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The negative effects of modern movies on youth
Influence of films on teenagers
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The movie The Attack of the Killer Tomatoes (1978) by John DeBello is defined as a musical-horror-black-comedy, but most importantly it is known as a cult film. The movie depicts a world in which tomatoes are killers. Due to attacks, the president must create a specialist team to take down the killer vegetable. The team, composed of a lieutenant who never abandons his parachute, an underwater expert, and a master of disguise, must try and fight the seemingly indestructible tomatoes across the world. However, in the end it is a screechy teen pop song, “Puberty Love”, that makes the tomatoes retreat and the town rejoice. The B level film, produced by John DeBello with less than a hundred thousand dollar budget, was released in the United States …show more content…
During the late 1970’s, horror films developed into a popular genre, beginning with The Exorcist, and cult horror films saw popularity as well, such as Texas Chainsaw Massacre. However, teens were more inclined to see the blockbusters coming out in the later years, causing Grease to be one of the highest grossing films in this time period. The Attack of the Killer Tomatoes fit in with Cult horror popularity, but it was more humorous than the films becoming big hits, and it was not a blockbuster. Attack of the Killer Tomatoes became a cult film because of questionable content, not fitting society at the time, a minuscule budget, and through gaining a small following. Attack of the Killer Tomatoes has become a cult film that is so bad it is good, “It lacks so much logic, effects, story and talent that it is really worth looking at” (IMBD Commenter). One reason it has become a cult film is due to suppression, meaning the film is subject to censor, ridicule, lawsuit, or exclusion. The film contains violence and guns because the people are trying to kill the tomatoes, which can make it age censored to exclude young children and it may be ridiculed for the
Tomatoland is a book written by Barry Estabrook, an investigative food journalist. Throughout the pages of Tomatoland, Estabrook explores the path of tomatoes, from the seed in South America to the hands of migrant workers in the fields of Florida. Through his exploration he discovers several issues that exist within the fresh tomato industry in Florida. Two of the major issues that he discovers include the use of highly toxic chemicals that cause severe damage to the health of humans and the environment, and the exploitation of migrant workers. Estabrook directly blames the continuation of such issues on those who support the tomato industry, “it’s a world we’ve all made, and one we can fix”; this includes consumers, crew bosses, the government and the corporate farm owners, like the executives and those who work in the business side of farming. Although there are many who are at fault, Estabrook directs his blame more towards the government and the farms corporate owners. Estabrook’s assessment of blame is substantial because the government and owners of the tomato corporations are the ones who have the strongest power towards regulations and production.
As the 1920’s came to a close and America was in the midst of the Great Depression, a new genre of film was becoming popular. With 1928’s Lights of New York the “gangster” film genre as we know it today was born. Little Caesar and The Public Enemy (1931) were also highly influential and set the scene for the modern gangster film. The culmination of the gangster genre came about a year later. Howard Hawks’ Scarface (1932), is one of the boldest and most political gangster films ever made. Many changes were made by industry censor boards due to the diabolical nature of the film. Most notably, all scenes that contained shots of blood were removed and a subtitle was tacked onto the film denoting it as Scarface: The Shame of the Nation. Considered
Maasik, Sonia, and J. Fisher Solomon. "The Offensive Movie Cliche That Won't die." Signs of life in the U.S.A.: readings on popular culture for writers. Boston: Bedford Books of St. Martin's Press, 1994. 407-411. Print.
Paper Towns is about a boy named Quentin Jacobsen and his childhood friend Margo Roth Spiegelman. When they were kids, they spent a lot of time together, but as they grew up, they also grew apart. Then, one day, Margo shows up at Quentin’s window, asking him to help her. They then spend the night seeking revenge on Margo’s high school friends who she says have wronged her. The next day, Margo disappears, which isn’t uncommon for Margo. But this time, Quentin gets involved in the mystery until, eventually, he’s the only one still looking. Quentin believes Margo wants to be found and has left a trail of clues for him. After searching for a while, Quentin finds the clue that leads him to Agloe, New York, where Margo is. Quentin and his friends take a road trip there, to find out that Margo isn’t what Quentin expected at all.
The movie “Mean Girls” is based on a real story in high school social groups. Cady Heron was a new girl in high school. She has been homeschooled in Africa for her whole life, so she wanted to learn how people in school behave and socialize. It was difficult for Cady to adjust in the new school environment. Initially, Cady had difficulties finding a friend in the school. Her first day in school, she eats her meal in the restroom until she meets Janis and Damien. They encourage Cady to be a friend with one of the most popular group at school called the “Plastic”. Every girl in school envy them and with they would be a member of the group. Regina is the head of the group, and she does anything in her power to get what she wishes, and Gretchen and Karen are her followers. Most of the girls at school are obsessed with the idea of joining Regina’s group because they are royalty in the high school. Since Cady is a pretty girl, the Plastic group was threatened by her and wanted her to join them so that they can control her and the boys who pay attention to Cady. Cady joints them and they will succeed to changer her thoughts and actions. Consequently, she starts acting like them and hide her friendship with Janis and Damien who
The genre of horror films is one that is vast and continually growing. So many different elements have been known to appear in horror films that it is often times difficult to define what is explicitly a horror film and what is not. Due to this ambiguous definition of horror the genre is often times divided into subgenres. Each subgenre of horror has a more readily identifiable list of classifications that make it easier to cast a film to a subgenre, rather than the entire horror genre. One such subgenre that is particularly interesting is that of the stalker film. The stalker film can be categorized as a member of the horror genre in two ways. First, the stalker film can be identified within the horror genre due to its connection with the easily recognizable subgenre of horror, the slasher film. Though many elements of the stalker film differ from those of the slasher film, the use of non-mechanical weapons and obvious sexual plot points can be used to categorize the stalker film as a subgenre of the slasher film. Secondly, the stalker film can be considered a member of the horror genre using Robin Wood’s discussion regarding horror as that which society represses. The films Fatal Attraction, The Fan, and The Crush will be discussed in support of this argument. (Need some connector sentence here to finish out the intro)
Giallo is a slasher genre that was prominent in the late twentieth century especially in Italy where the genre was made up of mystery and horror elements. The origin of the term is from cheap mystery novels, similar to penny dreadfuls, where they were adorned in bright yellow covers of which the genre was suitably named after as "giallo" is yellow in Italian. Though the term "giallo" is not just recognized in just Europe as internationally it is considered to have greatly influenced the sudden influx of American slasher and splatter films in the latter 1970s period. Films such as Blood and Black Lace and Black Belly of a Tarantula are classified as early giallo due to their "distinctive characteristics" that will be explored in this essay.
Cult movies first began getting big when they began playing through midnight movies. Midnight movies were done in small theaters showing old favorite and avant-garde films. After realizing what good audience the midnight shows were...
It was a cool, crisp November evening, while five teenagers were hustling and bustling around my house excitedly getting ready for their very first showing of the live version of their all time favorite movie. They knew it would be the best night of their lives. The night of my 15th birthday party, my friends and I all piled into my parents car around 11:00 PM and headed off down the road to the Heights Theater. The movie we are about to see is an all time classic. The Rocky Horror Picture Show is the best cult film of all time. The movie has all the three basic elements it should have. It has funny audience participation, wonderful acting, and a great story line.
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
It matters because it revolutionize scary movies After that. The reason why these movies are revolutionizing is because it was scary for its time and some was revolutionizing for example: the 13 ghost was a classic on story.These movies made the horror movie genre interesting back in the days making the reputation high.Finally, What makes you think these movies are scary, cool, revolutionizing, or even
After World War I and the Bolshevik Russian Revolution, Communists, people who supports or believes in the principles of communism, which is a political theory derived from Karl Marx, supporting class war and leading to a society in which all property is publicly owned and each person is paid according to their abilities and needs, overpowered Russia in 1917. The Americans feared the Communist ideas. The fear increased when millions of American workers went on strike in 1919. The Red Scare began in April 1919 after postal workers found bombs in packages addressed to famous Americans. Officials never found the sender of but suspected members of the Communists Party.
Within the genre of horror films falls the sub-genre of teen slasher/stalker films. These teen slasher/stalker films take the horror genre film characteristics into account, however they add more to the formula. More violence, sadism, brutality, and graphic blood and gore are used to increase the terror factor. Sexuality and gratuitous nudity are also key characteristic of many of these films. Imitations and numerous sequels are also a common characteristic of teen slasher/stalker films as well.
All dramatic productions feature the elements of drama. Following a viewing of the scene ‘Someone’s crying’ from the 1993 movie ‘The Secret Garden’ three of the elements of drama have been assessed. Role, character and relationships have been utilised in ‘The Secret Garden’ to create anxiety and suspense, enticing the viewer to solve the mysteries the Secret Garden presents. The protagonist in the scene is a young girl, around the age of ten who during the night leaves her room to explore her residence. The protagonist narrates the scene; she begins by stating that the ‘house seems dead like under a spell’. This makes the viewer anxious and fearful for the safety of our young protagonist. The protagonist is brave. She pushes open a door and
Almost everyone in America today has seen one of John Hughes’ iconic 1980’s teen movies. From Pretty in Pink, to Ferris Buellers Day Off, these iconic 80’s hits are still viewed as pop culture even two decades after their release. None of John Hughes movies has had as great an impact on society in America as The Breakfast Club. The 1980’s in America were filled with nuclear threats from the Cold War, President Reagan’s war on drugs and an increasing gap in wealth distribution. Even with America experiencing these heightened tensions, American teenagers were able to be more carefree, in a large part due to the draft being over, and worry about “teenage” problems. The Breakfast Club was able to capture this newfound freedom among teenagers as well as the feelings of anxiety, fear, and drama that came with high school. The film showed that one’s parents don’t determine your life, that breaking out of a label is possible, and that the emotions and issues that take place during this period of life aren’t any less important than the ones you face later on. The Breakfast Club by John Hughes was so impactful on 1980’s American culture because it gave hope for social class mobility, fought against the conservative politics of the era, and was one of the first movies to be shot from an accurate teenage perspective.