August Wilson's The Piano Lesson

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August Wilson's The Piano Lesson is governed by solid male characters who see ladies in a negative light. They are viewed as articles to be vanquished or as scheming and misleading. The ladies of the Charles family repudiate this by being solid and free, giving the play a women's activist undercurrent basically through Berniece.
Boy Willie:
"All you want to talk about is women.
You ought to hear this nigger, Doaker.
Talking about all the women he gonna get when he get up and here.
He ain’t had none down there but he gonna get a hundred when he get up here (1.1.851).”
Lymon spends a vast segment of the play concentrated on ladies and considers them to be protests at the outset. Doaker sees them as gold diggers after their cash. Doaker had stated:
“I ain’t thinking about no woman.
They never get me tied up with them.
After Coreen I ain’t got no use for them.
I stay up on Jack Slattery’s place when I be down there.
All them women want is somebody with a steady payday (1.1.857).”
Willie Boys' treatment of Grace likewise demonstrates that he doesn't see ladies with uniformity and regard. He nitpicks Berniece, who is the female authority of the family unit, and regularly speaks condescendingly to her.
Berniece remains against Willie Boy when he needs to offer the piano and doesn't yield. …show more content…

On the off chance that her better half wasn't dead she most likely wouldn't be as resolved and frank, she would presumably assume the part of a devoted spouse. Be that as it may, I think her dissatisfaction goes further than that. I think, covertly, she wants to be a kid. I feel that is the reason, in Act 2, Scene 5 she tells Maretha “Be still, Maretha, if you was a boy I wouldn’t be going through

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