | 2 Pages

    The most distinguishing feature of Roman family city dwellings, or domus, was the atrium. The atrium was distinguished by an open area in the roof that not only let in light and air, but also served as an opening to collect rain water into the impluvium, a collection pool, which functioned as the primary source of water in the home and lay in the floor beneath the opening (Fife, 2012, para.4). Additionally, atriums were used as a meeting place for guests and to display art and wealth, with mosaics or paintings on the floors and walls and sculptures of family figures or idols. Commonly, rooms were built off of the atrium, which functioned as a central hub of the home. Rooms such as offices or dining spaces for hosting guests were common in this forward area of the house. Domus’ also frequently included a garden, or courtyard, in the back that lead into spaces for more personal use such as bedrooms, off of the garden. There were often many rooms to accommodate not only the owning family, but also household slaves.

    Read More

More about Augustus Of Primaporta Analysis

Open Document